{"title":"Trending","description":"","products":[{"product_id":"folk-bitch-trio-now-would-be-a-good-time","title":"Folk Bitch Trio - Now Would Be A Good Time","description":"\u003cp\u003e25\/07\/25\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSky Blue Opaque LP\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFolk music has a bad habit of being presented as a deathly serious concern. It’s something you cry to, it’s overly sacred, it’s solemnly considered by critic-historians. But\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eFolk Bitch Trio\u003c\/strong\u003e, former high school friends\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eHeide Peverelle\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e(they\/them),\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eJeanie Pilkington\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e(she\/her) and\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eGracie Sinclair\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e(she\/her), have a shared sense of humour that is embedded deep in their music, and that sets it alight, safe from the self-serious traps of the genre.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eNow Would Be A Good Time\u003c\/em\u003e, their debut album, tells vivid, visceral stories, and is funny and darkly ironic in the manner of writers like Mary Gaitskill or Otessa Moshfegh. Their music sounds familiar, but the songs are modern, youthful, singing acutely through dissociative daydreams and galling breakups, sexual fantasies and media overload, all the petty resentments and minor humiliations of being in your early twenties in the 2020s.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFolk Bitch Trio\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ehave already toured across Australia, Europe and the US, supporting bands as disparate as King Gizzard, Alex G and Julia Jacklin. They’ve signed with Jagjaguwar, a home for singular icons and iconoclasts (Bon Iver, Angel Olsen, Sharon Van Etten, UMO and others), and they’ve found their first diehard fans with dazzling harmonies and acerbic lyricism that transcend genre expectations and audience lines.\u003c\/p\u003e\n\u003cp\u003eThese are the stakes: Learning how to live a life free of lovesickness and loser exes, when to sink into contemporary nihilism and when to have a laugh with your friends, and why being alive can feel so ephemeral and unreal. In this sense,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eNow Would Be A Good Time\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003efeels like a manual for modern living: a missive from three proud Folk Bitches finding beauty and wisdom where they can, together.\u003c\/p\u003e","brand":"Jagjaguwar","offers":[{"title":"Default Title","offer_id":55448823431551,"sku":"656605247175","price":24.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/2825\/4773\/files\/Folk-Bitch-Trio-Now-Would-Be-A-Good-Time.jpg?v=1747236766"},{"product_id":"preorder-i-love-my-computer","title":"Ninajirachi - I Love My Computer","description":"\u003cp\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 30\/10\/26\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eNina Wilson, better known as Ninajirachi, is an Australian electronic producer who released her debut album I Love My Computer is a concept record built on her connection with her PC, swiping between genres of EDM, tech-house, speed garage, dubstep, and hyperpop. Wilson builds on the legacy of early-2000s and 2010s Australian electronic artists like PNAU and Flume using technology as a medium, a motif, and a mirror for reflection. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBetween remixing Princess Nokia, Deadmau5 \u0026amp; The Neptunes, releasing on Nina Las Vegas’ NLV Records and RL Grime’s Sable Valley, Ninajirachi has performed at Lollapalooza, EDC, Laneway, Listen Out, Splendour, Falls Festival, and more and toured with Mallrat, Charli XCX, Porter Robinson and Cashmere Cat.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"NLV Records","offers":[{"title":"CD","offer_id":58380439912831,"sku":"0604675224350","price":14.0,"currency_code":"GBP","in_stock":true},{"title":"LP","offer_id":58380439945599,"sku":"840526514014","price":29.0,"currency_code":"GBP","in_stock":true},{"title":"LPX","offer_id":58380439978367,"sku":"0840526517145","price":29.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/2825\/4773\/files\/Ninajirachi-I-Love-My-Computer_4c620a60.jpg?v=1788881554"},{"product_id":"ain-t-how-they-faked-the-moon-landing-ep","title":"Ain’t - How They Faked The Moon Landing EP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e22\/05\/26\u003c\/p\u003e\n\u003cul style=\"margin-top: 0; 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text-decoration: none; vertical-align: baseline; white-space: pre;\" aria-level=\"1\"\u003e\n\u003cp dir=\"ltr\" style=\"line-height: 1.2; margin-top: 0pt; margin-bottom: 0pt;\" role=\"presentation\"\u003e\u003cspan style=\"font-size: 9pt; font-family: Calibri,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003eAin’t woven patch *\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" style=\"list-style-type: disc; font-size: 9pt; font-family: Calibri,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre;\" aria-level=\"1\"\u003e\n\u003cp dir=\"ltr\" style=\"line-height: 1.2; margin-top: 0pt; margin-bottom: 0pt;\" role=\"presentation\"\u003e\u003cspan style=\"font-size: 9pt; font-family: Calibri,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003eSigned, numbered \u0026amp; debossed A5 insert *\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" style=\"list-style-type: disc; font-size: 9pt; font-family: Calibri,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre;\" aria-level=\"1\"\u003e\n\u003cp dir=\"ltr\" style=\"line-height: 1.2; margin-top: 0pt; margin-bottom: 0pt;\" role=\"presentation\"\u003e\u003cspan style=\"font-size: 9pt; font-family: Calibri,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003eExclusive limited pressing of 500 *\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\" style=\"line-height: 1.2; margin-top: 0pt; margin-bottom: 0pt;\"\u003e\u003cspan style=\"font-size: 9pt; font-family: Calibri,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003e*EXCLUSIVE to Dinked Edition \u003cmeta charset=\"utf-8\"\u003e \u003cspan style=\"font-size: 9pt; font-family: Calibri,sans-serif; color: #000000; background-color: #ffffff; font-weight: bold; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\" id=\"docs-internal-guid-cd2d35ba-7fff-c361-6c87-dd5a547d6511\"\u003eED.09\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\" style=\"line-height: 1.2; margin-top: 0pt; margin-bottom: 0pt;\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\" style=\"line-height: 1.2; margin-top: 0pt; margin-bottom: 0pt;\"\u003e\u003cspan style=\"font-size: 9pt; font-family: Calibri,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003e\u003cspan style=\"font-size: 9pt; font-family: Calibri,sans-serif; color: #000000; background-color: #ffffff; font-weight: bold; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cbr id=\"docs-internal-guid-d47f601f-7fff-fa05-1416-4eca5f806752\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\" style=\"line-height: 1.2; margin-top: 0pt; margin-bottom: 0pt;\"\u003e\u003cspan style=\"font-size: 9pt; font-family: Calibri,sans-serif; color: #000000; background-color: transparent; font-weight: bold; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003eToday, South London outfit Ain’t return with their first new music of 2026. The propulsive new track “Grazer” comes on the heels of an enviable last year for the five-piece, with highlights that include a spot in the latest NME 100 list, showcase performances at The Great Escape’s First Fifty for NOTION, DORK 100 (alongside Lime Garden), and The Line Of Best Fit’s Five Day Forecast. All of this is on top of a packed-out UK tour with THUS LOVE and shows with the likes of The Belair Lip Bombs, The Hold Steady, Thistle, Sunflower Bean, and a sold-out headline London date.\u003c\/span\u003e\u003cspan style=\"font-size: 9pt; font-family: Calibri,sans-serif; color: #000000; background-color: transparent; font-weight: bold; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 9pt; font-family: Calibri,sans-serif; color: #000000; background-color: transparent; font-weight: bold; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 9pt; font-family: Calibri,sans-serif; color: #000000; background-color: transparent; font-weight: bold; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003e“Grazer” also follows an immaculate run of five singles which have seen the band deliver on all the promise of their early word-of-mouth live reputation, earning widespread support that includes a digital cover with Dork, and props from the likes of Stereogum, Consequence, Under The Radar, NME, CLASH, DIY, The Line Of Best Fit, Paste, and So Young, as well as radio play from BBC Radio 6 Music, Radio X, Apple Music 1 and more. These singles, alongside “Grazer”, will now form a six track EP titled \u003c\/span\u003e\u003cspan style=\"font-size: 9pt; font-family: Calibri,sans-serif; color: #000000; background-color: transparent; font-weight: bold; font-style: italic; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003eHow They Faked The Moon Landing\u003c\/span\u003e\u003cspan style=\"font-size: 9pt; font-family: Calibri,sans-serif; color: #000000; background-color: transparent; font-weight: bold; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003e. The one-stop introductory release will be landing on 12” vinyl on 22\u003c\/span\u003e\u003cspan style=\"font-size: 9pt; font-family: Calibri,sans-serif; color: #000000; background-color: transparent; font-weight: bold; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003e\u003cspan style=\"font-size: 0.6em; vertical-align: super;\"\u003end\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 9pt; font-family: Calibri,sans-serif; color: #000000; background-color: transparent; font-weight: bold; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003e May via Fear Of Missing Out Records, as one of DINKED’s Early Doors Editions. \u003c\/span\u003e\u003cspan style=\"font-size: 9pt; font-family: Calibri,sans-serif; color: #000000; background-color: transparent; font-weight: bold; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 9pt; font-family: Calibri,sans-serif; color: #000000; background-color: transparent; font-weight: bold; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 9pt; font-family: Calibri,sans-serif; color: #000000; background-color: transparent; font-weight: bold; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003eRecorded with Ali Chant (Dry Cleaning, Yard Act, Sorry), the sub-3-minute new single epitomises everything that has brought Ain’t to this point. It’s full of warm, slurring guitar lines, hooky vocal harmonies, subtly intricate drumming, fluid bass, and contemplative lyrics. In keeping with their earlier material there are knowing nods to idiosyncratic guitar music and 90s slacker indie with hints of shoegaze, Midwest rock, and lo-fi, atmospheric dream pop. \u003c\/span\u003e\u003cspan style=\"font-size: 9pt; font-family: Calibri,sans-serif; color: #000000; background-color: transparent; font-weight: bold; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\" style=\"line-height: 1.2; margin-top: 0pt; margin-bottom: 0pt;\"\u003e\u003cspan style=\"font-size: 9pt; font-family: Calibri,sans-serif; color: #000000; background-color: transparent; font-weight: bold; font-style: italic; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003eHow They Faked The Moon\u003c\/span\u003e\u003cspan style=\"font-size: 9pt; font-family: Calibri,sans-serif; color: #000000; background-color: transparent; font-weight: bold; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003e Landing rounds off an incendiary start for Ain’t, start being the operative word. With more music planned for 2026 and a slew of headline dates and festival appearances at 2000trees, The Great Escape, Ritual Union, and more, the new single and EP act less as a rounding off and more as a primer for what’s yet to come.