{"title":"4AD","description":"","products":[{"product_id":"daughter-not-to-disappear","title":"Daughter - Not To Disappear","description":"Nearly three years after the release of their debut, ‘If You Leave’, Daughter - the London-based trio of Elena Tonra, Igor Haefeli and Remi Aguilella - return with a new album entitled ‘Not To Disappear’.\u003cbr\u003e• ‘Not To Disappear’ is Daughter’s second album and finds the band making confident strides forward, both sonically and lyrically. Elena, Igor and Remi spent a summer in New York recording ‘Not To Disappear’ with Nicolas Vernhes (Deerhunter, War On Drugs, Animal Collective) at his Rare Book Room studio in Greenpoint, Brooklyn.\u003cbr\u003e• Eager for a fresh approach to music videos, Daughter invited filmmakers Iain Forsyth and Jane Pollard (directors of the Nick Cave film ‘20,000 Days On Earth’) to create three films for ‘Not To Disappear’. Author Stuart Evers was commissioned to write three short stories - ‘Dress’, ‘Window’ and ‘5,040’ - based on select ‘Not To Disappear’ tracks. Iain and Jane’s videos are interpretations of those tales.\u003cbr\u003e• Starting life in 2010, the band released two EPs - ‘His Young Heart’ and ‘The Wild Youth’ - before joining 4AD in 2012. In their short career, Daughter have gained a loyal fanbase, playing to sold-out venues around the world. Their first album, the silver selling ‘If You Leave’, released in 2013, debuted in the Top 20 of the UK album chart.","brand":"4AD","offers":[{"title":"Default Title","offer_id":39407310241845,"sku":"CAD3604","price":23.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/2825\/4773\/files\/Daughter-Not-To-Disappear.jpg?v=1687534483"},{"product_id":"daughter-if-you-leave","title":"Daughter - If You Leave","description":"Daughter are a London-based trio consisting of Elena Tonra (vocals, guitar), Igor Haefeli (guitar) and Remi Aguilella (percussion). \u003cbr\u003e  Daughter started life in 2010 as an outlet for Elena’s musings. After recording a ‘Demos’ EP, Elena joined forces with Igor, then fellow classmates studying music at college. A four-track EP, ‘His Young Heart’, was self released in April 2011, and with Remi completing the line up soon after, The ‘Wild Youth’ EP was released in late 2011. On the strength of these releases alone they have gained a loyal fanbase which continues to grow as public and media alike discover their charms. \u003cbr\u003e  With tickets for Daughter’s first major UK tour long sold out, and recent single ‘Smother’ playlisted at Radio 1, 6Music and XFM, it’s clear this is a band whose star is on the ascent. \u003cbr\u003e  ‘If You Leave’ is Daughter’s debut album. Recorded over a period of months at home and in various spaces around London, it was produced by Igor with additional production from Rodhaidh McDonald (The xx, Adele) and Jolyon Vaughan Thomas, and mixed by Ken Thomas (Sigur Ros, M83) at High Bank Studios. \u003cbr\u003e  Less of a statement of intent, these songs are more a snapshot of a year in Daughter’s short life. Lyrically, Elena plumbs the depths of her psyche to reveal her innermost thoughts, finding catharsis in expounding those internal demons. There may be little light relief here, but the personal themes have universal appeal; tales of doubt, insecurity, fear, anger and loneliness all take centre stage. \u003cbr\u003e  Musically, Daughter balance an intricate interplay between vocal, guitar and rhythm section. Elena’s vocals are fractured, often delivering savage words with a smoke-tinged whisper. Igor wrestles his guitar to build up a stark and brutal landscape, colliding with Elena’s more structured rhythm guitar. All are punctuated by the jolts of Remi’s minimalist drums. \u003cbr\u003e  ‘If You Leave’ is a bold first move for an act still in its infancy, and yet the songwriting displays a maturity that belies their youth. Darkness may prevail on ‘If You Leave’, but the future looks extremely bright for Elena, Igor and Remi. ","brand":"4AD","offers":[{"title":"Default Title","offer_id":39407310274613,"sku":"CAD3301","price":23.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/2825\/4773\/files\/Daughter-If-You-Leave.jpg?v=1687534487"},{"product_id":"grimes-art-angels","title":"Grimes - Art Angels","description":"\u003cp\u003eRelease Date - 11\/12\/15\u003c\/p\u003e\n\u003cp\u003eSpanning over 14 tracks, the new album features collaborations with Janelle Monáe and newcomer, Taiwanese rapper Aristophanes. It was recorded primarily in her home studio in Los Angeles, CA, where she relocated to in 2014.\u003c\/p\u003e\n\u003cp\u003eLike all of her previous albums, ‘Art Angels’ was written and recorded entirely as a solo endeavor. The new album features more live instrumentation than ever before on a Grimes record. She plays piano, guitar and violin, continuing her evolution as a musician and a producer for her most ambitious album to date.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. laughing and not being normal\u003cbr\u003e\u003cbr\u003e2. California\u003cbr\u003e\u003cbr\u003e3. SCREAM ft. Aristophanes\u003cbr\u003e\u003cbr\u003e4. Flesh without Blood\u003cbr\u003e\u003cbr\u003e5. Belly of the beat\u003cbr\u003e\u003cbr\u003e6. Kill V. Maim\u003cbr\u003e\u003cbr\u003e7. Artangels\u003cbr\u003e\u003cbr\u003e8. Easily\u003cbr\u003e\u003cbr\u003e9. Pin\u003cbr\u003e\u003cbr\u003e10. Realiti\u003cbr\u003e\u003cbr\u003e11. World Princess part II\u003cbr\u003e\u003cbr\u003e12. Venus Fly ft. Janelle Monáe\u003cbr\u003e\u003cbr\u003e13. Life in the Vivid Dream\u003cbr\u003e\u003cbr\u003e14. Butterfly\u003c\/p\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":39407311257653,"sku":"CAD3535","price":24.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/2825\/4773\/files\/Grimes-Art-Angels.jpg?v=1687534509"},{"product_id":"grimes-visions","title":"Grimes - Visions","description":"\u003cbr\u003e\u003cbr\u003e • 4AD release ‘Visions’, the defining new album from Grimes.\u003cbr\u003e • For those unaware, Grimes is the inventive work of Claire Boucher, a project that has gained notoriety since its inception back in early 2010. Moving to Montreal from Vancouver in 2006, she developed Grimes among the city’s burgeoning DIY scene; a scene where both punk ethos and pop music collide, resulting in a distinct sense of community, religiosity and psychedelic revelry.\u003cbr\u003e • ‘Visions’ will be her fourth release in less than two years. With her creative bent being both musical and visual, her second self embodies the arts of 2D, performance, dance, video and sound, weaving them all together to strong rhythmic effect. Subsequent records have sharpened her production skills and each one has tackled different influences and styles. This new set incorporates influences as wide as Enya, TLC and Aphex Twin, whilst drawing from genres like New Jack Swing, IDM, New Age, K-pop, Industrial and Glitch, resulting in a record that is both otherworldly and futuristic.\u003cbr\u003e • Claire describes her work as “the only means through which I can be fully expressive. It is both an ethereal escape from, and a violent embrace of, my experience. The creative process is a quest for the ultimate sensual, mystical and cathartic experience and the vehicle for my psychic purging. ‘Visions’ was conceived in a period of self-imposed cloistering during which time I did not see daylight.”\u003cbr\u003e • Grimes is heading out on a North American tour in late- February and is scheduled to reach Europe in May.\u003cbr\u003e • LP contains free download code.","brand":"4AD","offers":[{"title":"Default Title","offer_id":39407311880245,"sku":"CAD3208","price":23.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/2825\/4773\/files\/Grimes-Visions.jpg?v=1687534514"},{"product_id":"pixies-trompe-le-monde","title":"Pixies - Trompe Le Monde","description":"\u003cspan data-mce-fragment=\"1\"\u003eback in stock. Trompe Le monde' was a fitting finale, the classic pixies sound is present throughout as are the effortlessly catchy 'black francis' melodies. another must-have from one of the most important bands ever.\u003c\/span\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":39407334883381,"sku":"CAD1014","price":21.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/2825\/4773\/products\/Pixies-Trompe-Le-Monde.jpg?v=1740670300"},{"product_id":"aldous-harding-designer","title":"Aldous Harding - Designer","description":"\u003cp\u003e\u003cbr\u003e\u003cbr\u003eAldous Harding release her third album, Designer, on 4AD. Designer finds the New Zealander hitting her creative stride. After the sleeper success of the internationally lauded Party, Harding came off a 100-date tour last summer and went straight into the studio with a collection of songs written on the road. Reuniting with John Parish, producer of Party, Harding spent 15 days recording and 10 days mixing at Rockfield Studios, Monmouth and Bristol’s J\u0026amp;J Studio and Playpen. From the bold strokes of opening track Fixture Picture, there is an overriding sense of an artist confident in their work, with contributions from Huw Evans (H. Hawkline), Stephen Black (Sweet Baboo), drummer Gwion Llewelyn and violinist Clare Mactaggart broadening and complimenting Harding’s rich and timeless songwriting.\u003c\/p\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":39407398453301,"sku":"SKU-4ad0102lp","price":22.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/2825\/4773\/files\/Aldous-Harding-Designer.jpg?v=1687534827"},{"product_id":"grimes-miss-anthropocene","title":"Grimes - Miss Anthropocene","description":"\u003cp\u003e\u003c\/p\u003e\u003cp\u003eGrimes releases her long awaited new album Miss Anthropocene on 4AD. Includes the singles \u003cem\u003eSo Heavy I Fell Through the Earth\u003c\/em\u003e and \u003cem\u003eViolence\u003c\/em\u003e and featuring collaborations with 潘PAN and i_o.\u003c\/p\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":39407435120693,"sku":"SKU-1769","price":22.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/2825\/4773\/files\/Grimes-Miss-Anthropocene_159bad14.jpg?v=1740670593"},{"product_id":"belly-star","title":"Belly - Star","description":"\u003cp\u003eBelly - Star\u003c\/p\u003e\n\u003cp\u003eLP\u003c\/p\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":39407457534005,"sku":"dad3002","price":24.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/2825\/4773\/files\/Belly-Star.jpg?v=1687535058"},{"product_id":"cocteau-twins-garlands","title":"Cocteau Twins - Garlands","description":"Originally released in June of 1982, the debut album by the Cocteau Twins is considered far darker than some of their later offerings, being influenced by Siouxsie and the Banshees, early Cure and the Birthday Party. During this early period, Will Heggie's bass played a significant role in defining their sound, giving it a darker and heavily rhythmic, earthy texture. This combined with Robin Guthrie's minimalistic and heavily effected guitar arrangements; a great deal of distortion and feed-back, smoothed out with chorus, reverb and flanger. Beneath is the roland 808 drum machine thumping along, as distinctively Cocteau sounding as the guitar. All while Elizabeth Fraser seemed to veer into glossolalia and mouth music. Garlands marks the beginning of their haunting ethereal sound. A masterpiece.","brand":"4AD","offers":[{"title":"Default Title","offer_id":39407466414133,"sku":"4AD0192LP","price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/2825\/4773\/files\/Cocteau-Twins-Garlands.jpg?v=1687535128"},{"product_id":"cocteau-twins-victorialand","title":"Cocteau Twins - Victorialand","description":"\u003cp\u003e\u003cem\u003eVictorialand\u003c\/em\u003e, Cocteau Twins’ fourth album, was released in spring 1986. The largely acoustic, non-percussive album was made with Elizabeth and Robin, while Simon was working on This Mortal Coil's second album. Dif Juz label mate Richard Thomas guested on tabla and saxophone. The Guardian said \"It’s not quite ambient, but it’s definitely not rock’n’roll even by the Cocteaus’ standards, building on the moments of guitar shimmer from the previous years’ EPs, while also stripping back at points to where it’s nothing but a Guthrie guitar line and Fraser’s voice.\"\u003c\/p\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":39407466840117,"sku":"SKU-2014","price":22.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/2825\/4773\/files\/Cocteau-Twins-Victorialand.jpg?v=1687535132"},{"product_id":"pixies-best-of-pixies-wave-of-mutilation","title":"Pixies ‎– Best Of Pixies (Wave Of Mutilation)","description":"\u003cp\u003ePixies ‎– Best Of Pixies (Wave Of Mutilation)\u003c\/p\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":39407520514101,"sku":"cad2406","price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/2825\/4773\/products\/Pixies-Best-Of-Pixies-Wave-Of-Mutilation-CD.jpg?v=1780512828"},{"product_id":"cocteau-twins-blue-bell-knoll","title":"Cocteau Twins - Blue Bell Knoll","description":"\u003cp\u003eAfter the airiness of 'victorialand', 'blue bell knoll', the cocteau twins' fifth album, returns them to the swirling ethereality of earlier collections. anchoring the interplay of elizabeth fraser's vocals and robin guthrie's effects-treated guitars with drum machine patterns and stronger bass lines makes for somewhat more traditional songs, and also frees them - 'suckling the mender' even has room for two glittering guitar solos.\u003c\/p\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":39407525134389,"sku":"cad3419","price":22.