Release Date: 21/11/25
Krano returns with a sweeping double-album original soundtrack to Francesco Sossai’s film Le Città di Pianura (The Last One For The Road), a rollicking yet bittersweet journey through the Venetian countryside where memory and mischief ride side by side. Sung in Venetian dialect and steeped in the 1970s American folk tradition, these songs drift between Nashville looseness, Italian goth, haunted ballads and cosmic Americana—woozy, rarefied folk that perfectly mirrors Sossai’s poignant, lighthearted vision. A cult figure of the European underground, Krano distills desolation and wonder into loner-folk hymns that echo Bill Fay, Robbie Basho, Skip Spence and Dave Bixby while remaining unmistakably his own. Following the acclaimed Requiescat In Plavem and Lentius Profundius Suavius, this soundtrack adds a ghostly, bittersweet layer to his songbook: a free-spirited, black-and-white reverie that carries its characters to the thin line between bliss and the abyss. Praised by NPR, BBC6 and Aquarium Drunkard, Krano’s music feels timeless, mysterious and unshakably alive.
Krano returns with a sweeping double-album original soundtrack to Francesco Sossai’s film Le Città di Pianura (The Last One For The Road), a rollicking yet bittersweet journey through the Venetian countryside where memory and mischief ride side by side. Sung in Venetian dialect and steeped in the 1970s American folk tradition, these songs drift between Nashville looseness, Italian goth, haunted ballads and cosmic Americana—woozy, rarefied folk that perfectly mirrors Sossai’s poignant, lighthearted vision. A cult figure of the European underground, Krano distills desolation and wonder into loner-folk hymns that echo Bill Fay, Robbie Basho, Skip Spence and Dave Bixby while remaining unmistakably his own. Following the acclaimed Requiescat In Plavem and Lentius Profundius Suavius, this soundtrack adds a ghostly, bittersweet layer to his songbook: a free-spirited, black-and-white reverie that carries its characters to the thin line between bliss and the abyss. Praised by NPR, BBC6 and Aquarium Drunkard, Krano’s music feels timeless, mysterious and unshakably alive.