\u003c\/span\u003e\u003c\/p\u003e","brand":"fear of missing out records","offers":[{"title":"Default Title","offer_id":57154482012543,"sku":"NERD09","price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/2825\/4773\/files\/Aint-How-They-Faked-The-Moon-Landing-EP.jpg?v=1773938615"},{"product_id":"preorder-love","title":"Dexys Midnight Runners - Once A Man, Twice A Child","description":"\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 04\/09\/26\u003cbr\u003e\u003cbr\u003eLOVE, Dexys Midnight Runners latest, possibly last ever album, is a luminous collection of scenes and reckonings. Stories of family and friends, tales from past and present. All drawn from Kevin Rowland’s life, each an individual jewel, threaded together with love. Songs begun three decades ago sit alongside those written in the last year. A vivid depiction of Rowland's Irish immigrant childhood; a moving letter to his grandchildren; a wistful moment at the start of a love affair; a pin-perfect portrait of time spent with a dying parent; the difficulties of relationships when you're older. All deeply personal, all true, all here; the full human span of relationships, family and intimate emotion. The theme of this album - Kevin's ninth, Dexys' seventh - gradually emerged as the songs progressed. \"I don’t remember when it happened, but I just thought, 'Hang on, these are all love songs, of different kinds',” he says. \"I knew then: Call it LOVE.\" These are love songs, but not of the usual pop style. Not will-she-won't-she romance, but something more emotional and all-encompassing.","brand":"Heavenly Recordings","offers":[{"title":"Indies LP – Yellow Vinyl","offer_id":57626568327551,"sku":"5400863209032","price":23.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/2825\/4773\/files\/Dexys-Midnight-Runners-Once-A-Man-Twice-A-Child.webp?v=1788432656"},{"product_id":"meryl-streek-stories-they-don-t-teach-you-at-school","title":"Meryl Streek - Stories They Don’t Teach You At School","description":"\u003cp\u003e09\/10\/26\u003c\/p\u003e\n\u003cp\u003e● Clear with red splatter vinyl *\u003cbr\u003e● Alternative artwork sleeve *\u003cbr\u003e● Signed A5 print *\u003cbr\u003e● Numbered edition *\u003cbr\u003e● Limited pressing of 700 *\u003cbr\u003e*EXCLUSIVE to Dinked Edition 419\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eMuch like a teacher, Meryl Streek imparts his knowledge and lived experiences to all who are willing to listen. His third album, ‘Stories They\u003cbr\u003eDon’t Teach You At School’, serves as an alternative form of education, delivered through a visceral blend of factual soundbites and raw\u003cbr\u003eemotion, loops and samples, guitars and bass. The lyrics resonate with core values of compassion, resilience, and community—themes rarely\u003cbr\u003eexplored within a classroom setting or seen in today\u0026amp;#39;s fragmented society. By prioritising conviction over commercial success, the Dublin\u003cbr\u003eartist\u0026amp;#39;s outspokenness may invite controversy. Yet beneath the fervor lies a profound desire for positive social change at home in Ireland, and\u003cbr\u003ebeyond.\u003cbr\u003eMeryl Streek returned to Darkland Studios in Dublin to fine-tune the recordings previously made in a shed at the back of his ma\u0026amp;#39;s garden. Here\u003cbr\u003ehe continued the genre-blurring nature of his earlier work, enticing listeners toward dissonant landscapes and hypnotic rhythms. Gentle piano\u003cbr\u003etones collide with abrasive synths, creating a striking tension between beauty and noise. Streek tempers his rage when appropriate,\u003cbr\u003eintegrating atmospheric textures and pop sensibilities into his ever-expanding sonic collage.\u003cbr\u003eAs is tradition with any Meryl Streek record, ‘Stories They Don’t Teach You At School’ unearths many uncomfortable truths. ‘Rotten Fruit’\u003cbr\u003eexamines media manipulation and the numbing proliferation of misinformation, all soundtracked by synth-punk. With gliding keys and a\u003cbr\u003ecrunchy bassline, ‘Council Estates’ critiques systemic government failures affecting the working class. ‘Kelly’ is a slice of electronica that details\u003cbr\u003ean ongoing criminal investigation, currently classified as a “Contested Cause of Death”. The indie pop of \u0026amp;#39;The Chancer\u0026amp;#39; brings much-needed\u003cbr\u003eattention to landlord politicians. As the album progresses, the mission remains absolute: to provide a voice for the voiceless.\u003cbr\u003eTo amplify these narratives, Meryl Streek handpicked a diverse group of collaborators for the project. ‘Rotten Fruit’ features Steve Ignorant of\u003cbr\u003eanarcho-punk collective CRASS. ‘Depression’ opens with a touching recording of the late Liam Norton, close friend and former touring\u003cbr\u003ecompanion, while Pete Holidai of The Radiators From Space contributes guitars on the song. Comedian Phill Jupitus provides the spoken outro\u003cbr\u003efor ‘The Chancer\u0026amp;#39;. ‘Housing For All’ incorporates audio from Derelict Ireland campaigners Frank O’Connor and Jude Sherry. Venn Records\u003cbr\u003eowner and Gallows guitarist Laurent ‘Lags’ Barnard joins forces with Adebisi Shank bassist Vinny McCreith on the aggressive ‘Bullet,’ while\u003cbr\u003eSophie Porter of Other Half provides bass guitar for ‘Life is Not a Rehearsal’. 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There was no big conversation about their new direction, but they were all listening to that type of music, with Josh mainlining Neil Young and other “early ’70s stuff” too.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eFor ‘Somewhere Between’, they got together in a room with their featured vocalists and created magic, as the singers conjured their own lyrics after tuning into the trio’s music. “Writing with GSP is always a pleasurable experience,” says Rosie Lowe. “The music is so emotive that songs seem to flow with ease.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv dir=\"ltr\" align=\"left\"\u003e\n\u003ctable\u003e\n\u003ccolgroup\u003e \u003ccol width=\"362\"\u003e \u003ccol width=\"362\"\u003e \u003c\/colgroup\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eSide A\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eWake Me Up ft. Olive Jones\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eFlowers ft. Pip Millett\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eNico’s Theme\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eSome Birds Don’t Fly ft. Matt Maltese\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eShape Of America ft. Sofia and the Antoinette\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eSide B\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e1. Easy ft. Celeste\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e2. Lay Low\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e3. Below The Water ft. Rosie Lowe\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e4. Don’t Give Up ft. anaiis\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e5. Slippy\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e6. Going Home\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Play It Again Sam","offers":[{"title":"Dinked Edition 431 LP","offer_id":58032446898559,"sku":"PIASR1680LPS","price":28.0,"currency_code":"GBP","in_stock":true},{"title":"Standard LP","offer_id":58032446931327,"sku":"PIASR1680LP","price":27.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/2825\/4773\/files\/Gotts-Street-Park-Somewhere-Between.jpg?v=1784832175"},{"product_id":"nieve-ella-how-long-will-it-take","title":"Nieve Ella - How Long Will It Take?","description":"\u003cp\u003e\u003cspan\u003e16\/10\/26\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli dir=\"ltr\" aria-level=\"1\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eTurquoise vinyl *\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" aria-level=\"1\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eAlternative sleeve artwork *\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" aria-level=\"1\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eSigned art print *\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" aria-level=\"1\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eLimited pressing of 400 *\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e*EXCLUSIVE to Dinked Edition 432\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eNieve’s potent indie-rock confessionals, seamlessly melded with 90’s guitar ambience, continue to resonate with her hyper-engaged fan base. She is now poised to continue her impressive rise in 2026 with a bold new look and sound. 2026; the year of Nieve.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eNieve has picked up fans in acts like Beabadoobee, Yungblud and Grian from Fontaines DC. Her summer has included performances at BST Hyde Park, Crystal Palace Park with Snow Patrol, Bludfest and upcoming performances at Lollapalooza Berlin and Electric Picnic. \u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eDebut albums either arrive as a statement or instead pose a question. The question Nieve Ella has found herself asking echoes back, not only through her own life, but through the anxious existentialism of an entire two generations. How Long Will It Take? It’s a vulnerable question for the audience that has grown up alongside Nieve, gravitating towards her self-depreciating humour and straight-talking attitude. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eOne image haunted her through the album writing process, and it’s one that is behind the album’s visual world: the staircase. “I feel like I’m on one neverending set of stairs and I don’t know how long it’s going to take me to get to the top, and there’s no bottom anymore,” she muses. “You might stop and have a breather but you’re always on those stairs. My legs are wobbly now but I’ve got no choice but to carry on.” That staircase represents her career and the possibility of success, but it also represents her becoming more herself, a version that’s more together and less self-sabotaging. When is she going to get there? It doesn’t matter if you’re a teenager or in your late-30s, you’ll know the constant trying to keep up while being exhaustingly stagnant. Her thrillingly ungovernable debut alt pop album explores that frustrating journey, every metaphorical step of the way. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eEven as a young rebellious teen Nieve Ella could sense that staircase ahead. At school, she landed in serious trouble for making TikTok videos during lessons. “I was just chitchatting about my teachers or making jokes about Ofsted,” she laughs. “I’d get hundreds of thousands of views and had about 30,000 followers. It was all because I wanted to build a following so I could start posting singing videos.” Only a couple of years later, singing live every single day on that very TikTok account got her discovered by a young A\u0026amp;R and signed. “I think the school system really failed me and hundreds of thousands of other kids like me who are energetic, or creative, or anyone who breaks the mold,” Nieve says. “But if my brain wasn’t wired the way it is I would not be here today making music.” \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eGrowing up in a small village in Shropshire, Nieve loved Hannah Montana for the idea that a normal girl could switch into a popstar without anyone questioning her. “I used to go to sleep every single night wishing that we won the lottery so that I could have the money to be famous and live in a big house and have music lessons,” she says. Her musical father left the family and moved to Spain when she was four. When she was ten, he passed away, leaving behind two guitars. As a young adult, she began to learn guitar herself, and with it came a different understanding of her purpose: she wanted to make it in music for the both of them.