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/2825\/4773\/files\/Cocteau-Twins-Blue-Bell-Knoll.jpg?v=1687535565"},{"product_id":"tha-national-cheery-tree-ep-reissue","title":"The National - Cherry Tree EP","description":"\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eReleased a year before The National broke through with their third album Alligator, 2004’s \u003cem\u003eCherry Tree\u003c\/em\u003e EP is a thrilling record which - thanks to its collection of delicate ballads and anthemic crowd-pleasers - sums up what they do best in under 30 minutes. Now a firm fan-favourite, among\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCherry Tree’s\u003c\/em\u003e seven tracks are now National classics \u003cem\u003eAbout Today\u003c\/em\u003e and \u003cem\u003eAll The Wine\u003c\/em\u003e, plus a thrilling live version of \u003cem\u003eMurder Me Rachael\u003c\/em\u003e that reminds of the band’s fearsome early live performances. \u003cem\u003eCherry Tree\u003c\/em\u003e can be seen as the record that marks the moment when The National had truly found themselves, a bridge from what went before to a band ready to conquer the World.\u003c\/p\u003e\n\u003cp\u003eHaving been remastered at Abbey Road Studios, the 2021 represses stay faithful to their original artwork while their stunning new masters help make these much-loved records sound as vital as ever, further emphasising the early signs of the sound that would go on to make them one of the fi nest and most beloved alternative bands of their generation.\u003c\/p\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":39407826141237,"sku":"4ad0314t","price":16.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/2825\/4773\/files\/The-National-Cherry-Tree-EP.jpg?v=1740065434"},{"product_id":"the-national-trouble-will-find-me","title":"The National - Trouble Will Find Me","description":"\u003cp\u003eThe National - Trouble Will Find Me\u003c\/p\u003e\n\u003cp\u003eLP\u003c\/p\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":39407916154933,"sku":"cad3315","price":24.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/2825\/4773\/products\/The-National-Trouble-Will-Find-Me.jpg?v=1740672127"},{"product_id":"the-national-high-violet","title":"The National - High Violet","description":"\u003cdiv class=\"sc-UMyrj ivAgLv\" data-mce-fragment=\"1\"\u003e\n\u003cdiv data-testid=\"description-product\" class=\"sc-gKclnd sc-gpcHMt bgmYbB kBriEw\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e'High Violet' is the Brooklyn quintet's first full-length release since 2007's acclaimed long-player 'Boxer' and all eleven tracks were recorded in the band's own studio in Brooklyn with further recording and mixing at Tarquin studios in Bridgeport, Connecticut with Peter Katis. 'High Violet' is a nervy, melodic, explosive and beautiful set of songs that find the band at the height of their collaborative powers. The music is wide-ranging in its moods, by turns intimate and rough, expansive and spare, full of stark angles and atmosphere. Berninger singing - wild, half-broken, sly - evokes a feeling of being haunted, by love, by paranoia, by something just out of reach. 'High Violet' maybe The National's most thematically twisted record to date but it somehow also manages to be their most infectious and immediate.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":39407916417077,"sku":"CAD3X03","price":26.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/2825\/4773\/files\/The-National-High-Violet.jpg?v=1701254694"},{"product_id":"dry-cleaning-new-long-leg-4ad","title":"DRY CLEANING - NEW LONG LEG","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eNumber 2 \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan style=\"color: #2b00ff;\"\u003e\u003ca style=\"color: #2b00ff;\" href=\"https:\/\/vinilo.co.uk\/collections\/all\/vinilo-top-albums-2021?page=1\" data-mce-href=\"https:\/\/vinilo.co.uk\/collections\/all\/vinilo-top-albums-2021?page=1\"\u003eFeatured in Vinilo Top Albums 2021\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003ePRE ORDER RELAESED 2 APRIL 2021\u003c\/p\u003e\n\u003cp\u003eDry Cleaning will release their debut studio album New Long Leg on 2 April, on 4AD. The 10-track long-player, which includes ‘Strong Feelings’ and last year’s single ‘Scratchcard Lanyard’, was recorded over two weeks last summer at Rockfield Studios in rural Wales with producer John Parish (PJ Harvey, Aldous Harding). Following on from their thrillingly taut 2019 EPs Boundary Road Snacks and Drinks and Sweet Princess, New Long Leg is more ambitious and complex, with Shaw’s spoken vocals tightly intertwined with the band’s restless instrumentals. With lyrics preoccupied by themes like dissociation, escapism, daydreaming, complicated feelings of love, anger, revenge, anxiety, the kitchen, lethargy, forgetfulness, and survival, Shaw says, “the title is ambiguous; a new long leg could be an expensive present or a growth or a table repair.”Dry Cleaning was formed by friends Tom Dowse, Nick Buxton and Lewis Maynard after a karaoke party in 2017 inspired a collaboration. They wrote instrumentally to begin with until six months later Florence Shaw, a visual artist, university lecturer and picture researcher by day – with no prior musical experience – turned up to a band rehearsal armed with reams of her own collected writing and a copy of Michael Bernard Loggins’ Fears Of Your Life to read out over the music. Before long she was the group’s frontperson, contributing words of her own, and serving as the perfect foil to the band’s music. Tracklisting:1. Scratchcard Lanyard2. Unsmart Lady3. Strong Feelings4. Leafy5. Her Hippo6. New Long Leg7. John Wick8. More Big Birds9. A.L.C10. Every Day Carry\u003c\/p\u003e","brand":"4AD","offers":[{"title":"Ltd Opaque Yellow Vinyl   SIGNED ART PRINT","offer_id":39407980871733,"sku":"SIgned art print","price":18.0,"currency_code":"GBP","in_stock":false},{"title":"Ltd Opaque Yellow Vinyl","offer_id":39407980904501,"sku":"4AD0254LPE","price":18.0,"currency_code":"GBP","in_stock":false},{"title":"Black Vinyl","offer_id":39407980937269,"sku":"4AD0254LP","price":21.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/2825\/4773\/files\/DRY-CLEANING-NEW-LONG-LEG.jpg?v=1687536696"},{"product_id":"pixies-doolittle","title":"Pixies - Doolittle","description":"\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSecond album from alternative rock stalwarts, \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePixies\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e. 'Doolittle' is like when you see something disgusting, and your brain can’t quite decide if you want to keep looking at it and show it to everyone you know, or shut your eyes and hope it goes away. Surreal, catchy, dirty, noisy and really, really good. \u003c\/span\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":39452818079797,"sku":"CAD905","price":25.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/2825\/4773\/products\/Pixies-Doolittle.jpg?v=1740672839"},{"product_id":"pixies-surfer-rosa","title":"Pixies - Surfer Rosa","description":"\u003cdiv class=\"js-readmore\" id=\"product-description\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis album epitomises everyhing that is the Pixies. Every aspect of this album is close to perfection. Produced by Steve Albini, it captures the raw essence of Pixies in full flight. Black Francis' primal wail is complimented by the sheer brilliance of Joey Santiago on guitar, which in turn is pulled together by the rythmn unit of Kim Deal and David Lovering. The Pixies are without doubt one of the most important bands of the last 20 years.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":39452971696181,"sku":"CAD803","price":23.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/2825\/4773\/products\/Pixies-Surfer-Rosa.jpg?v=1740672848"},{"product_id":"erika-de-casier-sensational-clear-vinyl","title":"Erika De Casier - Sensational","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\" data-contents=\"true\"\u003e\n\u003cdiv data-mce-fragment=\"1\" data-offset-key=\"dpvn7-0-0\" data-editor=\"lhof\" data-block=\"true\" class=\"block paragraph\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\" data-offset-key=\"dpvn7-0-0\"\u003e\u003cspan data-mce-fragment=\"1\" data-offset-key=\"dpvn7-0-0\"\u003eErika De Casier\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" data-offset-key=\"8p3if-0-0\" data-editor=\"lhof\" data-block=\"true\" class=\"block paragraph\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\" data-offset-key=\"8p3if-0-0\"\u003e\u003cspan data-mce-fragment=\"1\" data-offset-key=\"8p3if-0-0\"\u003e“Sensational”\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" data-offset-key=\"cfui2-0-0\" data-editor=\"lhof\" data-block=\"true\" class=\"block paragraph\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\" data-offset-key=\"cfui2-0-0\"\u003e\u003cspan data-mce-fragment=\"1\" data-offset-key=\"cfui2-0-0\"\u003e\u003cbr data-mce-fragment=\"1\" data-text=\"true\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" data-offset-key=\"8bfng-0-0\" data-editor=\"lhof\" data-block=\"true\" class=\"block paragraph\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\" data-offset-key=\"8bfng-0-0\"\u003e\n\u003cspan data-mce-fragment=\"1\" data-offset-key=\"8bfng-0-0\"\u003eCopenhagen-based songwriter and producer Erika de Casier has announced details of her second full-length studio album. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" data-offset-key=\"8bfng-0-1\"\u003eSensational\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" data-offset-key=\"8bfng-0-2\"\u003e, which includes recent singles ‘No Butterflies, No Nothing’ and ‘Drama’\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" data-offset-key=\"edol-0-0\" data-editor=\"lhof\" data-block=\"true\" class=\"block paragraph\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\" data-offset-key=\"edol-0-0\"\u003e\n\u003cspan data-mce-fragment=\"1\" data-offset-key=\"edol-0-0\"\u003eSensational\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" data-offset-key=\"edol-0-1\"\u003e expands the universe of de Casier’s 2019 self-released debut album \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" data-offset-key=\"edol-0-2\"\u003eEssentials\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" data-offset-key=\"edol-0-3\"\u003e. Where \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" data-offset-key=\"edol-0-4\"\u003eEssentials\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" data-offset-key=\"edol-0-5\"\u003e dealt more with the infatuation stages of love, \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" data-offset-key=\"edol-0-6\"\u003eSensational\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" data-offset-key=\"edol-0-7\"\u003e has more of an attitude, aiming to dismantle the stereotype of single women looking for love, tackling relationship dramas and the toxicity of dating. It was a chance to rewrite scenarios in ways that empowered her, fantasising about what could’ve been. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" data-offset-key=\"edol-0-8\"\u003eSensational\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" data-offset-key=\"edol-0-9\"\u003e was co-produced by de Casier and is a breath of fresh air to anyone with a passion for music in all its genres, as much influenced by Aaliyah and Janet Jackson as house, garage and techno. With hushed, pillow-soft vocals and production that references turn-of-the-millenium sounds, de Casier’s sound surveys the past while looking to the future.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" data-offset-key=\"32hbr-0-0\" data-editor=\"lhof\" data-block=\"true\" class=\"block paragraph\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\" data-offset-key=\"32hbr-0-0\"\u003e\n\u003cspan data-mce-fragment=\"1\" data-offset-key=\"32hbr-0-0\"\u003eBorn in Portugal to Belgian and Cape Verdean parents and raised in Denmark, Erika de Casier initially made her mark as an ally of the Regelbau collective (home to Danish house acts DJ Sports, C.K and Central) before writing, co-producing and releasing debut album, \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" data-offset-key=\"32hbr-0-1\"\u003eEssentials,\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" data-offset-key=\"32hbr-0-2\"\u003e through her own Independent Jeep label. Her take on 90s\/00s R\u0026amp;B became a slow-burn success story and \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" data-offset-key=\"32hbr-0-3\"\u003eEssentials\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" data-offset-key=\"32hbr-0-4\"\u003e graced Best of 2019 lists at Mixmag, Gorilla vs. Bear, FACT, Dummy, and Crack Magazine.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" data-offset-key=\"cl86k-0-0\" data-editor=\"lhof\" data-block=\"true\" class=\"block paragraph\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\" data-offset-key=\"cl86k-0-0\"\u003e\u003cspan data-mce-fragment=\"1\" data-offset-key=\"cl86k-0-0\"\u003e\u003cbr data-mce-fragment=\"1\" data-text=\"true\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" data-offset-key=\"f7pnh-0-0\" data-editor=\"lhof\" data-block=\"true\" class=\"block paragraph\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\" data-offset-key=\"f7pnh-0-0\"\u003e\u003cspan data-mce-fragment=\"1\" data-offset-key=\"f7pnh-0-0\"\u003eTRACKLISTING\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" data-offset-key=\"4p3if-0-0\" data-editor=\"lhof\" data-block=\"true\" class=\"block paragraph\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\" data-offset-key=\"4p3if-0-0\"\u003e\u003cspan data-mce-fragment=\"1\" data-offset-key=\"4p3if-0-0\"\u003e1. Drama\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" data-offset-key=\"ersd6-0-0\" data-editor=\"lhof\" data-block=\"true\" class=\"block paragraph\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\" data-offset-key=\"ersd6-0-0\"\u003e\u003cspan data-mce-fragment=\"1\" data-offset-key=\"ersd6-0-0\"\u003e2. Polite\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" data-offset-key=\"ecugf-0-0\" data-editor=\"lhof\" data-block=\"true\" class=\"block paragraph\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\" data-offset-key=\"ecugf-0-0\"\u003e\u003cspan data-mce-fragment=\"1\" data-offset-key=\"ecugf-0-0\"\u003e3. Make My Day\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" data-offset-key=\"ah5op-0-0\" data-editor=\"lhof\" data-block=\"true\" class=\"block paragraph\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\" data-offset-key=\"ah5op-0-0\"\u003e\u003cspan data-mce-fragment=\"1\" data-offset-key=\"ah5op-0-0\"\u003e4. All You Talk About\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" data-offset-key=\"6mahl-0-0\" data-editor=\"lhof\" data-block=\"true\" class=\"block paragraph\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\" data-offset-key=\"6mahl-0-0\"\u003e\u003cspan data-mce-fragment=\"1\" data-offset-key=\"6mahl-0-0\"\u003e5. Insult Me\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" data-offset-key=\"1sd81-0-0\" data-editor=\"lhof\" data-block=\"true\" class=\"block paragraph\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\" data-offset-key=\"1sd81-0-0\"\u003e\u003cspan data-mce-fragment=\"1\" data-offset-key=\"1sd81-0-0\"\u003e6. No Butterflies, No Nothing\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" data-offset-key=\"7buc7-0-0\" data-editor=\"lhof\" data-block=\"true\" class=\"block paragraph\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\" data-offset-key=\"7buc7-0-0\"\u003e\u003cspan data-mce-fragment=\"1\" data-offset-key=\"7buc7-0-0\"\u003e7. Someone To Chill With\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" data-offset-key=\"cluu0-0-0\" data-editor=\"lhof\" data-block=\"true\" class=\"block paragraph\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\" data-offset-key=\"cluu0-0-0\"\u003e\u003cspan data-mce-fragment=\"1\" data-offset-key=\"cluu0-0-0\"\u003e8. Acceptance (intermezzo)\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" data-offset-key=\"a5oq9-0-0\" data-editor=\"lhof\" data-block=\"true\" class=\"block paragraph\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\" data-offset-key=\"a5oq9-0-0\"\u003e\u003cspan data-mce-fragment=\"1\" data-offset-key=\"a5oq9-0-0\"\u003e9. Better Than That\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" data-offset-key=\"dvm0f-0-0\" data-editor=\"lhof\" data-block=\"true\" class=\"block paragraph\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\" data-offset-key=\"dvm0f-0-0\"\u003e\u003cspan data-mce-fragment=\"1\" data-offset-key=\"dvm0f-0-0\"\u003e10. Friendly\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" data-offset-key=\"nad8-0-0\" data-editor=\"lhof\" data-block=\"true\" class=\"block paragraph\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\" data-offset-key=\"nad8-0-0\"\u003e\u003cspan data-mce-fragment=\"1\" data-offset-key=\"nad8-0-0\"\u003e11. Secretly\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" data-offset-key=\"bhmnm-0-0\" data-editor=\"lhof\" data-block=\"true\" class=\"block paragraph\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\" data-offset-key=\"bhmnm-0-0\"\u003e\u003cspan data-mce-fragment=\"1\" data-offset-key=\"bhmnm-0-0\"\u003e12. Busy\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" data-offset-key=\"7da0s-0-0\" data-editor=\"lhof\" data-block=\"true\" class=\"block paragraph\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\" data-offset-key=\"7da0s-0-0\"\u003e\u003cspan data-mce-fragment=\"1\" data-offset-key=\"7da0s-0-0\"\u003e13. Call Me Anytime\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":39485725147189,"sku":"4AD0354LP","price":22.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/2825\/4773\/products\/Erika-De-Casier-Sensational.jpg?v=1769700802"},{"product_id":"cocteau-twins-treasure","title":"Cocteau Twins - Treasure","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e180 Gram Vinyl with Download. The band returned to being a trio in 1984 with guitarist Simon Raymonde joining their ranks in time for third album, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eTreasure\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e. Produced by Robin Guthrie and featuring tracks \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eLorelei, Ivo\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e and \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003ePersephone, Treasure\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e is often celebrated as one of the band’s finest works. As Pitchfork put it when including the album in their Top 100 Albums of the 1980s, “Treasure was titled simply enough. An adjective for the endlessly inventive melodic lines you'd find buried in these songs, and a verb for what you'd do with them for years to come.”\u003c\/span\u003e\u003c\/p\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":39647448989749,"sku":"CAD 3710","price":22.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/2825\/4773\/files\/Cocteau-Twins-Treasure.jpg?v=1687537705"},{"product_id":"various-artists-bills-aches-blues-40-years-of-4ad-1","title":"Various Artists - Bills \u0026 Aches \u0026 Blues (40 Years Of 4AD)","description":"\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003eIn 2020, 4AD turned 40. Never one to be on time for a party, the label is commemorating that landmark this year with the release of Bills and Aches and Blues. The compilation features 18 of its current artists covering a song of their choosing from 4AD’s past: a creative experiment rooted in the spirit of collaboration and a snapshot of 4AD, 41 years after its inception.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003e\u003ci\u003eBills and Aches and Blues’\u003c\/i\u003e 18 recordings contain fascinating connections between artist and track. The earliest song chosen (by U.S. Girls) is The Birthday Party’s \u003ci\u003eJunkyard\u003c\/i\u003e, from 1981; the most recent are the two Grimes covers (‘Genesis’ and ‘Oblivion’, respectively by Spencer. and Dry Cleaning) from 2012. Suitably, for the one band that bridges 4AD past and present, The Breeders are all over Bills And Aches And Blues. They’re covered three times – ‘Cannonball’ by Tune-Yards, ‘Mountain Battles’ by Bradford Cox of Deerhunter and ‘Off You’ by Big Thief, whilst The Breeders cover ‘The Dirt Eaters’ by their ‘90s contemporaries His Name Is Alive.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003eLandmark songs such as ‘Cannonball’, ‘Song To The Siren’ and Pixies’ ‘Where is My Mind?’, will feel comfortable to casual fans, however by contrast, much joy can be found in the album’s surprise choices, such as Air Miami’s ‘Seabird’ and the Lush B-side ‘Sunbathing’, covered respectively by new signings Maria Somerville and Jenny Hval.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003e\u003ci\u003eBills and Aches and Blues\u003c\/i\u003e is named, arguably (as Elizabeth Fraser never published the lyrics) after the opening line of Cocteau Twins ‘Cherry-Coloured Funk’. Perhaps too unique and uncoverable in their own right, their legendary take on Tim Buckley’s ‘Song To The Siren’, under the name This Mortal Coil (along with Buckley’s pre-Starsailor acoustic version) informs SOHN’s cover.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003eSome tracks unearth hitherto hidden shared DNA, such as Future Islands’ and Colourbox’s ‘The Moon Is Blue’; other tracks are more akin to reinvention. Aldous Harding distils the melodic essence of Deerhunter’s ‘Revival’ and recasts it in her own uncanny image. U.S. Girls’ future-disco ‘Junkyard’ and Bing and Ruth’s neo-classical instrumental ‘Gigantic’ are even more radical interpretations. Leading off the album, Tkay Maidza brings both her Art Rap and R\u0026amp;B game, but also an unexpected ‘80s synth pop template, to Pixies’ ‘Where Is My Mind?’, a perfect title for these chaotic times.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003eTRACKLISTING\u003cbr\u003eSide 1:\u003cbr\u003e01 Tkay Maidza Where Is My Mind? (Pixies)\u003cbr\u003e02 U.S. Girls Junkyard (The Birthday Party)\u003cbr\u003e03 Aldous Harding Revival (Deerhunter)\u003cbr\u003e04 The Breeders Dirt Eaters (His Name Is Alive)\u003cbr\u003e05 Maria Somerville Seabird (Air Miami)\u003cbr\u003eSide 2:\u003cbr\u003e06 Tune-Yards Cannonball (The Breeders)\u003cbr\u003e07 Spencer. Genesis (Grimes)\u003cbr\u003e08 Helado Negro Futurism (Deerhunter)\u003cbr\u003e09 Efterklang Postal (Piano Magic)\u003cbr\u003e10 Bing and Ruth Gigantic (Pixies)\u003cbr\u003eSide 3:\u003cbr\u003e11 Future Islands The Moon Is Blue (Colourbox)\u003cbr\u003e12 Jenny Hval Sunbathing (Lush)\u003cbr\u003e13 Dry Cleaning Oblivion (Grimes)\u003cbr\u003e14 Bradford Cox Mountain Battles (Breeders)\u003cbr\u003eSide 4:\u003cbr\u003e15 SOHN Song To The Siren (Tim Buckley)\u003cbr\u003e16 Becky and The Birds The Wolves Act I and II (Bon Iver)\u003cbr\u003e17 Ex:Re Misery Is a Butterfly (Blonde Redhead)\u003cbr\u003e18 Big Thief Off You (The Breeders)\u003c\/p\u003e\n\u003c\/div\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":39754784473141,"sku":"4AD0358LP","price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/2825\/4773\/products\/Various-Artists-Bills-Aches-Blues-40-Years-Of-4AD.jpg?v=1740673712"},{"product_id":"cocteau-twins-heaven-or-las-vegas","title":"Cocteau Twins - Heaven Or Las Vegas","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDeciding to scale back the overly pretty sound on \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eBlue Bell Knoll\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e while experimenting with more accessibility the Twins ended up creating their best album since Treasure. From the start, Heaven... is simply fantastic: on \"\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eCherry-Coloured Funk\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e,\" Guthrie's inimitable guitar work chimes leading a low-key but forceful rhythm, while Raymonde's grand bass work fleshes it out. Fraser simply captivates; her vocals are the clearest, most direct they've ever been, purring with energy and life. There are many moments of sheer Cocteaus beauty and power, including the title track, with its great chorus. 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Deal's voice is coy, but the band's full of dreamy energy, rocking like her old band the Pixies without their abrasion, tomboyish rather than macho. 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The album was produced by drummer James Krivchenia who initially pitched the recording concept for DNWMIBIY back in late 2019 with the goal of encapsulating the many different aspects of Adrianne’s songwriting and the band onto a single record.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTracklisting\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eChange\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTime Escaping\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSpud Infinity\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eCertainty\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDragon New Warm Mountain I Believe In You\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSparrow\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLittle Things\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eHeavy Bend\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFlower of Blood\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBlurred View\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eRed Moon\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDried Roses\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eNo Reason\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWake Me up to Drive\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePromise is a Pendulum\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e12,000 Lines\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSimulation Swarm\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLove Love Love\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Only Place\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBlue Lightning\u003c\/p\u003e","brand":"4AD","offers":[{"title":"Black Vinyl 2LP","offer_id":40153760432181,"sku":"4AD0408LP","price":25.0,"currency_code":"GBP","in_stock":true},{"title":"Eco-Friendly Colour Vinyl 2LP","offer_id":40153760399413,"sku":"4AD0408LPE","price":25.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/2825\/4773\/files\/BIG-THIEF-Dragon-New-Warm-Mountain-I-Believe-In-You.jpg?v=1687539412"},{"product_id":"aldous-harding-warm-chris","title":"Aldous Harding - Warm Chris","description":"\u003cp\u003ePre Order Released\u003c\/p\u003e\n\u003cp\u003e25\/03\/22\u003c\/p\u003e\n\u003cp\u003eAldous Harding announces details of a new studio album, the follow-up to 2019’s acclaimed \u003cem\u003eDesigner. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eFor \u003cem\u003eWarm Chris\u003c\/em\u003e, the New Zealand musician reunited with producer John Parish, continuing a professional partnership that began in 2017 and has forged pivotal bodies of work (2017’s \u003cem\u003eParty\u003c\/em\u003e and the aforementioned \u003cem\u003eDesigner\u003c\/em\u003e). All ten tracks were recorded at Rockfield Studios and includes contributions from H. 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Guitarist\/singer Andrianne Lenker, guitarist Buck Meek, bassist Max Oleartchik and drummer James Krivchenia put their tour-honed songs to disc. The juxtaposition of sweet, sleepy vocals and raw, earnest vocals makes a dynamic mix that keeps your attention for every note of lo-fi mayhem or gentle blissed out melody.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":40677116575797,"sku":"4AD0129LP","price":23.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/2825\/4773\/files\/BIG-THIEF-U_F_O_F.jpg?v=1687540765"},{"product_id":"cocteau-twins-the-pink-opaque","title":"Cocteau Twins - The Pink Opaque","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e180 Gram Vinyl cut from HD masters. Back in 1986, 'The Pink Opaque' brought together the best of the Cocteau Twins' early works to become their first official release in the US. Already a cult band on college radio, some classics like 'Pearly- Dewdrops' Drops' and 'Aikea-Guinea' were given new mixes for this release, while it also featured 'Millimillenary', the first run out for incoming band member Simon Raymonde. To this day, it remains a great entry point to a wonderful band.\u003c\/span\u003e\u003c\/p\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":40677827149877,"sku":"CAD3509","price":21.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/2825\/4773\/files\/Cocteau-Twins-The-Pink-Opaque.jpg?v=1687540783"},{"product_id":"big-thief-two-hands","title":"Big Thief - Two Hands","description":"\u003cp\u003e\u003cstrong\u003eBLACK VINYL\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eTwo Hands\u003c\/b\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e is the fourth studio album by the American band \u003c\/span\u003eBig Thief\u003cspan data-mce-fragment=\"1\"\u003e, released through \u003c\/span\u003e4AD\u003cspan data-mce-fragment=\"1\"\u003e on October 11, 2019. 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The South London-based group’s first studio album\u003cem\u003e, \u003c\/em\u003erecorded in just two weeks with producer John Parish at the iconic Rockfield Studios, became a huge critical and commercial success reaching #4 in the UK Album Charts and featuring in best-of-2021 polls across the board. Buoyed by its success, Nick Buxton (drums), Tom Dowse (guitar), Lewis Maynard (bass) and Florence Shaw (vocals) returned to rural Wales in late 2021, partnering once more with Parish and engineer Joe Jones. Working from a position of trust in the same studio and with the same team, imposter syndrome and anxiety was replaced by a fresh freedom and openness to explore beyond an already rangy sonic palette, a newfound confidence in their creative vision. A longer period in the studio afforded the time to experiment, improvise, play, sharpen their table tennis skills. \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e\u003cem\u003eStumpwork\u003c\/em\u003e was inspired by a plethora of events, concepts, and political debacles, be they represented in the icy mess of ambient elements reflecting a certain existential despair, or the surprising warmth in celebrating the lives of loved ones lost through the previous year. Surrealist lyrics are as ever at the forefront – but there is a sensitivity now to the themes of family, money, politics, self-deprecation, and sensuality. Furious alt-rock anthems combine across the record with jangle pop and ambient noise, demonstrating the wealth of influences the band feed off and their deep musicality. With the pressure of their debut album behind them, Dry Cleaning have crafted an ambitious and deeply rewarding new work that marks them out as one of the most intelligent and exciting acts to come out of the UK.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003eThe album and single artwork were conceived and created by multi-disciplinary artists \u003ca href=\"https:\/\/urldefense.com\/v3\/__http:\/www.rottingdeanbazaar.com\/__;!!GFJHfw!nVEIufC6vbnYoJwBxfBJHBtlKIK4R2UYlyCFCPtxin9Sf5KDoRXm1Zae_wFzzkR_E2BhgAYjYFiJDmC80AgUHC2tLdbRmYB_%24\"\u003eRottingdean Bazaar\u003c\/a\u003e and photographer \u003ca href=\"https:\/\/urldefense.com\/v3\/__http:\/www.anniecollinge.com\/__;!!GFJHfw!nVEIufC6vbnYoJwBxfBJHBtlKIK4R2UYlyCFCPtxin9Sf5KDoRXm1Zae_wFzzkR_E2BhgAYjYFiJDmC80AgUHC2tLQdarmnZ%24\"\u003eAnnie Collinge\u003c\/a\u003e. James Theseus Buck and Luke Brooks of Rottingdean Bazaar first worked with Dry Cleaning directing the official video for ‘Scratchcard Lanyard’ and as their creative partnership with the band continues to flourish, they have fashioned a brilliantly unique visual identity for \u003cem\u003eStumpwork\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e\u003cstrong\u003e\u003cu\u003eTRACKLIST\u003c\/u\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli style=\"font-weight: 400;\"\u003eAnna Calls From The Arctic\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eKwenchy Kups\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eGary Ashby\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eDriver’s Story\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eHot Penny Day\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eStumpwork\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eNo Decent Shoes For Rain\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eDon’t Press Me\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eConservative Hell\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eLiberty Log\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eIcebergs\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"4AD","offers":[{"title":"Limited Edition Pink Vinyl","offer_id":41845250916405,"sku":"4AD0504LPE2","price":24.0,"currency_code":"GBP","in_stock":false},{"title":"Ltd Recycled black vinyl","offer_id":41180410052661,"sku":"4AD0504LPE","price":24.0,"currency_code":"GBP","in_stock":true},{"title":"White Vinyl","offer_id":41180410085429,"sku":"4AD0504LP","price":22.0,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":41180410118197,"sku":"4AD0504CD","price":10.0,"currency_code":"GBP","in_stock":false},{"title":"Tape","offer_id":41837597425717,"sku":"4AS0504MCE","price":10.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/2825\/4773\/files\/Dry-Cleaning-Stumpwork.jpg?v=1687620950"},{"product_id":"the-birthday-party-junkyard","title":"The Birthday Party - Junkyard","description":"\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e4ad reissue J\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eunkyard\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e in a special vinyl edition. Apart from the lp, the package also contains a bonus 7\" featuring R\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eelease the Bats\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e and \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eBlast Off\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e. Additionally, it includes a cd of all 12 tracks, so that fans can also access the music digitally. The album has been mastered from Henry Rollins' 2000 re-master, previously unavailable in Europe, while the single is a new, 2012 master taken from the original studio analogue tapes. Released in May 1982, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eJunkyard\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e's uncompromising contents signalled both the oncoming demise of the band responsible for them and rock and roll's logical conclusion. harnessing the power of the Stooges' F\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eunhouse'\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e with the limitless possibilities offered by Captain Beefheart's '\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eTrout Mask Replica\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e', the Birthday Party were a product of the uncertain times that created them - the unwitting soundtrack to a time of death, darkness and decay.\u003c\/span\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":41767167033397,"sku":"cad3223","price":26.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/2825\/4773\/products\/The-Birthday-Party-Junkyard.jpg?v=1664638420"},{"product_id":"the-national-the-national-1","title":"The National - The National","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe National’s self-titled debut album of sozzled Americana is a thing of beauty, laden with heavy hints that this was a special band in the making.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTheir first release, \u003ci data-mce-fragment=\"1\"\u003eThe National\u003c\/i\u003e arrived two years after The National formed, a time when they were juggling bandlife with needing to hold down full-time jobs. And while nods to the alt. rock artists that inspired them (Pavement, Silver Jews) can be heard, so too are the beginnings of something all their own – Matt Berninger’s stunning and unexpected lyrics being pinned to melodies that stop you in your tracks.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe National marks the start point for one of the best bands of their generation with its new master helping elevate it to new levels. A great primer to a great band.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":41780677247029,"sku":"4AD0312LP","price":21.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/2825\/4773\/products\/The-National-The-National_490e94a8.jpg?v=1740674783"},{"product_id":"pixies-bossanova","title":"Pixies - Bossanova","description":"\u003cspan data-mce-fragment=\"1\"\u003eBack in stock. 180 gram vinyl reissue of the fourth album from the pixies from 1990. it is regarded as their most tame work. and to a certain extent this is true. it does have more melodic, quieter track, but this does nothing to diminsh the overall power of the album. the melodies were the sweetest yet, just check out 'alison' or 'havalina'.\u003c\/span\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":41893851365429,"sku":"4AD0265LP","price":23.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/2825\/4773\/products\/Pixies-Bossanova.jpg?v=1667559324"},{"product_id":"the-national-first-two-pages-of-frankenstein","title":"The National - First Two Pages Of Frankenstein","description":"\u003cp\u003e28\/04\/23\u003c\/p\u003e\n\u003cp\u003eAnchored by evocative melodies and an enthralling lyrical narrative,\u003cspan class=\"x_apple-converted-space\"\u003e \u003c\/span\u003e\u003ci\u003eFirst Two Pages of Frankenstein\u003cspan class=\"x_apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/i\u003esignals a thrilling new chapter in the band’s beloved discography.\u003cspan class=\"x_apple-converted-space\"\u003e\u003cb\u003e \u003c\/b\u003e\u003c\/span\u003eThe 11-song album was produced by The National at Long Pond Studios in upstate New York and features guest appearances by Taylor Swift, Phoebe Bridgers and Sufjan Stevens.\u003c\/p\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv class=\"x_WordSection1\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"x_MsoNormal\" aria-hidden=\"true\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"x_MsoNormal\"\u003eThe follow-up to 2019’s top five hit album\u003cspan class=\"x_apple-converted-space\"\u003e\u003ci\u003e \u003c\/i\u003e\u003c\/span\u003e\u003ci\u003eI Am Easy To Find\u003c\/i\u003e,\u003cspan class=\"x_apple-converted-space\"\u003e \u003c\/span\u003e\u003ci\u003eFirst Two Pages of Frankenstein\u003cspan class=\"x_apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/i\u003ewas initially stalled while lead singer Matt Berninger navigated “\u003cspan\u003ea very dark spot where I couldn’t come up with lyrics or melodies at all, and that period lasted for over a year. Even though we’d always been anxious and argued quite a lot whenever we were working on a record, this was the first time it ever felt like maybe things really had come to an end.”\u003cspan class=\"x_apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003eInstead, The National “\u003cspan\u003emanaged to come back together and approach everything from a different angle, and because of that we arrived at what feels like a new era for the band,” according to guitarist\/pianist Bryce Dessner, whose bandmates also include his brother Aaron (guitar\/piano\/bass) as well as brothers Scott Devendorf (bass, guitar) and Bryan Devendorf (drums).\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"x_MsoNormal\" aria-hidden=\"true\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003ci\u003eFirst Two Pages of Frankenstein\u003cspan class=\"x_apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/i\u003echannels the group’s revitalized chemistry into a body of work that beautifully balances elegant musicality with the National’s more idiosyncratic impulses. Tracks such as “Grease in Your Hair” and “Ice Machines” were road-tested in 2022 before they were recorded, allowing the band to hone the material in real time (another song, “Weird Goodbyes” featuring Bon Iver’s Justin Vernon, was released as a standalone track last August). “To me the power of this record has to do with the intentionality and structure of the music meeting with a lot of accidental magic,” says Aaron Dessner.