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAfter three painfully catchy EPs of guitar-driven alt-rock, in the vein of Wolf Alice, beabadoobee, Wet Leg and The Last Dinner Party, Nieve Ella has built serious momentum: a support slot with girl in red, a performance at Reading and Leeds Festival, over 20 million streams, and praise from Rolling Stone UK, who called her a “leader in the next generation of indie.” But when it came to writing her debut album, she pushed her voice into new spaces. “I want to create a sound that people aren’t listening to yet and change culture,” she says passionately. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIn this original reimagining of alt pop, How Long Will It Take? experiments with dynamics flipping up and down at the same time, and is full of tiny intrigues and textures, reflective of Nieve’s “creatively chaotic brain”. “I’m not stable or put together. I’m 23 years old and this is the state of my being,” she says excitedly, of idiosyncratic music that has the slant of a rockier, grungier Lola Young. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe album opens with the optimistic indie rock sound of “101” – we’re on the way somewhere! – but then Nieve calls out repeatedly: “TV falling.” For her, the sparse track was to lay out her state of mind immediately: “My brain is like a TV thrown out of a window, carrying all these stories and voices before it smashes.” At times, she admits, she is the one throwing herself out of the window, self-sabotaging and hurting those closest to her. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eFirst groove-led single “Drive” reintroduced Nieve Ella with a quiet swagger – heavy on the bass and drums, it pulses with attitude. The deliberately cheeky chorus “You wanna talk talk talk and blah blah blah” leans into the simplicity of pop boldness rather than shying away from it. On the brash second single, “Bite Back”, she cusses out two people who wronged her. But those flashes of self-assurance are always undercut with insecurity. Surprising third single, “Standing on a Pane of Glass”, is an alt rock anthem that brings a heavy operatic intensity to the stomach-churning feeling of being trapped in a mental headspace. She rides that same rock ‘n’ roll edge into “Back To Basics”, a brooding fourth single about trying, failing and admitting the damage. “Artists are normal people that love and hate and feel so much, and I wrote that song to make it clear that I’m not always the victim; I do handle shit wrongly sometimes,” she explains. \u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv dir=\"ltr\" align=\"left\"\u003e\n\u003ctable\u003e\n\u003ccolgroup\u003e \u003ccol width=\"362\"\u003e \u003ccol width=\"362\"\u003e \u003c\/colgroup\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eSide A\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli dir=\"ltr\" aria-level=\"1\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003e101\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" aria-level=\"1\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eDrive\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" aria-level=\"1\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eStanding On A Pane Of Glass\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" aria-level=\"1\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003ca href=\"https:\/\/next.fugamusic.com\/product\/1009724661070\/asset\/1009771506452\"\u003e\u003cspan\u003eRomance Is A Desert\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" aria-level=\"1\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eBite Back\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" aria-level=\"1\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eAt Any Cost\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eSide B\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e1) Angie\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e2) Love:Hate\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e3) I'M NOT DEAD\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e4) Back To Basics\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e5) How Long Will It Take?\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Artist Theory","offers":[{"title":"Dinked Edition 432 LP","offer_id":58041268830591,"sku":"AT-717-1","price":26.0,"currency_code":"GBP","in_stock":false},{"title":"Standard LP","offer_id":58041268863359,"sku":"AT-717-2","price":26.0,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":58041268896127,"sku":"AT-717-3","price":14.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/2825\/4773\/files\/Nieve-Ella-How-Long-Will-It-Take.jpg?v=1784913381"},{"product_id":"preorder-everyone-gets-everything-they-want","title":"Tom Morello - Everyone Gets Everything They Want","description":"\u003cp\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 23\/10\/26\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eGrammy-winning artist Tom Morello album. Known for innovative guitar work and socially conscious songwriting; album features collaborations with Serj Tankian, Roman Morello, Kneecap, Beartooth and more. Packaging varies by format (LP: Blood Swirl Vinyl, standard jacket; CD: digipak with 28-page booklet).\u003c\/p\u003e","brand":"Mom+Pop","offers":[{"title":"LP (Blood Swirl Vinyl)","offer_id":58085553766783,"sku":null,"price":27.0,"currency_code":"GBP","in_stock":true},{"title":"CD (Digipak)","offer_id":58085553799551,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/2825\/4773\/files\/Tom-Morello-Everyone-Gets-Everything-They-Want.jpg?v=1785512254"},{"product_id":"charli-xcx-vroom-vroom","title":"Charli xcx -  Vroom Vroom","description":"\u003cp\u003e23\/10\/26\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eA collaboration with visionary producer SOPHIE, the four track EP includes the iconic title-track, ‘Vroom Vroom’, alongside ‘Paradise’, ‘Trophy’, and ‘Secret (Shhh)’.\u003c\/span\u003e\u003c\/p\u003e","brand":"Atlantic","offers":[{"title":"Default Title","offer_id":58107949252991,"sku":"1200214343859","price":19.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/2825\/4773\/files\/Charli-XCX-Vroom-Vroom.webp?v=1785858153"},{"product_id":"preorder-clap-your-hands-say-yeah-20th-anniversary-edition","title":"Clap Your Hands Say Yeah - Clap Your Hands Say Yeah (20th Anniversary Edition)","description":"\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11\/11\/25\u003cbr\u003e\u003cbr\u003eBack in print on vinyl for the first time in a good while. 20th Anniversary Edition. Indies-only Marble Vinyl while stocks last. Pressing includes standard LP and Indies Marble Vinyl variant. Press quotes: “Every time it seems like conventional indie rock has gasped its last, someone builds a mansion of song...” (Pitchfork); “CYHSY is at the best point in the lifecycle of a band...” (Billboard). Track listing: A1 Clap Your Hands!; A2 Let The Cool Goddess Rust Away; A3 Over And Over Again (Lost And Found); A4 Sunshine And Clouds (And Everything Proud); A5 Details Of The War; A6 The Skin Of My Yellow Country Teeth; A7 Is This Love?; B1 Heavy Metal; B2 Blue Turning Gray; B3 In This Home On Ice; B4 Gimmie Some Salt; B5 Upon This Tidal Wave Of Young Blood.","brand":"Clap Your Hands Say Yeah","offers":[{"title":"LP (Indies Marble Vinyl)","offer_id":58117811536255,"sku":"617308042016","price":24.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/2825\/4773\/files\/Clap-Your-Hands-Say-Yeah-Clap-Your-Hands-Say-Yeah-20th-Anniversary-Edition.jpg?v=1786013591"},{"product_id":"preorder-me-and-the-music","title":"Claud - Me and the Music","description":"\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 23\/10\/26\u003cbr\u003e\u003cbr\u003eDoes everything have to feel so heavy all the time? Claud Mintz fights with this question all the time. Not polite little tiffs, either: Big, dragout, existential wars, the kind that might push you to eventually change the tenor of your whole life. The 10 songs on their rich and resplendent third album Me and the Music find the 27-year-old Brooklyn-based singer-songwriter-producer grappling with that question and coming up, triumphantly, with something close to an answer: Things can be heavy, but that doesn’t mean you can’t have fun.\n\nThings can be heavy, but that beer in your hand isn’t—why not hold it aloft for a moment, sing along with the friends surrounding you, forget your troubles for the length of a perfect indie-pop song? Me and the Music is Claud’s first album in three years, since 2023’s acclaimed Supermodels. Both Supermodels and 2021’s Super Monster, were largely inspired by “this one situationship” that, they realised sometime during the writing of Me and the Music, “really wasn’t ever anything.” Supermodels was such a serious record, and \n\n\"I just sulked in feelings for so long,” says Claud. “There’s a difference between being sincere with life and taking life too seriously.” Coming to that realization changed everything: On Me and the Music’s title track, they sing that “this is the last song I let you ruin,” and they meant it. Once Claud wrote that song—at the famed Electric Lady Studios with their friends Hank Heaven and Annie DiRusso—they began to feel totally unburdened. “It released a lot of regret that I was carrying with me, and it allowed me to be like… this is so fun,” they say. “Making music is so fun.” Me and the Music’s MO, then, is songs that capture the knottiness of growing up and existing in the world that don’t lose a sense of playfulness or fun. It’s a quintessential slice-of-life record, touching on new romance and inside jokes and Gap commercials and the band America and the place America, and treating all those things with care and consideration.\n\nMe and the Music lead single “She Doesn’t Love Me” is, in many ways, the core of the album—a light-feeling song about what it’s like to be queer and trans in America in the 2020s. (It is a strident, driving anthem that doesn’t shy away from pain—and still makes you want to, as Claud sings on the track, put your “beers in the air.”) When Claud wrote the song with Heaven and DiRusso, they felt firmly that it should be a yacht rock song; the demo ended up “lo-fi and indie” anyway. Me and the Music was produced by Claud and John Congleton (Alvvays, St. Vincent) and represents a full-circle moment for Claud, who finally felt, with this record, that they were a confident enough producer to assume a co-producer role (and have since gone on to produce a string of viral singles by Romy Mars). Collaboration is, of course, an essential part of Claud’s work—who are we without our friends? In addition to Claud, they’re one-quarter of Shelly, a band they founded with Clairo, Noa Getzug and Josh Mehling. Me and the Music sees Claud reuniting with their longtime collaborator Dan Nigro (Olivia Rodrigo, Chappell Roan) on “The Legend.” It explores the feeling of being deeply in love with someone who doesn’t want to be seen with you, says Claud: “It’s sort of about a shitty relationship, and wanting to flaunt love, but not being able to do that,” they say. But, if Me and the Music has a true love song, it’s “I Owe You,” a dream-pop road song that’s devotional and rich. It captures the spirit of Me and the Music as a whole: Taking things day by day, taking stock of what’s around you, and embracing the beautiful things when they arrive. That doesn’t feel so heavy.","brand":"Dead Oceans","offers":[{"title":"LP (Clear cobalt vinyl)","offer_id":58169311035775,"sku":null,"price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/2825\/4773\/files\/Claud-Me-and-the-Music.webp?v=1786980839"},{"product_id":"pan-amsterdam-panarama","title":"Pan Amsterdam - Panarama","description":"\u003cp\u003e\u003cspan\u003e16\/10\/26\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eGolden Goose splatter vinyl *\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eBespoke A3 folded poster - “Aren’t I Generous” painted by Leron Thomas *\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eLimited pressing of 350 *\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e*EXCLUSIVE to Dinked Edition 434\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eTrumpeter, rapper and sonic wanderer Pan Amsterdam (aka Leron Thomas) has carved out one of the most distinctive voices operating at the intersection of jazz and hip-hop today. The Houston-born, New York-based musician and composer releases his new full length album - a bold reassertion of his hip hop identity - via Def Pressé. The record finds Pan Amsterdam embracing the harder edges of his sound while continuing to blur the lines between jazz improvisation, abstract rap, punk attitude, and experimental production.