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"x_MsoNormal\" aria-hidden=\"true\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"x_MsoNormal\"\u003eSwift duets with Berninger on the luminous “The Alcott,” continuing her recent string of collaborations with members of The National on her chart-topping albums\u003cspan class=\"x_apple-converted-space\"\u003e \u003c\/span\u003e\u003ci\u003efolklore\u003c\/i\u003e\u003cspan class=\"x_apple-converted-space\"\u003e \u003c\/span\u003eand\u003cspan class=\"x_apple-converted-space\"\u003e \u003c\/span\u003e\u003ci\u003eevermore\u003c\/i\u003e\u003cspan class=\"x_apple-converted-space\"\u003e \u003c\/span\u003eand Aaron Dessner’s Big Red Machine project.\u003cspan class=\"x_apple-converted-space\"\u003e \u003c\/span\u003e\u003cspan\u003eThe song finds Berninger and Swift inhabiting the roles of a couple attempting to resurrect a troubled relationship, forging a finely drawn story nearly novelistic in scope. “It’s about two people with a long history returning to a place and trying to relive a certain moment in time,” says Berninger. “It’s got the feeling of a last-ditch effort to hold onto the relationship, but there’s a hint of something positive where you can see the beginnings of a reconnection.”\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"x_MsoNormal\" aria-hidden=\"true\"\u003e \u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\" aria-hidden=\"true\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cb\u003e\u003cu\u003e\u003cspan lang=\"EN-US\"\u003eTracklisting\u003c\/span\u003e\u003c\/u\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003col start=\"1\" type=\"1\"\u003e\n\u003cli class=\"x_MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eOnce Upon A Poolside (feat. Sufjan Stevens) \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"x_MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eEucalyptus \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"x_MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eNew Order T-Shirt \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"x_MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eThis Isn't Helping (feat. Phoebe Bridgers) \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"x_MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eTropic Morning News\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"x_MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eAlien \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"x_MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eThe Alcott (feat. Taylor Swift) \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"x_MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eGrease In Your Hair \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"x_MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eIce Machines \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"x_MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eYour Mind Is Not Your Friend (feat. Phoebe Bridgers)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"x_MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eSend For Me\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"4AD","offers":[{"title":"Standard Black LP","offer_id":42070783655989,"sku":"4AD0566LP","price":25.0,"currency_code":"GBP","in_stock":true},{"title":"Limited Red LP","offer_id":42070783623221,"sku":"4AD0566LPE","price":27.0,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":42070783688757,"sku":"4AD0566CD","price":11.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/2825\/4773\/files\/The-National-First-Two-Pages-Of-Frankenstein_dc67fa4c.jpg?v=1774107513"},{"product_id":"the-national-laugh-track","title":"The National - Laugh Track","description":"\u003cp\u003e 17\/11\/23 \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003eThe surprise companion to The National's April release First Two Pages of Frankenstein, Laugh Track is the band's most freewheeling, all-hands-on-deck album in years. If Frankenstein represented a rebuilding of trust between group members after 20+ years together, the vibrant, exploratory Laugh Track is both the product of that faith and a new statement of intent. Reveling in the license to radically upend its creative process, The National honed most of this material in live performances on tour, and captured those invigorated versions in impromptu sessions at producer Tucker Martine’s Portland studio. Two nights later in Vancouver, the nearly eight-minute album closer “Smoke Detector” was recorded during soundcheck, completing a body of work bristling with spontaneity and vintage rock energy that makes a perfect complement to the songs found on its more introspective predecessor.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e\u003cstrong\u003eTracklisting\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e \u003c\/p\u003e\n\u003col style=\"font-weight: 400;\"\u003e\n\u003cli\u003eAlphabet City\u003c\/li\u003e\n\u003cli\u003eDeep End (Paul’s in Pieces)\u003c\/li\u003e\n\u003cli\u003eWeird Goodbyes feat. Bon Iver\u003c\/li\u003e\n\u003cli\u003eTurn off the House\u003c\/li\u003e\n\u003cli\u003eDreaming\u003c\/li\u003e\n\u003cli\u003eLaugh Track feat. Phoebe Bridgers\u003c\/li\u003e\n\u003cli\u003eSpace Invader\u003c\/li\u003e\n\u003cli\u003eHornets\u003c\/li\u003e\n\u003cli\u003eCoat on a Hook\u003c\/li\u003e\n\u003cli\u003eTour Manager\u003c\/li\u003e\n\u003cli\u003eCrumble feat. 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The Sunday Times called it “an unintended indie manifesto: music that is at once wayward and concise, dissonant and beautiful.”\u003c\/p\u003e\n\u003cp\u003eShortly after its release and in need of a second live guitarist, Lush founding member Meriel Barham joined the Leeds trio of Ian Masters, Graeme Naysmith and Chris Cooper, bringing a new dynamic to the band.\u003c\/p\u003e\n\u003cp\u003eHaving previously worked well with producer Hugh Jones (Echo and The Bunnyman, Modern English, The Sound), he did a brilliant job recording their second album, \u003ci\u003eIn Ribbons\u003c\/i\u003e (1992), despite some studio tensions. Brooklyn Vegan said in a recent celebration of the album that it was the “push and pull between Masters’ outsider tendencies and (the rest’s) commercial intereststhat makes \u003ci\u003eIn Ribbons\u003c\/i\u003e so good. If some of the wild, ragged edges of \u003ci\u003eComforts of Madness\u003c\/i\u003ehave been smoothed off, the album makes up for it with scope and beauty. And there’sstill no shortage of weird.” \u003c\/p\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":42608553197621,"sku":"4AD0407LP","price":26.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/2825\/4773\/files\/Pale-Saints-In-Ribbons.webp?v=1696329988"},{"product_id":"big-thief-masterpiece","title":"Big Thief - Masterpiece","description":"\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" style=\"font-weight: 400;\"\u003eBig Thief's music, rooted in the songs of Adrianne Lenker, paints in vivid tones \"the process of harnessing pain, loss, and love, while simultaneously letting go, looking into your own eyes through someone else's, and being okay with the inevitability of death,\" says Adrianne.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eMasterpiece\u003c\/em\u003e\u003c\/span\u003e, Big Thief's debut album, is filled with characters and visceral narratives, songs that pivot in the space of a few words. Adrianne's voice and guitar playing speak of rich emotional territory with grace and insight. In her words, the record tracks \"the\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003emasterpiece\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eof existence, which is always folding into itself, people attempting to connect, to both shake themselves awake and to shake off the numbness of certain points in their life. The interpretations might be impressionistic or surrealistic, but they're grounded in simple things.\"\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAdrianne met her longtime musical partner, guitarist and singer, Buck Meek, in Brooklyn a few years ago, and they quickly formed a creative bond tempered by the experience of traveling and performing for months on end in old dive bars, yards, barns, and basements together. They recorded a pair of duo albums (\u003cem data-mce-fragment=\"1\"\u003eA-Sides\u003c\/em\u003e and \u003cem data-mce-fragment=\"1\"\u003eB-Sides\u003c\/em\u003e), and Adrianne showcased her songs on a solo album, \u003cem data-mce-fragment=\"1\"\u003eHours Were The Birds\u003c\/em\u003e.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eNow, as a full rock and roll band, with Buck on guitar, Max Oleartchik on bass, and James Krivchenia on drums, they bring a steady wildness, giving the songs an even deeper layer of nostalgia. \"These guys feel like a pack of wolves at my back,\" says Adrianne, \"they make the songs howl and bark with a fierce tenderness that gives me courage.\"\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAfter spending last July in an old house that they turned into a studio on Lake Champlain with producer Andrew Sarlo, the resulting collection soars on what Big Thief fan Sharon Van Etten calls \"...a real journey, with intelligent stories and twist-and-turn melodies.\"\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" style=\"font-weight: 400;\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" style=\"font-weight: 400;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTracklisting\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" style=\"font-weight: 400;\"\u003e \u003c\/p\u003e\n\u003col data-mce-fragment=\"1\" style=\"font-weight: 400;\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eLittle Arrow\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eMasterpiece\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eVegas\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eReal Love\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eInterstate\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eLorraine\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003ePaul\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eHumans\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eVelvet Ring\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAnimals\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eRandy\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eParallels\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp data-mce-fragment=\"1\" style=\"font-weight: 400;\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\" style=\"font-weight: 400;\"\u003e\u003c\/p\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":42710261301301,"sku":"4AD0180LP","price":26.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/2825\/4773\/files\/Big-Thief-Masterpiece.jpg?v=1699716651"},{"product_id":"the-national-sleep-well-beast","title":"The National - Sleep Well Beast","description":"\u003cmeta charset=\"UTF-8\"\u003e\u003ci data-mce-fragment=\"1\"\u003eSleep Well Beast\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, the seventh album from The National. Produced by member Aaron Dessner with additional production by Matt Berninger and Bryce Dessner. The album was mixed by Peter Katis and recorded at Aaron’s Long Pond studio in Hudson Valley, NY. From the sombre piano chords of Nobody Else Will Be There, with a weary, hollowed-out Matt Berninger sighing: “You said we’re not so tied together \/ What did you mean?” it’s clear this is an album about separation, although Berninger has stated it’s not autobiographical. Strings peek into the mix as the opener builds gently to a crescendo that never arrives. A stirring example of The National as masters of restraint, it would have been entirely at home on Trouble Will Find Me. A thundering tom rhythm from the ever-innovative Bryan Devendorf ushers in Day I Die and a typically wry Berninger line: “Let’s get high enough to see our problems”. It also introduces the first of several lacerating guitar riffs from the Dessner twins. Indeed, the album, scattered with electronic loops, is at turns both the band’s most and least guitar-centric. The Crazy Horse-like solo on first single The System Only Dreams In Total Darkness tears through the heart of a song built for stadiums.\u003c\/span\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":42749228122165,"sku":"4AD0020LP","price":26.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/2825\/4773\/files\/The-National-Sleep-Well-Beast.webp?v=1701271853"},{"product_id":"the-national-i-am-easy-to-find","title":"The National - I Am Easy To Find","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eI Am Easy To Find\u003c\/i\u003e is the band’s eighth studio album and the follow-up to 2017’s Grammy®-award winning release \u003ci data-mce-fragment=\"1\"\u003eSleep Well Beast\u003c\/i\u003e. A companion short film with the same name will also be released with music by The National and inspired by the album. The film was directed by Academy Award-nominated director Mike Mills (\u003ci data-mce-fragment=\"1\"\u003e20th Century Women\u003c\/i\u003e, \u003ci data-mce-fragment=\"1\"\u003eBeginners\u003c\/i\u003e), and starring Academy Award Winner Alicia Vikander. Mills, along with the band, is credited as co-producer of the album, which was mostly recorded at Long Pond, Hudson Valley, NY with additional sessions in Paris, Berlin, Cincinnati, Austin, Dublin, Brooklyn and more far flung locations. The album features vocal contributions from Sharon Van Etten, Brooklyn Youth Chorus, Lisa Hannigan, Mina Tindle and more.