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWritten as a response to contemporary life and the endless cycle of information, conflict and distraction that defines modern culture, ‘Panarama’ unfolds as a stream of consciousness journey through hyper-normalised realities. Across sixteen tracks, Thomas navigates social commentary, personal reflection, absurdist humour, and cultural critique, delivering his observations with the same spontaneity and freedom that have become central to the Pan Amsterdam project.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003ePan Amsterdam is a musical enigma wrapped in an enduring riddle. He’s found fame working with Detroit punk rock God, Iggy Pop, and British indie royalty, Metronomy, and now makes shapeshifting, adventurous hip hop out of the music’s spiritual home, New York. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eHe’s an irreverent character born out of frustration and named after a misunderstanding, yet one who’s on the verge of releasing his fifth album of truth-slaying, genre-crossing rhymes and beats. \u003c\/span\u003e\u003cspan\u003eThe result is a catalogue that feels both deeply rooted in Black American musical tradition and completely untethered by convention.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Def Pressé","offers":[{"title":"Dinked Edition 434","offer_id":58173903405439,"sku":"DFPR34LPD","price":26.0,"currency_code":"GBP","in_stock":true},{"title":"Standard LP","offer_id":58173903438207,"sku":null,"price":26.0,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":58173903470975,"sku":null,"price":14.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/2825\/4773\/files\/Pan-Amsterdam-Panarama.jpg?v=1786704594"},{"product_id":"preorder-fontaines-d-c-dopamine-chamber","title":"Fontaines D.C. - Dopamine Chamber","description":"\u003cp\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 16\/10\/26\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003c\/p\u003e\n\u003cp\u003eFontaines D.C. announce their fifth studio album, Dopamine Chamber, released on 16th October via XL Recordings. Produced by James Ford, it is the follow-up to 2024’s UK platinum-certified Romance – and the sound of a band moving decisively away from the guitar language of their early records into something colder, stranger and more synthetic. It arrives today alongside lead single “Marianne” and its accompanying video, directed by Dave Meyers.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eDopamine Chamber arrives like a constellation behind undulating sighs of smog: potent balladry, anthemic melodies glinting through the murk. In a world tipping towards collapse, it asks how pleasure mutates amid peril—and what our pursuit of it reveals about us. Across the album, Fontaines D.C. – Grian Chatten, Carlos O’Connell, Conor Curley, Conor Deegan and Tom Coll – move between gratification and dread until the two meld together, reflecting the overwhelm of artificial intelligence, environmental collapse and political violence all riding the same algorithms as memes, jokes and celebrity culture. “The album itself is a dopamine chamber,” says Chatten. “You step inside and we test these different mind- or mood-altering pieces of music on you.”\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eWhere Romance held its tension in balance, this record tips it. “I think Romance was maybe 60 per cent human and 40 per cent corrupted by automation, and a loss of feeling,” says Chatten, who spent time among the faded grandeur of Venice, Vienna and Sicily in search of lyrical inspiration. “This one feels more like 60 per cent corrupted — the mask is wearing the face a little more.” He resisted any pull towards easy optimism: “I felt it would be more powerful to leave the hope out and reflect the ugliness honestly. This one needed to feel more like a catastrophic warning.”\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e“Our albums have always questioned a sense of place,” says bassist Conor Deegan. “First Dublin, then being away from Dublin, and then trying to find the romance elsewhere. On this record, the question became: where do you escape to?” Into the self, perhaps – or hedonism, fantasy, cosmetic perfection, eternal youth or the endless refresh of a screen.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eFontaines D.C. have spent five albums refusing to repeat themselves – from Dogrel (2019) through A Hero’s Death (2020), the No. 1 Skinty Fia (2022) and the anarchic, kaleidoscopic Romance (2024). Dopamine Chamber is their most radical turn yet: cold synthesiser tones, marching drums, samples and triggers, several songs with no guitars at all, and the swooning strings of 1960s Italian pop pulled into something synthetic. For guitarist Conor Curley, the aim was to break from the band’s own reference points: “I was trying to find stuff that pointed into the future.” It was made with James Ford between London, the English countryside and Palermo, where Chatten recorded vocals in a makeshift booth built from mattresses and cushions.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e“There’s a poignant sense of us being on the brink of some other kind of form of humanity, or non-humanity,” says Chatten. For their fifth album, Fontaines D.C. have built the chamber. What happens to the listener inside it will be the experiment.\u003c\/p\u003e","brand":"XL Recordings","offers":[{"title":"LP (Indies Blue Marble)","offer_id":58193408393599,"sku":"XL1673LPE","price":26.0,"currency_code":"GBP","in_stock":false},{"title":"LP (Blue Vinyl)","offer_id":58193408524671,"sku":"XL1673LP2","price":26.0,"currency_code":"GBP","in_stock":true},{"title":"LP (Standard)","offer_id":58193408655743,"sku":"XL1673LP","price":22.0,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":58193408819583,"sku":"XL1673CD","price":12.0,"currency_code":"GBP","in_stock":true},{"title":"Cassette","offer_id":58193408917887,"sku":"XL1673MC","price":13.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/2825\/4773\/files\/Fontaines-D_C_-Dopamine-Chamber.jpg?v=1786980850"},{"product_id":"cameron-winter-live-at-carnegie-hall","title":"Cameron Winter - Live At Carnegie Hall","description":"\u003cp\u003e09\/10\/26\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCameron Winter's Live at Carnegie Hall documents the Geese frontman's historic Dec 2025 performance. Alone at the piano, he reshapes songs from his acclaimed debut Heavy Metal and debuts three previously unreleased compositions. There is an undeniable sense of occasion running through the performance, capturing the momentous feeling of witnessing an artist stepping into the spotlight in real time. The release preserves one unforgettable night while cementing Winter's emergence as one of the defining voices of his generation, with the sense that this is only the beginning.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eCD Tracklist:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e01. It All Fell In The River\u003cbr\u003e02. Try As I May\u003cbr\u003e03. 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Available as a limited-edition CD digisleeve and 1LP black 140g gatefold sleeve (includes 2 x A2 posters). Tracklist included.","brand":"BMG","offers":[{"title":"CD Digisleeve","offer_id":58242919301503,"sku":null,"price":15.0,"currency_code":"GBP","in_stock":true},{"title":"1LP Black 140g Gatefold","offer_id":58242919367039,"sku":null,"price":29.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/2825\/4773\/files\/Ane-Brun-I-Thought-We-Were-the-Same.jpg?v=1787326705"},{"product_id":"queens-of-the-stone-age-perfecth","title":"Queens of the Stone Age - Perfecth","description":"\u003cp\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 30\/10\/26\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003c\/p\u003e\n\u003cp\u003eQueens of the Stone Age have always remained enduringly, singularly magnetic. It isn't just their sound. It's their spirit. They are provocative in the most essential sense: unafraid to explore the dark, the sexual, the surreal, the absurd. It's art that snarls and seduces in equal measure, and never more so than on the band’s ninth album, Perfecth, due Oct. 30 from Matador Records.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eKintsugi — the Japanese art of repairing broken pottery by filling its cracks with gold — holds that what has been shattered is made more beautiful, not less, by the act of repair. This is the spirit in which Perfecth was made. An album that could only have been made right now thanks to Homme, Troy Van Leeuwen, Michael Shuman, Dean Fertita, and Jon Theodore taking significant evolutionary steps as a collective and arriving at hard-won clarity, its nine songs map different forms of love: of family, friends, and others both significant and insignificant. The loves that break you beyond survival and the loves that put you back together.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eBirthed from sessions tracked everywhere from New Orleans to Los Angeles, the music is fearless and boundless, moody and menacing, gentle and strange. Here, Queens have moved a career's worth of jagged pieces into alignment. \"Every song sounds like it's from a different world,\" says Homme. \"And that's on purpose, because it's trying to stitch together all these emotions revolving around love, lust, foolishness, and the sort of wisdom that comes as a gift from all that.\"\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThe record is called Perfecth because \"perfect,\" as a word, has never been honest. It doesn't exist. So, Homme broke the word and made it \"perfecth,\" a more appropriate spelling for a term that never felt right to begin with. \"Nothing in this world is perfect, but everything seems to be 'perfecth',\" he explains. \"And that title is funny when you're in a group, but it ain't so funny when you're alone.”\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003col\u003e\n\u003cli\u003eIt's Only Love\u003c\/li\u003e\n\u003cli\u003eInsignificant Other\u003c\/li\u003e\n\u003cli\u003eWhere The Goth Girls At?\u003c\/li\u003e\n\u003cli\u003eMono\u003c\/li\u003e\n\u003cli\u003eFrom the Cliff\u003c\/li\u003e\n\u003cli\u003eSunday\u003c\/li\u003e\n\u003cli\u003eEasy Street\u003c\/li\u003e\n\u003cli\u003ePhantom Limb\u003c\/li\u003e\n\u003cli\u003eRun Away From the Mob\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e","brand":"Matador","offers":[{"title":"LP (Indies Clear Vinyl)","offer_id":58259226755455,"sku":null,"price":27.0,"currency_code":"GBP","in_stock":false},{"title":"LP (Standard)","offer_id":58259227181439,"sku":null,"price":24.0,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":58259227672959,"sku":null,"price":13.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/2825\/4773\/files\/Queens-of-the-Stone-Age-Perfecth.jpg?v=1787661560"},{"product_id":"preorder-back-to-black-20","title":"Amy Winehouse - Back To Black 20","description":"\u003cp\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 23\/10\/26\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003eBack To Black 20 – 3CD Deluxe \u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003eProduct Description: \u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eThis special 3CD collates the “Back To Black” era in a definitive package. Featuring the original studio album, 4x unreleased demos, rare B-sides, demos and bonus tracks, alongside the notable live performance from Paradiso, Amsterdam (February 8th 2007) from the Back To Black tour, never released in full and on CD.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eThis edition features brand new alternative cover artwork, including Amy’s handwritten lyrics, and never-before-seen photos by original album photographers Mischa Richter and Alex Lake, plus brand new, exclusive liner notes from Mark Ronson and Salaam Remi.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e2026 celebrates the 20th anniversary of the 5x Grammy award winning album “Back To Black”, universally regarded as one of the greatest, most important and influential albums in pop history.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003eTracklist: \u003c\/b\u003e3CD\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003eDisc 1 – Back To Black \u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e1.                  \u003c\/span\u003eRehab\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e2.                  \u003c\/span\u003eYou Know I'm No Good\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e3.                  \u003c\/span\u003eMe \u0026amp; Mr Jones\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e4.                  \u003c\/span\u003eJust Friends\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e5.                  \u003c\/span\u003eBack To Black\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e6.                  \u003c\/span\u003eLove Is A Losing Game\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e7.                  \u003c\/span\u003eTears Dry On Their Own\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e8.                  \u003c\/span\u003eWake Up Alone\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e9.                  \u003c\/span\u003eSome Unholy War\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e10.             \u003c\/span\u003eHe Can Only Hold Her\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e11.             \u003c\/span\u003eAddicted\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003eDisc 2 – B Sides, Bonus Tracks \u0026amp; Demos \u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e1.                  \u003c\/span\u003eValerie (Live at BBC Radio 1 Live Lounge)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e2.                  \u003c\/span\u003eCupid\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e3.                  \u003c\/span\u003eMonkey Man\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e4.                  \u003c\/span\u003eHey Little Rich Girl\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e5.                  \u003c\/span\u003eYou're Wondering Now\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e6.                  \u003c\/span\u003eTo Know Him Is To Love Him\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e7.                  \u003c\/span\u003eYou Know I'm No Good (feat. Ghostface Killah)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e8.                  \u003c\/span\u003eDo Me Good\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e9.                  \u003c\/span\u003eClose To The Front\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e10.             \u003c\/span\u003eRehab (Demo Version)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e11.             \u003c\/span\u003eI'm No Good (You Know I’m No Good - Original Demo)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e12.             \u003c\/span\u003eFuckery (Me \u0026amp; Mr Jones – Original Demo)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e13.             \u003c\/span\u003eI’ve Been Drinkin’ (Just Friends – Alternative Version)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e14.             \u003c\/span\u003eBack To Black (Original Demo)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e15.             \u003c\/span\u003eLove Is A Losing Game (Original Demo)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e16.             \u003c\/span\u003eTears Dry (Alternative Demo)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e17.             \u003c\/span\u003eSome Unholy War (Down Tempo)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003eDisc 3 – Live From Paradiso Amsterdam \/ February 8th 2007\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e1.                  \u003c\/span\u003eAddicted\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e2.                  \u003c\/span\u003eJust Friends\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e3.                  \u003c\/span\u003eTears Dry On Their Own\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e4.                  \u003c\/span\u003eCherry\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e5.                  \u003c\/span\u003eFuck Me Pumps\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e6.                  \u003c\/span\u003eHe Can Only Hold Her \/ Doo Wop (That Thing)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e7.                  \u003c\/span\u003eI Heard Love Is Blind\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e8.                  \u003c\/span\u003eWake Up Alone\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e9.                  \u003c\/span\u003eBack To Black\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e10.             \u003c\/span\u003eYou Know I’m No Good\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e11.             \u003c\/span\u003eMe \u0026amp; Mr Jones\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e12.             \u003c\/span\u003eRehab\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e13.             \u003c\/span\u003eLove Is A Losing Game\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e14.             \u003c\/span\u003eValerie\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003eBack To Black 20 – 3LP Deluxe \u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003eProduct Description: \u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eThis special 3LP clear vinyl collates the “Back To Black” era in a definitive package. Featuring the original studio album, 4x unreleased demos, rare B-sides and demos, alongside the notable live performance from Paradiso, Amsterdam (February 8th 2007) from the Back To Black tour, never released in full and on vinyl.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eThis edition features brand new alternative cover artwork, including Amy’s handwritten lyrics, and never-before-seen photos by original album photographers Mischa Richter and Alex Lake, plus brand new, exclusive liner notes from Mark Ronson and Salaam Remi.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e2026 celebrates the 20th anniversary of the 5x Grammy award winning album “Back To Black”, universally regarded as one of the greatest, most important and influential albums in pop history.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003eTracklist: 3LP \u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003eLP1 - Side 1 – Back To Black \u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e1.                  \u003c\/span\u003eRehab\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e2.                  \u003c\/span\u003eYou Know I'm No Good\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e3.                  \u003c\/span\u003eMe \u0026amp; Mr Jones\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e4.                  \u003c\/span\u003eJust Friends\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e5.                  \u003c\/span\u003eBack To Black\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e6.                  \u003c\/span\u003eLove Is A Losing Game\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003eLP1 - Side 2 \u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e1.                  \u003c\/span\u003eTears Dry On Their Own\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e2.                  \u003c\/span\u003eWake Up Alone\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e3.                  \u003c\/span\u003eSome Unholy War\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e4.                  \u003c\/span\u003eHe Can Only Hold Her\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e5.                  \u003c\/span\u003eAddicted\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003eLP2 - Side 3 – B-Sides \u0026amp; 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Mr Jones\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e3.                  \u003c\/span\u003eRehab\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e4.                  \u003c\/span\u003eLove Is A Losing Game\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e5.                  \u003c\/span\u003eValerie\u003c\/p\u003e","brand":"UMR","offers":[{"title":"3LP + Tattoo Sheet","offer_id":58259234423167,"sku":"3LP + Tattoo Sheet","price":57.0,"currency_code":"GBP","in_stock":true},{"title":"3CD","offer_id":58259233898879,"sku":null,"price":20.0,"currency_code":"GBP","in_stock":true},{"title":"3LP","offer_id":58265044648319,"sku":null,"price":57.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/2825\/4773\/files\/Amy-Winehouse-Back-To-Black-20.jpg?v=1787661558"},{"product_id":"sing-sing-the-joy-of-sing-sing","title":"Sing-Sing - The Joy Of Sing-Sing","description":"\u003cp\u003e\u003cspan\u003eReleased 23\/10\/26\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eTranslucent 'Delicious' orange vinyl*\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003e12\" x 12\" signed print*\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eCD of bonus tracks\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eRemastered audio\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eDinked Archive obi strip and gold foil sticker*\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eLimited pressing of 400*\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e* EXCLUSIVE to Dinked Edition A35\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eSome albums simply get better with time. Others wait patiently for the world to catch up. As it celebrates its 25th anniversary, \u003c\/span\u003e\u003cspan\u003eThe Joy of Sing-Sing\u003c\/span\u003e\u003cspan\u003e feels less like an overlooked curiosity and more like one of the great lost British albums of its era.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eWhen Lush came to an abrupt end in 1996 following the tragic death of drummer Chris Acland, guitarist and songwriter Emma Anderson wasn't looking to recreate the past. She was searching for an entirely new musical partnership. A mutual friend suggested she meet singer-songwriter Lisa O'Neill (not the Irish folk singer of the same name), who had recently appeared on Locust's \u003c\/span\u003e\u003cspan\u003eMorning Light\u003c\/span\u003e\u003cspan\u003e and was looking for a full-time collaborator. Unknown to either of them, Emma already owned - and loved - the album. Their first meeting, over a drink, sparked an immediate creative connection. Within weeks they were writing together, united by a love of sophisticated pop, dreamlike atmospheres and leftfield electronica. With producer Mark Van Hoen, who had worked with Lisa on \u003c\/span\u003e\u003cspan\u003eMorning Light\u003c\/span\u003e\u003cspan\u003e, they quickly forged the distinctive sound that would become Sing-Sing.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eThis 25\u003c\/span\u003e\u003cspan\u003eth\u003c\/span\u003e\u003cspan\u003e Anniversary reissue features newly remastered audio by Kevin Vanbergen (Lush, Pixies, Radiohead and numerous 4AD\/Beggars artists) and brand-new artwork by Chris Bigg, celebrated for his long creative partnership with Vaughan Oliver. Available as a limited pressing of 400, the custom Dinked Archive edition is pressed on translucent 'Delicious' orange vinyl, with a signed 12\" x 12\" print and a CD of bonus tracks.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eRemarkably, Sing-Sing never sounded like a post-Lush band. Rather than revisiting shoegaze, Anderson and O'Neill created something altogether more understated and cinematic: shimmering electronic textures, hypnotic melodies and exquisitely restrained vocals that felt equally indebted to classic pop and forward-thinking electronica.