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eI Am Easy to Find \u003c\/i\u003eis a 24-minute film by Mills starring Alicia Vikander, and a 68-minute album by the National. The former is not the video for the latter; the latter is not the soundtrack to the former. The two projects are, as Mills calls them, “Playfully hostile siblings that love to steal from each other”—they share music and words and DNA and impulses and a vision about what it means to be human in 2019, but don’t necessarily need one another. The movie was composed like a piece of music; the music was assembled like a film, by a film director. The frontman and natural focal point was deliberately and dramatically sidestaged in favour of a variety of female voices, nearly all of whom have long been in the group’s orbit. It is unlike anything either artist has ever attempted and also totally in line with how they’ve created for much of their careers.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAs the album’s opening track, \u003ci data-mce-fragment=\"1\"\u003eYou Had Your Soul With You\u003c\/i\u003e, unfurls, it’s so far, so National: a digitally manipulated guitar line, skittering drums, Berninger’s familiar baritone, mounting tension. Then around the 2:15 mark, the true nature of \u003ci data-mce-fragment=\"1\"\u003eI Am Easy To Find\u003c\/i\u003e announces itself: The racket subsides, strings swell, and the voice of long-time David Bowie bandmate Gail Ann Dorsey booms out—not as background vocals, not as a hook, but to take over the song. Elsewhere it’s Irish singer-songwriter Lisa Hannigan, or Sharon Van Etten, or Mina Tindle or Kate Stables of This Is the Kit, or varying combinations of them. The Brooklyn Youth Choir, whom Bryce Dessner had worked with before. There are choral arrangements and strings on nearly every track, largely put together by Bryce in Paris—not a negation of the band’s dramatic tendencies, but a redistribution of them.\u003c\/p\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":42749228941365,"sku":"4AD0154LPE","price":32.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/2825\/4773\/files\/The-National-I-Am-Easy-To-Find.webp?v=1701271858"},{"product_id":"adrianne-lenker-bright-future","title":"Adrianne Lenker - Bright Future","description":"\u003cp style=\"font-weight: 300;\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e22\/03\/24\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 300;\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAdrianne Lenker\u003c\/strong\u003e announces her new solo album.  \u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eBright Future\u003c\/em\u003e\u003c\/strong\u003e, out on \u003cstrong data-mce-fragment=\"1\"\u003e22 March\u003c\/strong\u003e on 4AD, marks Lenker’s first album since 2020’s \u003cem data-mce-fragment=\"1\"\u003esongs \u0026amp; instrumentals\u003c\/em\u003e, and features co-production from Philip Weinrobe, alongside contributions from Nick Hakim, Mat Davidson, and Josefin Runsteen.\u003c\/p\u003e\n\u003cp style=\"font-weight: 300;\" data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp style=\"font-weight: 300;\" data-mce-fragment=\"1\"\u003eFollowing the previously released single ‘Ruined,’ ‘Sadness As A Gift’ sees Lenker at her most familiar and warm, a track that is both utterly timeless, yet sounding new and surprising on every listen. The aliveness of Adrianne’s voice keeps her poetry aloft. She sings in a circle completed by guitar, piano, violin, and all voices. “The seasons go so fast \/\/ Thinking that this one was going to last \/\/ Maybe the question was too much to ask.”\u003c\/p\u003e\n\u003cp style=\"font-weight: 300;\" data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp style=\"font-weight: 300;\" data-mce-fragment=\"1\"\u003eOn \u003cem data-mce-fragment=\"1\"\u003eBright Future\u003c\/em\u003e, Adrianne Lenker, a songwriter known for turns of phrase and currents of rhyme, says it plainly, “You have my heart \/\/ I want it back.” Documented with analogue precision, what began as an experiment in collaboration, became proof Adrianne’s heart did return, full to the brim, daring her into the unknown.\u003c\/p\u003e\n\u003cp style=\"font-weight: 300;\" data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp style=\"font-weight: 300;\" data-mce-fragment=\"1\"\u003eDuring the high vibrance of autumn 2022, the Big Thief band member got lucky. Everyone could come. Three musical friends, “Some of my favourite people,” had space in their busy touring schedules to join her at the forest-hidden, analogue studio, Double Infinity. The musicians - Hakim, Davidson, and Runsteen - were known to Adrianne but newer to each other. “I had no idea what the outcome would be,” she recalls. The result? “It was magical,” she says. Adrianne’s musical risk became \u003cem data-mce-fragment=\"1\"\u003eBright Future\u003c\/em\u003e, the studio’s first album, a 12-track telling of a journeyed heart. \u003c\/p\u003e\n\u003cp style=\"font-weight: 300;\" data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp style=\"font-weight: 300;\" data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eBright Future\u003c\/em\u003e’s co-producer and engineer, Philip Weinrobe, prepared the studio. He has been Adrianne’s partner on previous solo albums, but this was something new. Adrianne did not intend to make an album. They would instead explore the songs with no expectations. Even with an open outcome, from the start, Phil wanted to capture the sessions with the purest, technical honesty. He rolled onto Double Infinity’s old cherry wood floors an Otari 1\/2 inch 8-Track and Studer console. \u003c\/p\u003e\n\u003cp style=\"font-weight: 300;\" data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp style=\"font-weight: 300;\" data-mce-fragment=\"1\"\u003eTo fill the air of the 150 year-old main room, Adrianne wanted piano, guitar, and violin. Mat Davidson plays them all. “I’ve known Mat a long time,” she says, “It doesn’t matter what instrument, his spirit just pours through.” At 17, Adrianne met Nick Hakim. She trusted her friend of 15 years to bring his sensitivity to the piano. “The way Nick would hold my songs, he would put every ounce of love.” Adrianne first met Josefin Runsteen in an Italian castle, and sought the classically trained violinist and percussionist’s “magnetic and contagious” energy. “She has such fire.” In addition to instrumentation, they made a chorus, adding carefully measured vocal harmonies. The sessions impressed and enchanted Adrianne. “I think the thing these people have in common, they are some of the best listeners I know musically. They have extreme presence.”\u003c\/p\u003e\n\u003cp style=\"font-weight: 300;\" data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp style=\"font-weight: 300;\" data-mce-fragment=\"1\"\u003eThe shelter and ease of the woodland Double Infinity studio is an element of the recordings. “It felt like everyone’s nervous systems released,” she says. “Once we were IN the song, somehow we just knew. No one stopped a take. We didn’t listen back. I only listened after everybody else left.” As a result, \u003cem data-mce-fragment=\"1\"\u003eBright Future\u003c\/em\u003e has the best qualities of thoughtful engineering with the spontaneous swim of a field recording. There are details to savour, fingertips on strings, felt pads nodding in the piano, the harmonies a few steps back, all smoothly laid to tape. It comes together to allow Adrianne’s songs to be as they are, unarmoured and light-footed.\u003c\/p\u003e\n\u003cp style=\"font-weight: 300;\" data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp style=\"font-weight: 300;\" data-mce-fragment=\"1\"\u003eAdmirers of Adrianne’s solo music and Big Thief will find on \u003cem data-mce-fragment=\"1\"\u003eBright Future\u003c\/em\u003e her reliable talent captured in stunning, magnetic clarity. In the company of parlour instruments, Adrianne’s modern melodic and lyrical inventions create new traditions. Her vocal flights at times outwit gravity, then land, guiding along an earthly path. The wholeness of the un-spliced recordings preserves a time of musical friendship during a golden season. The album also features the original recording of the now-beloved Big Thief song ‘Vampire Empire.’ Although they recorded for only some days, in Adrianne’s recollection, “It felt like we were together forever.”\u003c\/p\u003e\n\u003cp style=\"font-weight: 300;\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 300;\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTracklisting:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 300;\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003col style=\"font-weight: 300;\" data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eReal House\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eSadness As A Gift\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eFool\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eNo Machine\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eFree Treasure\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eVampire Empire\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eEvol\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eCandleflame\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAlready Lost\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eCell Phone Says\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eDonut Seam\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eRuined\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp style=\"font-weight: 300;\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e \u003c\/strong\u003e\u003c\/p\u003e","brand":"4AD","offers":[{"title":"LP","offer_id":42880813498421,"sku":"4AD0649LP","price":23.0,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":42880813465653,"sku":"4AD0649CD","price":10.0,"currency_code":"GBP","in_stock":false},{"title":"Recycled LP","offer_id":42880813531189,"sku":"4AD0649LPE","price":23.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/2825\/4773\/files\/Adrianne-Lenker-Bright-Future.jpg?v=1705489215"},{"product_id":"dry-cleaning-boundary-road-snacks-and-drinks-sweet-princess-ep","title":"Dry Cleaning - Boundary Road Snacks and Drinks + Sweet Princess EP","description":"\u003cp style=\"font-weight: 300;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 300;\"\u003e08\/03\/24\u003c\/p\u003e\n\u003cp style=\"font-weight: 300;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 300;\"\u003eDry Cleaning will reissue their first two EPs, \u003cem data-mce-fragment=\"1\"\u003eBoundary Road Snacks and Drinks \/ Sweet Princess, \u003c\/em\u003eon 8 March 2024. Remastered to celebrate the release, \u003cem data-mce-fragment=\"1\"\u003eBoundary Road Snacks and Drinks \u003c\/em\u003eand \u003cem data-mce-fragment=\"1\"\u003eSweet Princess \u003c\/em\u003ewill be pressed as one single vinyl. The former will be available on cassette for the first time and include an exclusive bonus single, a demo of \u003cem data-mce-fragment=\"1\"\u003eNew Long Leg \u003c\/em\u003esingle, ‘Strong Feelings’, recorded during the sessions for \u003cem data-mce-fragment=\"1\"\u003eBoundary Road Snacks and Drinks\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp style=\"font-weight: 300;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 300;\"\u003e \u003c\/p\u003e\n\u003cp style=\"font-weight: 300;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 300;\"\u003eAfter a prolific 18-month period releasing two critically acclaimed John Parish-produced studio albums, \u003cem data-mce-fragment=\"1\"\u003eNew Long Leg\u003c\/em\u003e (2021) and \u003cem data-mce-fragment=\"1\"\u003eStumpwork\u003c\/em\u003e (2022), as well as last year’s companion release the five-track \u003cem data-mce-fragment=\"1\"\u003eSwampy\u003c\/em\u003e EP, South London’s Dry Cleaning are taking a moment to reflect on their journey and pay homage to their roots.\u003c\/p\u003e\n\u003cp style=\"font-weight: 300;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 300;\"\u003e \u003c\/p\u003e\n\u003cp style=\"font-weight: 300;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 300;\"\u003eDry Cleaning’s origin story is well known by now. Guitarist Tom Dowse, drummer Nick Buxton, and bassist Lewis Maynard had been friends and musical collaborators for years, and invited mutual friend Florence Shaw – a visual artist, picture researcher and drawing lecturer – to join the band in 2017. With clear musical influences from the Feelies, the Necessaries, the B52s and Pylon, and constrained by the small garage space theyrehearsed in, Dry Cleaning were drawn to making simple music; direct and uncomplicated, anything superfluous was left behind.\u003c\/p\u003e\n\u003cp style=\"font-weight: 300;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 300;\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003ePlease note - the cassette is just one of the EPs but it has a bonus track.