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eReleased in 2001, \u003c\/span\u003e\u003cspan\u003eThe Joy of Sing-Sing\u003c\/span\u003e\u003cspan\u003e quietly occupied a world of its own. At a time when British indie was still dominated by post-Britpop guitar bands, Sing-Sing offered something softer, stranger and effortlessly elegant. The album blended luminous electronics, intricate arrangements and timeless songwriting into a record that refused to follow prevailing trends -and as a result, has barely dated.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eFrom the lilting, lullaby-like opener \u003c\/span\u003e\u003cspan\u003e'Everything'\u003c\/span\u003e\u003cspan\u003e to the brooding pulse of \u003c\/span\u003e\u003cspan\u003e'Command'\u003c\/span\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cspan\u003eThe Joy of Sing-Sing\u003c\/span\u003e\u003cspan\u003e unfolds as a richly textured collection of intimate, cinematic songs. Delicate moments such as \u003c\/span\u003e\u003cspan\u003e'Tegan'\u003c\/span\u003e\u003cspan\u003e sit alongside the noir-like sweep of \u003c\/span\u003e\u003cspan\u003e'Far Away from Love'\u003c\/span\u003e\u003cspan\u003e, while the surreal, off-kilter pop of \u003c\/span\u003e\u003cspan\u003e'Panda Eyes'\u003c\/span\u003e\u003cspan\u003e adds a playful twist. Beneath the album's shimmering beauty lies an emotional depth that culminates in \u003c\/span\u003e\u003cspan\u003e'Underage'\u003c\/span\u003e\u003cspan\u003e, a moving tribute to Emma Anderson's former Lush bandmate Chris Acland. Critics recognised its quiet brilliance. \u003c\/span\u003e\u003cspan\u003eUncut\u003c\/span\u003e\u003cspan\u003e hailed it as \u003c\/span\u003e\u003cspan\u003e\"a supernova in indie's imaginary universe of perfect pop,\"\u003c\/span\u003e\u003cspan\u003e while \u003c\/span\u003e\u003cspan\u003eNME\u003c\/span\u003e\u003cspan\u003e praised its \u003c\/span\u003e\u003cspan\u003e\"electronic trip-hoppy vibe,\"\u003c\/span\u003e\u003cspan\u003e describing Lisa O'Neill's crystalline voice as leading listeners \u003c\/span\u003e\u003cspan\u003e\"siren-like into the twilight netherworld where The Carpenters commune with Portishead.\"\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eQ\u003c\/span\u003e\u003cspan\u003e celebrated its \u003c\/span\u003e\u003cspan\u003e\"airy, breathy dreampop\"\u003c\/span\u003e\u003cspan\u003e and called it \u003c\/span\u003e\u003cspan\u003e\"a plaintive and persuasive debut that promises much.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eTime has only strengthened the album's reputation. Long cherished by those who discovered it first time around, \u003c\/span\u003e\u003cspan\u003eThe Joy of Sing-Sing\u003c\/span\u003e\u003cspan\u003e has steadily been recognised as one of the hidden gems of early-2000s British independent music. In today's landscape - where dream-pop, shoegaze and beautifully crafted alternative pop have found a new generation of listeners - it sounds remarkably contemporary.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eMore than twenty-five years after it was first recorded, \u003c\/span\u003e\u003cspan\u003eThe Joy of Sing-Sing\u003c\/span\u003e\u003cspan\u003e finally receives the wider recognition it has always deserved: an elegant, emotionally resonant collection of songs that feels every bit as fresh, immersive and quietly captivating today as it did on its original release.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Aerial Records","offers":[{"title":"Dinked Archive 35","offer_id":58264136614271,"sku":null,"price":26.0,"currency_code":"GBP","in_stock":false},{"title":"Standard Yellow","offer_id":58264136647039,"sku":null,"price":24.0,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":58264136679807,"sku":null,"price":16.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/2825\/4773\/files\/Sing-Sing-The-Joy-Of-Sing-Sing.jpg?v=1787674188"},{"product_id":"the-spook-school-like-a-heartbeat","title":"The Spook School - Like A Heartbeat","description":"\u003cp\u003e\u003cspan\u003e29\/01\/27\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003e‘Heartbeat Red and Yellow’ splatter vinyl*\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003e8 x Spook School Top Trumps cards*\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eSigned 8\" x 6\" press photo*\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eLimited pressing of 300*\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e*EXCLUSIVE to Dinked Edition 436\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eFormed in 2011, The Spook School carved out a reputation as one of the most beloved queer acts of their generation. Nominated for Scottish Album of The Year in 2018 with their third and final studio album \u003c\/span\u003e\u003cspan\u003eCould It Be Different?\u003c\/span\u003e\u003cspan\u003e on Alcopop! Records, it was an internationally acclaimed release that was packed with hope and good will, passionately championing LGBTQ+ rights and inclusivity years ahead of the public discourse.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eFollowing their final farewell tour and subsequent split in August\/September 2019, The Spook School staged their own disappearance to the moon, remaining otherwise inactive, save for a sold-out duo of December 2023 reunion shows celebrating the 10th anniversary of their Fortuna POP! debut album \u003c\/span\u003e\u003cspan\u003eDress Up\u003c\/span\u003e\u003cspan\u003e.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eNow, with the political climate growing ever more hostile and LGBTQ+ rights under threat around the world once more, the time is ripe for The Spook School’s return with new album \u003c\/span\u003e\u003cspan\u003eLike A Heartbeat\u003c\/span\u003e\u003cspan\u003e; the heroes we deserve, carrying a message of resilience, solidarity, and—vitally—hope for the future.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e“Unfortunately our songs seem more relevant than ever.” laments Nye. “We kind of hoped our old material would become culturally outdated, but we still feel we have something so important to say, especially as things seem to be getting so much worse. Something particularly infuriating about the last few years is the never-ending torrent of conversations and decisions about trans people's right to exist which take place without any trans people actually having a voice. Sometimes the level of ignorance is so extreme that it would almost be funny if it wasn’t being used as the basis to try and kick us out of society, but when it’s judges, or politicians, or employers that are choosing to get all of their ‘facts’ from anti-trans hate groups it’s not funny—it’s dangerous and negligent.”\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eRecorded with Rod Jones of Scottish rock titans Idlewild at his Post Electric Studio in Leith, Edinburgh, new album \u003c\/span\u003e\u003cspan\u003eLike A Heartbeat \u003c\/span\u003e\u003cspan\u003eis undeniably The Spook School’s most fully realised, cohesive, and sonically refined record to date. This is a timely, vital return. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Alcopop","offers":[{"title":"Dinked Edition 436","offer_id":58264154046847,"sku":null,"price":26.0,"currency_code":"GBP","in_stock":false},{"title":"Standard Yellow LP","offer_id":58264154079615,"sku":null,"price":24.0,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":58264154112383,"sku":null,"price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/2825\/4773\/files\/The-Spook-School-Like-A-Heartbeat_689d5547.jpg?v=1787931443"},{"product_id":"preorder-love-2","title":"Air - Love 2","description":"\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 16\/10\/26\u003cbr\u003e\u003cbr\u003eLtd 2LP 140g Clear vinyl (Aircheology). 2 x 140g clear vinyl, gatefold sleeve. 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Recorded over 18 months in Dallas and Los Angeles, the album is the inevitable collision of two iconoclasts—hypnotic, funny, blunt, deeply personal, and impossible to categorize neatly.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eMeditative and fluid, Before the World Blows finds Badu contemplating which parts of ourselves and our stories are worth protecting before the world breaks and fragments. Love, innocence, dreams, memories, womanhood. The album unfolds in four movements, charting the progression of self through the prisms of love, art, and identity, inviting us to sit with difficult feelings. Passion blurs with desire, hope with grief, each song revealing another illuminating facet of the inner Baduverse.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThe Abi and Alan Experiment began more than three years ago after Badu told her longtime creative partner Cold Cris that she had always wanted to rap over Mobb Deep’s “The Realest,” a gritty, pounding Alchemist production. “I also program as well, but not like Al,” she says. “His collection of music is impeccable. His taste is brilliant. His choices are kindred to what I love. He’s very soulful.” Their conversations grew into a full-fledged collaborative project. The duo’s first studio session together in Los Angeles yielded the crackling ballad “Next to You,” which uses the same sped-up ’70s soul sample as “The Realest,” establishing the album’s creative language: Alchemist’s sample-based architecture meeting Badu’s gift for rhythmic, jazz-informed experimentation. Rather than typecasting Badu, his dream collaborator, with beats that matched her existing catalog the music was guided by Badu’s instincts \u0026amp; skill, and the Alchemist let the music evolve on its own terms.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eAlchemist sent Badu a collection of instrumental beats, which she deconstructed and sculpted into tracks that felt uniquely hers, looping his warm, punchy samples with instruments from soft kalimba notes to immersive chords and drums. The result moves fluidly between soul, blues, funk, rock, jazz, and underground hip-hop, yet belongs entirely to none of them. From 2024 to 2025, Abi and Alan road-tested the entire album live, performing in intimate, phone-free settings with Badu’s digital collective, The Cannabinoids, and Alchemist on the MPC, fine-tuning the tracks along the way.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eBadu has always seen art as an inevitable, infinite extension of the self. At any point in space and time, that means evolution is inevitable, too. Before the world blows, it’s worth it to keep exploring. To have one more kiss. One more hit of that blunt. Before the world blows, it’s worth it to get to know thyself.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e1. Echos\u003c\/div\u003e\n\u003cdiv\u003e2. I Just Play A Part\u003c\/div\u003e\n\u003cdiv\u003e3. Crossfade (feat. DJ Creole Princess, Westside Gunn, Joi)\u003c\/div\u003e\n\u003cdiv\u003e4. Witch Doctor\u003c\/div\u003e\n\u003cdiv\u003e5. Valentine (feat. DRAM)\u003c\/div\u003e\n\u003cdiv\u003e6. Next 2 U\u003c\/div\u003e\n\u003cdiv\u003e7. Love Me Not\u003c\/div\u003e\n\u003cdiv\u003e8. Breezy\u003c\/div\u003e\n\u003cdiv\u003e9. Abracadabra\u003c\/div\u003e\n\u003cdiv\u003e10. To The Moon (Plan C) (feat. Steve Lacy)\u003c\/div\u003e\n\u003cdiv\u003e11. They Ain’t You (feat. 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Kamasi Washington)\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Control Freaq Records\/Young","offers":[{"title":"LP (Neon Orange Indies Vinyl)","offer_id":58279979909503,"sku":null,"price":39.0,"currency_code":"GBP","in_stock":true},{"title":"LP (Black Vinyl)","offer_id":58279979975039,"sku":null,"price":32.0,"currency_code":"GBP","in_stock":true},{"title":"Cassette (MC1 - Erykah Art)","offer_id":58279980007807,"sku":null,"price":13.0,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":58279980073343,"sku":null,"price":14.0,"currency_code":"GBP","in_stock":true},{"title":"Cassette (MC2 - The Alchemist Art)","offer_id":58279980138879,"sku":null,"price":13.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/2825\/4773\/files\/Erykah-Badu-The-Alchemist-Before-the-World-Blows.jpg?v=1787931459"},{"product_id":"little-grandad-speak-softly-son","title":"Little Grandad - Speak Softly, Son","description":"\u003cp\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp\u003e22\/01\/27\u003c\/p\u003e\n\u003cul\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003ePink \u0026amp; Frosted Clear 'Colour in Colour' effect vinyl*\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eExclusive artwork oversleeve*\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eSigned and hand numbered*\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eLimited pressing of 500*\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e*EXCLUSIVE to Dinked Edition 438\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cb id=\"docs-internal-guid-5b4dad6a-7fff-bbf7-fa1c-56ea52e60ffc\"\u003e\u003c\/b\u003e\u003cbr\u003eLittle Grandad are very pleased to announce their debut album ‘Speak Softly, Son’. Released January 22nd and produced by Kev Jones (Wunderhorse). Just a few months after launching their debut tracks, the London four-piece waste no time at all, taking rare, precious days off the road to put down their debut album. The band has made quick work of creating a buzz since forming just over a year ago. Gigging relentlessly and picking up new fans everywhere they play. It’s a story as old as time. Their songs sound like a sort of Venn diagram of rust-belt Americana, Brooklyn-informed slacker-rock, and warm yet ramshackle British indie guitar rock. It also sounds nothing like those things. It’s chaotic, teeters on the brink of collapse, but somehow hangs together. It’s properly exciting because you can’t put your finger on what it is, and neither can they. “Speak Softly, Son” is a timely approximation of where Little Grandad are at, and an excellent advertisement for those live shows. Here’s where the story really starts...\u003c\/p\u003e","brand":"COMMUNION RECORDS","offers":[{"title":"Dinked Edition 438","offer_id":58328616599935,"sku":"COMM757","price":27.0,"currency_code":"GBP","in_stock":false},{"title":"Clear Retail LP","offer_id":58291020792191,"sku":null,"price":24.0,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":58291020595583,"sku":null,"price":13.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/2825\/4773\/files\/Little-Grandad-Speak-Softly-Son.jpg?v=1787931486"},{"product_id":"sheherazaad-khudgarzi","title":"Sheherazaad - Khudgarzi","description":"\u003cp\u003e\u003cspan\u003e20\/11\/26\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eExclusive Translucent LP*\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eSigned A5 postcard*\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003e20-page lyric book\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eNumbered sticker*\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eDownload code\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eLimited pressing of 300*\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e*EXCLUSIVE to Dinked Edition 437\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eKhudgarzi is the stunning, self-produced, debut full-length album from American composer and theatre artist, Sheherazaad. A cinematic blend of dystopic folk-noir and experimental pop laced with South Asian musical sensibilities, that has established her as one of the most distinctive new voices in contemporary music. Immersive, genre-defying soundscapes. \u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e‘Khudgarzi’ (English: Selfishness), is the anticipated follow-up to the American songstress-producer-theatre artist Sheherazaad’s highly praised 2024 EP ‘Qasr’. The record encompasses a woman's forensic deep dive into the space between duty and autonomy; sacrifice and survival. While composing, Sheherazaad became consumed by the figure of the so-called Khudgarz Aurat – the \"Selfish Woman\" – a label she had heard since childhood, levelled at women whose desire for agency was often met with suspicion or exile.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\"Selfishness became a kind of silent prayer,\" Sheherazaad recalls. \"A portal into a haunted universe of anxieties and desires. I was made to fear a 'selfish' kind of woman – embracing her felt like stepping into a forbidden forest I'd been running away from.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWritten in the aftermath of a broken engagement, 'Khudgarzi' carries the emotional debris of rage, guilt and grief, while imagining an alternative mythology populated by women who shapeshift between storytellers, courtesans, historians, survivors and witnesses. Across ten theatrical pieces, Sheherazaad refuses neat resolutions, instead creating an oral archive where feminine survival is neither sanctified nor condemned, but revealed as an ongoing ritual of performance, strategy and insurgency.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAlongside the album’s announcement, she shares \"Andhera\" (Darkness), an album centrepiece. The song emerges from the same shadowy universe first conjured by last year's single \"Gulukara\". It’s a Bolly-goth pop hymn, following a vilified lover who ushers in cosmic darkness, transmuting heartbreak into something vast, mythical and the deepest pigment of darkness.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMusically, 'Khudgarzi' expands the wilderness of Sheherazaad's signature dystopic folk-noir and dark pop sound, where instruments from Hindustani, Turkish, Arabic and Carnatic traditions – including tanbur, santoor, veena, rabab, ghatam and gungaroo – intertwine with weather recordings, breath, echoes, moans and the sounds of the animal world. Resultingly, every song becomes its own self-contained universe: an enchanted back alley, a desert wasteland, a rain-soaked steel plant, or an artificial constellation suspended in silence.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMostly sung in Urdu, with passages in English and Tamil, the album explores layered questions of language and belonging. Throughout, Sheherazaad preserves the intimacy of room noise and stillness, allowing spacious arrangements to absorb the brooding lyricism. \"So much music feels like an assault to me,\" she says. \"I want to open a gentle rupture, where a listener may truly sit with herself.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe songs came together like a diasporic family across disjointed time zones: recorded between Brooklyn, London, and the San Francisco Bay Area, with fragments arriving from Istanbul, Islamabad, and Trivandrum among others.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eA cast of more than thirty musicians contributes to the project, including Ria Modak, Sarathy Korwar, Jay Chakravorty, Shunya and Qasim Naqvi, while emerging India - based artists Irfana and Daatri Dadhich appear as sympathetic co-narrators. Though born from an exploration of selfishness, the record ultimately became an exercise in shared storytelling and generosity.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eNeither villain nor virtue, 'Khudgarzi' presents selfishness as instinct and reclamation. Rather than offering answers, Sheherazaad leaves space for listeners to navigate their own relationship between sacrifice and selfhood, illuminating a world of contradictions that lingers long after the final note.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Erased Tapes","offers":[{"title":"Default Title","offer_id":58328294162815,"sku":null,"price":30.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/2825\/4773\/files\/Sheherazaad-Khudgarzi.jpg?v=1788257640"},{"product_id":"preorder-the-faith-tour","title":"George Michael - The Faith Tour","description":"\u003cp\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 06\/11\/26\u003cbr\u003e\u003cbr\u003eGeorge Michael — The Faith Tour. Multi-format release (2CD, 2LP, Retail Exclusive Blue Black Marble 2LP, 3LP, 2CD\/3LP). Released 06-Nov-26. Some formats are limited; retail exclusive format not to be sold on Amazon or eBay. \u003c\/p\u003e","brand":"Sony Music \/ CMG","offers":[{"title":"2CD","offer_id":58334504649087,"sku":null,"price":14.0,"currency_code":"GBP","in_stock":true},{"title":"2LP","offer_id":58334504747391,"sku":null,"price":35.0,"currency_code":"GBP","in_stock":true},{"title":"Retail Exclusive Blue Black Marble 2LP","offer_id":58334504780159,"sku":null,"price":40.0,"currency_code":"GBP","in_stock":true},{"title":"BOX SET 2CD\/3LP","offer_id":58334504878463,"sku":null,"price":162.0,"currency_code":"GBP","in_stock":true},{"title":"3LP","offer_id":58334504976767,"sku":null,"price":44.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/2825\/4773\/files\/George-Michael-The-Faith-Tour.jpg?v=1788363371"},{"product_id":"preorder-rejoice","title":"Tony Allen \u0026 Hugh Masekela - Rejoice","description":"\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 30\/10\/26\u003cbr\u003e\u003cbr\u003e‘Rejoice’ is a collaboration between drummer Tony Allen and trumpet master Hugh Masekela. Recorded initially in 2010 and completed in 2019 with the blessing of Masekela’s estate, the album blends South African jazz and Afrobeat, featuring musicians including Tom Herbert, Joe Armon-Jones, Mutale Chashi and Steve Williamson. Released as a limited edition orange, white \u0026amp; pink splatter vinyl for the 40th anniversary of World Circuit Records.","brand":"BMG","offers":[{"title":"1LP 140g Orange","offer_id":58338382086527,"sku":null,"price":30.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/2825\/4773\/files\/Tony-Allen-Hugh-Masekela-Rejoice.jpg?v=1788363390"},{"product_id":"post-common-post-common","title":"Post Common - Post Common","description":"\u003cp\u003e20\/11\/26\u003c\/p\u003e\n\u003cul\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003e‘Ice Plume Blue’ vinyl*\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003e2 x 145mm artcards*\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eSigned, numbered \u0026amp; debossed A5 insert*\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eExclusive limited pressing of 400*\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e*EXCLUSIVE to Dinked Edition \u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv dir=\"ltr\" align=\"left\"\u003e\n\u003ctable\u003e\n\u003ccolgroup\u003e\u003ccol width=\"413\"\u003e\u003c\/colgroup\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eEarly Doors No. 12\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eToday, new Brighton trio Post Common announce their signing to Brace Yourself Records alongside word of their self-titled debut EP arriving November 20th. The band, comprised of current and former members of UK DIY stalwarts JOHN, TRAAMS, Sisterland and more, also offer a first peak behind the curtain of their intense sonic world with the EP’s lead single ‘Space\/Time’.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e‘Space\/Time’ lays out an effective roadmap for the unwieldy beast that is Post Common, comprised of Stuart Hopkins (guitar\/vocals), Ian Humes (bass) and John Newton (drums\/vocals) - a project that shares DNA with the trio’s musical heritage but that expands outwards taking in elements of electronic and industrial music alongside their love of post-hardcore.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAt the centre of their sonic alchemy is the thrilling juxtaposition of Hopkins’ and Newton’s shared vocals - like a MacKaye and Picciotto of the verdant English south coast, the two play off each other to stunning effect. The former’s often yearning, searching melodies are perfectly counterpointed by Newton’s famed guttural bark as they trade lines that walk a fine margin between romance and dystopia, poetry and mundanity. It’s exquisite corpse songcraft at its finest.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e“This was the first experiment of me writing lyrics and Stu mangling them in his own way,” explains Newton. “It’s a really good illustration of that exquisite corpse process. It feels like a natural opener to introduce the band and EP. A lot of drum pads and electronic stuff; a deliberate attempt to play around and challenge more traditional instrumentation.