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 300;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 300;\"\u003e \u003c\/p\u003e\n\u003cp style=\"font-weight: 300;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 300;\"\u003eBy March 2018 the group had recorded the six-track debut EP \u003cem data-mce-fragment=\"1\"\u003eSweet Princess\u003c\/em\u003e with producer Kristian Craig Robinson at Total Refreshment Centre in a single day. Two months later, in May 2018, the band played their first live show in Dalston at the Shacklewell Arms, and released the EP in August. \u003cem data-mce-fragment=\"1\"\u003eSweet Princess\u003c\/em\u003e was a thrilling debut, its dizzying and restless instrumentals with Shaw’s sardonic vocals delivering a satirical collage of witty observations and social commentary. A further 6 songs in the form of the \u003cem data-mce-fragment=\"1\"\u003eBoundary Road Snacks\u003c\/em\u003e\u003cem data-mce-fragment=\"1\"\u003e and Drinks\u003c\/em\u003e EP quickly followed two months after. It was named in tribute to the band’s rehearsal space in Maynard’s family’s south London (Sidcup) home, and to his mother Susan whose home-cooked meals sustained the four friends in between sessions. With singles like ‘Sit Down Meal’ and ‘Viking Hair’, \u003cem data-mce-fragment=\"1\"\u003eBoundary Road Snacks and Drinks\u003c\/em\u003e is a powerful companion to \u003cem data-mce-fragment=\"1\"\u003eSweet Princess\u003c\/em\u003e. They share a similar pent-up energy, unsurprising given they came to life in the same environment those EPs were created in, an environment that had a huge influence on the band during those formative years.\u003c\/p\u003e\n\u003cp style=\"font-weight: 300;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 300;\"\u003e \u003c\/p\u003e\n\u003cp style=\"font-weight: 300;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 300;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTracklisting (CD\/LP)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 300;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 300;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 300;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 300;\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cu data-mce-fragment=\"1\"\u003eBoundary Road Snacks and Drinks:\u003c\/u\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003col data-mce-fragment=\"1\"\u003e\n\u003cli style=\"font-weight: 300;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 300;\"\u003eDog Proposal\u003c\/li\u003e\n\u003cli style=\"font-weight: 300;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 300;\"\u003eViking Hair\u003c\/li\u003e\n\u003cli style=\"font-weight: 300;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 300;\"\u003eSpoils\u003c\/li\u003e\n\u003cli style=\"font-weight: 300;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 300;\"\u003eJam After School\u003c\/li\u003e\n\u003cli style=\"font-weight: 300;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 300;\"\u003eSombre One\u003c\/li\u003e\n\u003cli style=\"font-weight: 300;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 300;\"\u003eSit Down Meal\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp style=\"font-weight: 300;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 300;\"\u003e \u003c\/p\u003e\n\u003cp style=\"font-weight: 300;\" 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300;\"\u003eConversation\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp style=\"font-weight: 300;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 300;\"\u003e \u003c\/p\u003e\n\u003cp style=\"font-weight: 300;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 300;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTracklisting (MC)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 300;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 300;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 300;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 300;\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cu data-mce-fragment=\"1\"\u003eBoundary Road Snacks and Drinks:\u003c\/u\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003col data-mce-fragment=\"1\"\u003e\n\u003cli style=\"font-weight: 300;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 300;\"\u003eDog Proposal\u003c\/li\u003e\n\u003cli style=\"font-weight: 300;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 300;\"\u003eViking Hair\u003c\/li\u003e\n\u003cli style=\"font-weight: 300;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 300;\"\u003eSpoils\u003c\/li\u003e\n\u003cli style=\"font-weight: 300;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 300;\"\u003eJam After School\u003c\/li\u003e\n\u003cli style=\"font-weight: 300;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 300;\"\u003eSombre One\u003c\/li\u003e\n\u003cli style=\"font-weight: 300;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 300;\"\u003eSit Down Meal\u003c\/li\u003e\n\u003cli style=\"font-weight: 300;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 300;\"\u003eStrong Feelings\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"4AD","offers":[{"title":"CD","offer_id":42880851771445,"sku":"4AD0571CD","price":10.0,"currency_code":"GBP","in_stock":false},{"title":"LP","offer_id":42880851804213,"sku":"4AD0571LP","price":22.0,"currency_code":"GBP","in_stock":false},{"title":"LP (Transparent Blue)","offer_id":42880851836981,"sku":"4AD0571LPE","price":23.0,"currency_code":"GBP","in_stock":true},{"title":"MC (“Boundary Road Snacks and Drinks”)","offer_id":42880851869749,"sku":"4AD0596MC","price":11.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/2825\/4773\/files\/Dry-Cleaning-Boundary-Road-Snacks-and-Drinks-Cassette.jpg?v=1780512235"},{"product_id":"pixies-live-at-the-bbc","title":"Pixies - Live At The BBC","description":"\u003cp\u003e08\/03\/24\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e\u003cspan\u003eCoinciding with a sold-out tour, \u003cstrong\u003e\u003cem\u003ePixies at the BBC, 1988-91\u003c\/em\u003e\u003c\/strong\u003e is being released on \u003cstrong\u003eMarch 8\u003csup\u003eth\u003c\/sup\u003e\u003c\/strong\u003e on 4AD. Being pressed for the \u003cstrong\u003efirst time on vinyl,\u003c\/strong\u003e it’s also going to be available on double CD.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e\u003cspan\u003eBetween 1988 and 1991 – during the band’s 4AD years – Pixies recorded six sessions for the BBC, five for John Peel and one for Mark Goodier. Catching the raw energy of the band’s live performances, these sessions felt immediately noteworthy, timestamping a moment when Black Francis, Kim Deal, Joey Santiago and David Lovering were motoring out front.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003cspan\u003eAmong the twenty-four tracks they recorded in this period (inc. two doubles - ‘Allison’ and ‘Wave of Mutilation’) are favourites from mini-album Come on Pilgrim and three of their four 4AD studio albums. Also recorded were three covers; reworks of The Beatles’ ‘Wild Honey Pie’, Eraserhead’s ‘(In Heaven) Lady in the Radiator Song’ and The Beach Boys’ ‘Hang On To Your Ego’, a track Black Francis covered a few years later on his debut Frank Black solo album.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003cspan\u003eOriginally released on CD in 1998, this reboot now sees all tracks from the six sessions included and presented in chronological order. Something fans have been asking for. Coming as both a triple black vinyl LP and double CD, the sleeve is also new with a wonderful black and gold design by Chris Bigg now adorning it. A design that really stands out, Chris pays loving tribute to the band’s late-visual director Vaughan Oliver, using unseen archival Pixies imagery by long-time collaborator Simon Larbalestier.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e\u003cstrong\u003eTracklisting:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e\u003cu\u003eJohn Peel Session 3rd May 1988\u003c\/u\u003e \u003cbr\u003e1. Levitate Me\u003c\/p\u003e\n\u003col start=\"2\"\u003e\n\u003cli style=\"font-weight: 400;\"\u003eHey\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eIn Heaven (Lady In The Radiator Song)\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eWild Honey Pie\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eCaribou \u003cbr\u003e\u003cbr\u003e\u003cu\u003eJohn Peel Session 9th October 1988\u003c\/u\u003e\u003cbr\u003e6. Dead\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eTame \u003cbr\u003e8. There Goes My Gun \u003cbr\u003e9. Manta Ray \u003cbr\u003e\u003cbr\u003e\u003cu\u003eJohn Peel Session 16th April 1989\u003c\/u\u003e\u003cbr\u003e10. Down To The Well\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eInto The White\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eWave Of Mutilation\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003cu\u003eJohn Peel Session 11th June 1990\u003c\/u\u003e \u003cbr\u003e13. Allison\u003c\/p\u003e\n\u003col start=\"14\"\u003e\n\u003cli style=\"font-weight: 400;\"\u003eVelouria \u003cbr\u003e15. Hang On To Your Ego \u003cbr\u003e16. Is She Weird\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003cu\u003eMark Goodier Session 18th August 1990\u003c\/u\u003e \u003cbr\u003e17. Monkey Gone To Heaven\u003c\/p\u003e\n\u003col start=\"18\"\u003e\n\u003cli style=\"font-weight: 400;\"\u003eAna \u003cbr\u003e19. Allison \u003cbr\u003e20. Wave Of Mutilation\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003cu\u003eJohn Peel Session 23rd June 1991\u003c\/u\u003e \u003cbr\u003e21. Palace Of The Brine\u003c\/p\u003e\n\u003col start=\"22\"\u003e\n\u003cli style=\"font-weight: 400;\"\u003eLetter To Memphis\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eMotorway To Roswell \u003cbr\u003e24. Subbacultcha\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp style=\"font-weight: 400;\"\u003e \u003c\/p\u003e","brand":"4AD","offers":[{"title":"3lp","offer_id":42904581439541,"sku":"4AD0635LP","price":35.0,"currency_code":"GBP","in_stock":true},{"title":"2cd","offer_id":42904581472309,"sku":"4AD0635CD","price":11.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/2825\/4773\/files\/Pixies-Live-At-The-BBC.jpg?v=1706094035"},{"product_id":"kim-deal-nobody-loves-you-more","title":"Kim Deal - Nobody Loves You More","description":"\u003cdiv id=\"mail-editor-reference-message-container\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003e22\/11\/24\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eOn 22 November 2024, Kim Deal will release her new album, \u003ci\u003eNobody Loves You More\u003c\/i\u003e. Featuring recent single ‘Coast’, the collection of 11 songs is the Dayton, Ohio resident’s first full-length album under her own name.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003e \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003ci\u003e\u003cspan lang=\"EN-US\"\u003eNobody Loves You More\u003c\/span\u003e\u003c\/i\u003e\u003cspan lang=\"EN-US\"\u003e is Kim Deal’s debut album although it’s not the first time she has gone solo – she self-released a five-part, ten-song seven-inch vinyl series in 2013. In keeping with Deal’s meticulous approach to her art, the album was refined over several years. Its oldest songs, ‘Are You Mine?’ and ‘Wish I Was’, were written and originally recorded in 2011 shortly after Deal came off the Pixies’ “Lost Cities Tour” and relocated to Los Angeles (early versions of those songs were included in said vinyl series); the last recording for \u003ci\u003eNobody Loves You More \u003c\/i\u003etook place in November 2022 with legendary engineer and close friend Steve Albini, who helmed final track ‘A Good Time Pushed’ at his Electrical Audio studio in Chicago. Along the way she has brought in a variety of collaborators from Breeders past and present (Mando Lopez, twin sister Kelley Deal, Jim Macpherson, Britt Walford), to Raymond McGinley (Teenage Fanclub), Jack Lawrence (Raconteurs) and Savages’ Fay Milton and Ayse Hassan. \u003ci\u003eNobody Loves You More \u003c\/i\u003ewas mixed by Marta Salogni and mastered by Heba Kadry.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003e \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eEvery song has a story behind it, from the winter vacations with her parents in Florida Keys (‘Summerland’), wedding band covers of ‘Margaritaville’ (‘Coast’) to her mother’s dementia (‘Are You Mine?’). All in all, the record is a celebration of Deal’s unmatched artistry, nodding not only to her career highlights with celebrated bands across the alternative landscape (Pixies, The Amps, The Breeders), but also to her immovable cultural weight influencing musicians like Kurt Cobain and Olivia Rodrigo through the generations. \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003eTracklisting\u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e1. Nobody Loves You More\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e2. Coast\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e3. Crystal Breath\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e4. Are You Mine?\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e5. Disobedience\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e6. Wish I Was\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e7. Big Ben Beat\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e8. Bats In The Afternoon Sky\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e9. Summerland\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e10. Come Running                                                                                                                                                   \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e11. A Good Time Pushed\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":43890691375157,"sku":"4AD0733LP","price":24.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/2825\/4773\/files\/Kim-Deal-Nobody-Loves-You-more.jpg?v=1724859152"},{"product_id":"the-national-rome","title":"The National - Rome","description":"\u003cp\u003e13\/12\/24\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003ci\u003e\u003cspan lang=\"EN\"\u003eRome\u003c\/span\u003e\u003c\/i\u003e\u003cspan lang=\"EN\"\u003e is the definitive live document of The National. Recorded live (without overdubs) on June 3, 2024 at the architecturally stunning venue Parco Della Musica Ennio Morricone, named for the famed Italian film composer, the 21-track LP showcases scintillating versions of beloved songs like \"Bloodbuzz Ohio,\" \"Don't Swallow the Cap,\" \"I Need My Girl,\" \"The System Only Dreams in Total Darkness,\" “England” and \"Fake Empire\"; plus sharpened readings of recent tracks \"Eucalyptus,\" \"New Order T-Shirt,\" \"Tropic Morning News\" and the boundary pushing \"Smoke Detector.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN\"\u003eThe double album, mixed by longtime collaborator Peter Katis, spans the band’s 20-plus years of songwriting and reveals how each song has taken on a new life in its live performance. “You have to see this band live” is often said about The National, and now,\u003ci\u003e Rome\u003c\/i\u003e is the next best thing to actually being there.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN\"\u003eReflecting how the band changes setlists significantly from night to night to cast fresh light on hidden gems from the catalog, \u003ci\u003eRome \u003c\/i\u003eis marked by rarities such as show opener “Runaway,” “Lemonworld,” “The Geese of Beverly Road,” “Lit Up” and a tour de force pairing of “Humiliation” from the critically acclaimed album \u003ci\u003eTrouble Will Find Me\u003c\/i\u003e into \u003ci\u003eSad Songs For Dirty Lovers\u003c\/i\u003e’ “Murder Me Rachael.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN\"\u003eThe Rome encore features the election anthem “Mr. November,” and, from 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Poster)","offer_id":51615113281919,"sku":"4AD0801LPE","price":36.0,"currency_code":"GBP","in_stock":false},{"title":"2CD","offer_id":51615113347455,"sku":"4AD0801CD","price":12.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/2825\/4773\/files\/The-National-Rome.jpg?v=1727105499"},{"product_id":"bartees-strange-horror","title":"Bartees Strange - Horror","description":"\u003cp\u003e14\/02\/25\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eBartees Strange announces his third full-length album, Horror, to be released on 14 February 2025. His most ambitious and wide-ranging project to date is the follow-up to 2022’s Farm To Table.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eBartees Strange was raised on fear. His family used scary stories to teach life lessons, and at an early age, Strange started using scary movies to practice being strong. The world can be a terrifying place, and for a young, queer, black person in rural America, that terror can be visceral. Horror is an album about facing those fears and growing to become someone to be feared. Throughout the record, Strange lays down one difficult truth after another, all over a sonic pastiche of music he loved as a kid. His dad hipped him to Parliament Funkadelic, Fleetwood Mac, Teddy Pendergrass, and Neil Young. Those influences merged with Strange’s interest in hip-hop, country, indie rock, and house, culminating in a record that feels completely original. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eStrange began Horror at his home studio with an eye toward production. A session with Yves and Lawrence Rothman (Yves Tumor, Lady Gaga) provided a rhythmic and sonic backbone for chunks of the record. After Strange met Jack Antonoff and the pair became fast friends, Strange worked on some material for Antonoff’s band Bleachers, and Antonoff worked on Horror. The twosome finished the record together, working the songs raw, editing, arranging, and dressing them up in clothing bound to inspire fear. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eAbout Bartees Strange:\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eBorn in Ipswich, England to a military father and opera-singer mother, Bartees Strange had a peripatetic childhood before eventually settling in Mustang, Oklahoma. Later, Bartees cut his teeth playing in hardcore bands in Washington D.C. and Brooklyn whilst working in the Barack Obama administration and the environmental justice movement. Recently, his music has been featured on multiple popular TV and film soundtracks including Apple TV’s The New Look and A24’s I Saw The TV Glow. He will also appear on the upcoming Red Hot compilation, Transa, covering TV On The Radio’s ‘Wolf Like Me’ with Kara Jackson and labelmate Anjimile.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDinked Edition 314*\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli dir=\"ltr\" aria-level=\"1\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eRed LP *\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" aria-level=\"1\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eSigned print *\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" aria-level=\"1\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eBonus 7” (with two exclusive tracks) *\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" aria-level=\"1\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eFoil numbered *\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" aria-level=\"1\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eLimited pressing of 500\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e*EXCLUSIVE to Dinked Edition\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"4AD","offers":[{"title":"Dinked Edition 314 (Red LP + Signed print + Bonus 7”)","offer_id":51617510195583,"sku":"4AD0746LPXE-1","price":28.0,"currency_code":"GBP","in_stock":false},{"title":"LP (Clear)","offer_id":51617510261119,"sku":"4AD0746LPE","price":25.0,"currency_code":"GBP","in_stock":false},{"title":"LP (Standard)","offer_id":51617510293887,"sku":"4AD0746LP","price":25.0,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":51617510326655,"sku":"4AD0746CD","price":28.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/2825\/4773\/files\/Bartees-Strange-Horror.jpg?v=1731166381"},{"product_id":"big-thief-capacity","title":"Big Thief - Capacity","description":"\u003cp\u003e31\/01\/25\u003c\/p\u003e\n\u003ctable border=\"0\" cellpadding=\"0\" cellspacing=\"0\" width=\"100%\" class=\"mcnTextBlock\"\u003e\n\u003ctbody class=\"mcnTextBlockOuter\"\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\" class=\"mcnTextBlockInner\"\u003e\n\u003ctable align=\"left\" border=\"0\" cellpadding=\"0\" cellspacing=\"0\" width=\"100%\" class=\"mcnTextContentContainer\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\" class=\"mcnTextContent\"\u003e\n\u003cp data-olk-copy-source=\"MessageBody\"\u003e\u003cem\u003e“Big Thief ’s sophomore album beautifully excavates family history and trauma into a delicate, intricately built folk rock record, showcasing the gorgeous style of singer Adrianne Lenker.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e-Pitchfork, Best New Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-olk-copy-source=\"MessageBody\"\u003eThe trails that Brooklyn’s Big Thief -- Adrianne Lenker (guitar, vocals), Buck Meek (guitar), Max Oleartchik (bass), and James Krivchenia (drums) -- take us down on 2017’s Capacity, the band’s highly critically acclaimed sophomore album, are overgrown with the wilderness of pumping souls.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eAfter 2016’s stunning Masterpiece, Capacity was recorded in a snowy winter nest in upstate New York at Outlier Studio with producer Andrew Sarlo. 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For three solid weeks, the trio would ride bicycles on frozen streets between Brooklyn and Manhattan, meeting in Power’s Station’s warm wood-panelled room. Together with a community of musicians (Alena Spanger, Caleb Michel, Hannah Cohen, Jon Nellen, Joshua Crumbly, June McDoom, Laraaji, Mikel Patrick Avery, Mikey Buishas) they would play for nine hours a day, tracking together – simultaneously – improvising arrangements and making collective discoveries. \u003cem\u003eDouble Infinity \u003c\/em\u003ewas produced, engineered and mixed by longtime Big Thief collaborator Dom Monks.       \u003c\/p\u003e\n\u003cp style=\"margin: 1em 0px; padding: 0px; color: rgb(96, 96, 96); font-family: Helvetica; font-size: 15px; line-height: 22.5px; text-align: left; caret-color: rgb(96, 96, 96); font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003e“How can beauty that is living be anything but true?” Adrianne asks as she drives nose against the future with childhood mementos on ‘Incomprehensible’. She understands, “everything I see from now on will be something new.” The silver hairs on her shoulders are new as well. Yet fear of aging is cracked by proof. If a life is shaped by living, “Let gravity be my sculptor, let the wind do my hair.” Being born, then staying a while, remains the greatest mystery. 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Laraaji]\u003c\/li\u003e\n\u003cli\u003eHappy with You\u003c\/li\u003e\n\u003cli\u003eHow Could I Have Known\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"4AD","offers":[{"title":"Indies Exclusive Green Re-Vinyl","offer_id":55541303673215,"sku":"4AD0850LPE","price":23.0,"currency_code":"GBP","in_stock":true},{"title":"Standard Vinyl","offer_id":55541303705983,"sku":"4AD0850LP","price":21.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/2825\/4773\/files\/Big-Thief-Double-Infinity-Cassette.jpg?v=1780511388"},{"product_id":"dry-cleaning-secret-love-signed-art-print","title":"Dry Cleaning - Secret Love + Signed Art Print","description":"\u003cp\u003e09\/01\/26\u003c\/p\u003e\n\u003cp style=\"margin: 0px 0px 10px; padding: 0px; color: rgb(51, 51, 51); font-family: Helvetica; font-size: 15px; line-height: 22.5px; text-align: left; caret-color: rgb(51, 51, 51); font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003eOn 9th January 2026, Dry Cleaning will return with Secret Love, the group’s third studio album, produced by Cate Le Bon.\u003cbr\u003e\u003c\/p\u003e\n\u003cp style=\"margin: 0px 0px 10px; padding: 0px; color: rgb(51, 51, 51); font-family: Helvetica; font-size: 15px; line-height: 22.5px; text-align: left; caret-color: rgb(51, 51, 51); font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003e\u003cbr\u003eSecret Love is the finest expression yet of the profound friendships that created Dry Cleaning, between frontperson Florence Shaw, guitarist Tom Dowse, drummer Nick Buxton and bassist Lewis Maynard. Here, the south London four-piece take their place in rock’s avant garde, catalysing the Reaganite paranoia of early 80s US punk and hardcore with the dry strut of Keith Richards, stoner rock, dystopian degradation, playful no wave and pastoral fingerpicking, while Florence’s delivery, meticulously calibrated to her bandmates’ soundscapes, asserts her in a lineage of spoken-word artists stretching from Laurie Anderson to Life Without Buildings’ Sue Tompkins.\u003cbr\u003e\u003c\/p\u003e\n\u003cp style=\"margin: 0px 0px 10px; padding: 0px; color: rgb(51, 51, 51); font-family: Helvetica; font-size: 15px; line-height: 22.5px; text-align: left; caret-color: rgb(51, 51, 51); font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003e\u003cbr\u003eThe follow-up to Stumpwork started life in Peckham rehearsal spaces, all four members writing, playing and responding to each other in the room: in Dry Cleaning, music and lyrics form an inseparable, generative whole. 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After interviewing various potential producers, they picked Cate – an esteemed solo artist who has also made albums for Deerhunter, Devendra Banhart, Wilco and Horsegirl – for her unabashed positivity and openness. “Being in a room with them and hearing that vitality and life force that exists between them all, it’s such a unique expression,” she says.\u003cbr\u003e\u003c\/p\u003e\n\u003cp style=\"margin: 0px 0px 10px; padding: 0px; color: rgb(51, 51, 51); font-family: Helvetica; font-size: 15px; line-height: 22.5px; text-align: left; caret-color: rgb(51, 51, 51); font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003e\u003cbr\u003eTrust is Secret Love’s guiding theme, as signified by compulsively catchy ‘Hit My Head All Day’ which opens the album. Powered by pistons of breathy synths and cresting arcs of guitar, Florence’s signature mix of absurdism and sensitivity, “The song is about manipulation of the body and mind. The lyrics were initially inspired by the use of misinformation on social media by the far right. There are powerful people that seek to influence our behaviour for their own gain; to buy certain things, to vote a certain way. I find it hard to read people’s intentions and decide who to trust, even in everyday life. 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