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003ePost Common were initially formed by Hopkins and Newton after the former moved back to Brighton and they hit it off over a shared love of DIY punk rock, particularly Dischord Records, but also a desire to play with more industrial and electronic flourishes, finding particular inspiration in highly influential New York duo Suicide.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe ranks were bolstered with Ian Humes joining on bass, after Newton and Humes struck up a friendship across a record shop counter, Humes becoming the perfect foil between Hopkins and Newton’s self-recognised differing approaches.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAfter this meeting of minds and mutual interests, Post Common truly came to life in the practice room - while there was no identikit, hardened decision as to what the band should sound like, they quickly found a unique, intensely physical sound that’s best experienced in a small room surrounded by sweating, living bodies - something that’s already been seen at select shows across the South East including an appearance at this year’s Great Escape festival and a slot opening for Mclusky.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe band quickly decamped to The Bookhouse in South London alongside engineer Tom Hill to lay down the fruits of their earliest efforts in the guise of this four-track EP. ‘Space\/Time’ is joined here by the careening, motorik ‘Check Atomizer’, before opening up into a cavernous second side - comprised of ‘Invisible Tools’ and ‘Paywall’ - that hits like a punch to the gut and showcases the haunting emotion of Hopkins’ vocal leads, before Newton’s gruff, fierce husk returns in the EP’s final implosive meltdown.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThat interplay between Post Common’s joint vocalists never fails to walk a thrilling tightrope both sonically and thematically across the EP. “Sometimes we collaborate, and sometimes we write separately,” Hopkins offers. “John’s more dystopian and industrial, like he’s Bauhaus, while I’m personal. 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Features Jesse \"The Devil\" Hughes, Josh Homme and Tim Vanhamel, with guest appearances from Nick Oliveri, Alain Johannes and more. Includes singles “Miss Alissa” and “I Only Want You”. Available on Standard Red Vinyl and Indie Exclusive White Vinyl. The vinyl has been out of print for over a decade and the band continue to tour extensively.","brand":"Ipecac Recordings","offers":[{"title":"LP (White Vinyl)","offer_id":58436446093695,"sku":"IPC304LP-C2","price":24.0,"currency_code":"GBP","in_stock":true},{"title":"LP (Red Vinyl)","offer_id":58436446224767,"sku":"IPC304LP-C1","price":24.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/2825\/4773\/files\/Eagles-of-Death-Metal-Peace-Love-Death-Metal.jpg?v=1789573103"},{"product_id":"jamie-t-southampton-outstore-engine-rooms","title":"Sold Out - Jamie T -  Ghosts (100 Days of Morning) - Vinilo Intimate Solo Show","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cstrong\u003eJamie T – Ghosts (100 Days of Morning)\u003c\/strong\u003e\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cstrong\u003e\u003cmeta charset=\"UTF-8\"\u003eAlbum Release Date:\u003cspan\u003e 09\/10\/26\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eSouthampton Intimate Live Performance\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eWednesday 21 October 2026\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eEngineRooms, Southampton\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eEvening show:  Doors – 7.15pm. On Stage – 8.15pm\u003cbr\u003eAge 14+\u003c\/strong\u003e – Under 18s must be accompanied by a ticket-holding adult aged 18+.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eJamie T comes to Southampton for a special solo outstore performance celebrating the release of his new album \u003cem\u003eGhosts (100 Days of Morning)\u003c\/em\u003e. Jamie will perform a mixture of acoustic guitar and piano in a special show specifically for fans.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"background-color: rgb(255, 255, 255);\"\u003e\u003cstrong\u003eAge 14+\u003c\/strong\u003e (Under 18 ticket holders to be accompanied by a ticket holding 18+)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv style=\"max-width: 400px; margin: 20px auto; padding: 15px; background-color: #ffffff; border: 1px solid #000000; text-align: center;\"\u003e\u003ca style=\"color: #000000; text-decoration: underline; font-weight: bold;\" href=\"https:\/\/vinilo.co.uk\/pages\/event-terms-and-conditions\" target=\"_blank\"\u003eEvent Terms and Conditions \u003c\/a\u003e\u003c\/div\u003e\n\u003cp class=\"MsoNormal\" style=\"margin: 0cm; font-size: 12pt; font-family: Aptos, sans-serif; caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003e\u003cb id=\"docs-internal-guid-e30b11a2-7fff-6012-bd46-a99aaded809f\"\u003e \u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"elementtoproof\"\u003e\u003cspan\u003eGhosts (100 Days of Morning) sees the return of one of Britain’s most beloved artists, Jamie T. A confronting 11-track collection of former ghosts brought to life during a difficult time in his life, Ghosts (100 Days of Morning) nods to growing up and leaving youth behind, love, loss and the brittle nostalgia of halcyon indie-era nights. Ghosts is as much about letting go as it is reclaiming his identity.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"elementtoproof\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"elementtoproof\"\u003e\u003cspan\u003eThe album, produced in part by Jamie, James Dring (Loyle Carner \/ Blur) \u0026amp; Hugo White (The Maccabees), includes the single ‘3310’ alongside the introspective album closer ‘Tallahassee’ and Damon Albarn collaboration ‘Cocktail’\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb id=\"docs-internal-guid-e30b11a2-7fff-6012-bd46-a99aaded809f\"\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cu\u003e\u003cspan\u003eGhosts (100 Days of Morning) Tracklist\u003c\/span\u003e\u003c\/u\u003e\u003c\/b\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003col start=\"1\" type=\"1\"\u003e\n\u003cli class=\"MsoNormal\"\u003e\n\u003ci\u003e\u003cspan\u003e3310 (Written \u0026amp; Produced by Jamie T \u0026amp; James Dring)\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\n\u003ci\u003e\u003cspan\u003eCocktail (Written by Jamie T, James Dring \u0026amp; Damon Albarn \/ Produced by James \u0026amp; Jamie. Additional Keys from Damon)\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\n\u003ci\u003e\u003cspan\u003eWaist 36 Leg 32 (Written \u0026amp; Produced by Jamie T \u0026amp; James Dring)\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\n\u003ci\u003e\u003cspan\u003eAll I Wanna See Is Now (Written \u0026amp; Produced by Jamie T \u0026amp; Olly Burden)\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\n\u003ci\u003e\u003cspan\u003eThe Won (Written \u0026amp; Produced by Jamie T \u0026amp; James Dring)\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\n\u003ci\u003e\u003cspan\u003eChelsea Girls (Written \u0026amp; Produced by Jamie T \u0026amp; James Dring)\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\n\u003ci\u003e\u003cspan\u003eGhosts (Cover of The Jam song Ghosts)\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\n\u003ci\u003e\u003cspan\u003eCrimson \u0026amp; Clover (Written \u0026amp; Produced by Jamie T \u0026amp; James Dring)\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\n\u003ci\u003e\u003cspan\u003eCrucible (Written \u0026amp; Produced by Jamie T \u0026amp; Hugo White)\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\n\u003ci\u003e\u003cspan\u003eCaught Cheating (Written \u0026amp; Produced by Jamie T \u0026amp; James Dring)\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003ci\u003e\u003cspan\u003eTallahassee (Includes sample of Leif Vollebekk’s song Tallahassee. Produced by Jamie, Co-Produced by Hugo White)\u003c\/span\u003e\u003c\/i\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\" style=\"margin: 0cm; font-size: 12pt; font-family: Aptos, sans-serif; caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003e \u003c\/p\u003e\n\u003cp\u003eThis event is \u003cstrong\u003email order only.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"background-color: rgb(255, 255, 255);\"\u003eHere’s a breakdown of the ticket options available:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"background-color: rgb(255, 255, 255);\"\u003e1. **Ticket \u0026amp; CD \/ LP Bundle**  \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"background-color: rgb(255, 255, 255);\"\u003e   - This option includes 1 ticket and 1 CD \/ LP for the artist’s new album.  \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"background-color: rgb(255, 255, 255);\"\u003e   - You can purchase up to **4 CD or LP bundles** per person or household \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"background-color: rgb(255, 255, 255);\"\u003e   - If you want more than one ticket, you need to buy additional bundles.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"background-color: rgb(255, 255, 255);\"\u003e2. **\u003cstrong\u003eTicket Only\u003c\/strong\u003e**  \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"background-color: rgb(255, 255, 255);\"\u003e   - This option is for **1 ticket only** (no CD or LP\u003c\/span\u003e\u003cspan style=\"background-color: rgb(255, 255, 255);\"\u003e included).  \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"background-color: rgb(255, 255, 255);\"\u003e   - \u003cspan style=\"background-color: rgb(255, 255, 255);\"\u003e\u003cstrong\u003eTicket Only\u003c\/strong\u003e \u003c\/span\u003eis limited to **1 ticket per person\/household**.  \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"background-color: rgb(255, 255, 255);\"\u003e   - If you purchase more than 1 ticket-only option, your extra tickets will be refunded.\u003c\/span\u003e\u003cspan style=\"background-color: rgb(255, 255, 255);\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"background-color: rgb(255, 255, 255);\"\u003e**\u003cstrong\u003eImportant Notes\u003c\/strong\u003e:**  \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"background-color: rgb(255, 255, 255);\"\u003e- Once purchased, tickets and bundles \u003cstrong\u003ecannot\u003c\/strong\u003e be swapped between shows if there is multiple shows on the same day.  \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"background-color: rgb(255, 255, 255);\"\u003e- Outstores are mail order only.\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"background-color: rgb(255, 255, 255);\"\u003e- You will receive your ticket via email from **See Tickets**. \u003cstrong\u003eApprox\u003c\/strong\u003e 48Hr before the event.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"POLYDOR","offers":[{"title":"1 x Ticket + 1 x CD","offer_id":58437113151871,"sku":"1JamieT_CD+1Ticket","price":22.0,"currency_code":"GBP","in_stock":false},{"title":"2 x Tickets + 2 x CDs","offer_id":58437838111103,"sku":"2CD2TIXJT","price":44.0,"currency_code":"GBP","in_stock":false},{"title":"1 x Ticket + LP Polydor Red","offer_id":58437117542783,"sku":"1JamieT_RED+1Ticket","price":34.0,"currency_code":"GBP","in_stock":false},{"title":"1 x Ticket + LP Black","offer_id":58437113217407,"sku":"1JamieT_BLACKLP+1Ticket","price":34.0,"currency_code":"GBP","in_stock":false},{"title":"1 x Ticket Only (One Per Person \/ Per Household Max)","offer_id":58437117575551,"sku":"1 x Ticket Only","price":18.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/2825\/4773\/files\/Jamie-T-Ghosts-100-Days-of-Morning.jpg?v=1787153729"},{"product_id":"adam-and-the-ants-kings-of-the-wild-frontier-nad-2026","title":"Adam \u0026 The Ants - Kings Of The Wild Frontier (NAD 2026)","description":"\u003cp\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 17\/10\/2026\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eNational Album Day 2026\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 1LP\u003c\/p\u003e\u003cp\u003eThis award-winning, platinum bestseller is probably the most significant album in\u003cbr\u003eAdam’s career. 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