{"title":"XL Recordings","description":"","products":[{"product_id":"vampire-weekend-vampire-weekend","title":"Vampire Weekend - Vampire Weekend","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003eWith the Internet able to build up or tear down artists almost as soon as they start practicing, the advance word and intense scrutiny doesn't always do a band any favours. By the time they've got a full-length album ready to go, the trend-spotters are already several Hot New Bands past them. Vampire Weekend started generating buzz in 2006 -- not long after they formed -- but their self-titled debut album didn't arrive until early 2008. Vampire Weekend also has just a handful of songs that haven't been floating around the 'Net, which may disappoint the kind of people who like to post \"First!\" on message boards. This doesn't make those songs any less charming, however -- in fact, the band has spent the last year and a half making them even more charming, perfecting the culture collision of indie-, chamber-, and Afro-pop they call \"Upper West Side Soweto\" by making that unique hybrid of sounds feel completely effortless.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003eSo, Vampire Weekend ends up being a more or less official validation of the long-building buzz around the band, served up in packaging that uses the Futura typeface almost as stylishly as Wes Anderson. At times, the album sounds like someone trying to turn a Wes Anderson movie back into music (it's no surprise that the band's keyboardist also writes film scores); there's a similarly precious yet adventurous feel here, as well as a kindred eye and ear for detail. Everything is concise, concentrated, distilled, vivid; Vampire Weekend's world is extremely specific and meticulously crafted, and Vampire Weekend often feels like a concept album about preppy guys who grew up with classical music and recently got really into world music. Amazingly, instead of being alienating, the band's quirks are utterly winning. Scholarly grammar (\"Oxford Comma\") and architecture (\"Mansard Roof\") are springboards for songs with impulsive melodies, tricky rhythms, and syncopated basslines. Strings and harpsichords brush up against African-inspired chants on \"M79,\" and lilting Afro-pop guitars and a skanking beat give way to Mellotrons on \"A-Punk.\" Fully realized debut albums like Vampire Weekend come along once in a great while, and these songs show that this band is smart, but not too smart for their own good.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"XL Recordings","offers":[{"title":"Default Title","offer_id":39407316434997,"sku":"XLLP318","price":23.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/2825\/4773\/products\/Vampire-Weekend-Vampire-Weekend.jpg?v=1785339000"},{"product_id":"radiohead-kid-a","title":"Radiohead - Kid A","description":"1997's OK Computer turned the rock world on its ear by bringing visionary neo-prog rock touches to a britpop format. Consequently, Kid A was one of the most anticipated releases of its era, especially since Nigel Godrich, the man behind the mixing desk for the previous album, was again on hand for this outing. On Kid A, Thom Yorke's passionate wailing is put through the aural wringer, and the band's previous nimbly orchestrated full-frontal sonic assault is replaced by full-frontal electric piano, to iconoclastic effect. The ambient underpinnings and garbled vocals of Everything in its Right Place, and the instrumental Treefingers, the electronic beats of Idioteque, and Yorke's processed voice on the title track will come as quite a shock to diehard '70s rockers who spent the late '90s deifying Radiohead as heirs to the Pink Floyd throne. But these touches work brilliantly, while the more organic elements, such as the jazzy horn section on The National Anthem, and the comparatively conservative arrangement (though there's some unsettlingly atonal orchestration lurking here, too) of How to Disappear Completelyprovide a counterpoint to all this incipient modernism.","brand":"XL Recordings","offers":[{"title":"Default Title","offer_id":42314305306677,"sku":"XLLP782B","price":26.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/2825\/4773\/products\/Radiohead-Kid-A.jpg?v=1785339003"},{"product_id":"radiohead-the-bends","title":"Radiohead - The Bends","description":"\u003cspan\u003eAfter the massive success of 'Pablo Honey' or, more specifically, the single 'Creep' - had made them a household name, most had written Radiohead off as one-hit wonders. That they could return with an album as awesome and monumental as 'The Bends', therefore, must have been particularly unexpected. On the epic grandeur of 'The Bends', it's obvious that the five Oxford-based boys had matured immensely since the release of their debut. 'High And Dry', 'Just', 'Street Spirit', 'Fake Plastic Trees': nary a pop song among them, yet it's testament to their greatness that they all were hit singles. And really, it's easy to see why: Thom Yorke's falsetto crying over a wall of acoustic and electric guitars, as lyrics and music blend to create a masterpiece of melancholy beauty. 'The Bends' is one of the most essential albums of the 1990s, and a spectacular indicator of further greatness to come.\u003c\/span\u003e","brand":"XL Recordings","offers":[{"title":"Default Title","offer_id":39407329050677,"sku":"XLLP780","price":26.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/2825\/4773\/files\/Radiohead-The-Bends.jpg?v=1715355109"},{"product_id":"dizzee-rascal-boy-in-da-corner","title":"Dizzee Rascal - Boy In Da Corner","description":"It seemed as though Dizee was trying to rewrite the UK underground rulebook, from Hip Hop which he slips into with ease (check 'Jus A Rascal'!), to Garage ('I Luv U' with its prototype distorted electronic kid 606 beats) to a hodgepodge of distorted beats and wobblying basslines. There are 15 tracks to choose from and Dizee excels himself with dope production, recruiting rhyme masta Wiley to help on \"2 Far\", complete with staggered beats and fast rhymes, to 'Stop Dat', a killer bass workout with jumping rhymes that flow over the square wave madness that Dizee conjures up so ruthlessly.","brand":"XL Recordings","offers":[{"title":"Default Title","offer_id":39407348088885,"sku":"634904017019","price":23.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/2825\/4773\/files\/Dizzee-Rascal-Boy-In-Da-Corner.jpg?v=1687534707"},{"product_id":"the-prodigy-experience","title":"The Prodigy - Experience","description":"\u003cp\u003eThe Prodigy's 'experience' is available again on vinyl, featuring the original tracklisting. to the prodigy fans most of the album came as no shock, featuring as it did versions of all of their top 5 singles to date, alongside other live faves from the band's already incendiary shows. the singles appear in brilliantly reworked versions. 'charly' has all but the slightest hint of the cartoon cat eliminated, in its place sits an adrenalised hard and dark, cut up breaks version subtitled 'trip into drum and bass version'. elsewhere, 'everybody in the place' takes on a fresher, more vital air about it, while 'g-force' is all but transformed into a full-on hyper speed anthem going under the name 'hyperspeed - g-force pt 2'. 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Compared to their previous work, the sound is grubbier and less reliant on samples; the effect moved the Prodigy away from the American-influenced rave and acid house of the past and toward a uniquely British vision of breakbeat techno that was increasingly allied to the limey invention of drum'n'bass. As on Experience, there are so many great songs here that first-time listeners would be forgiven for thinking of a greatest-hits compilation instead of a proper studio album. After a short intro, the shattering of panes of glass on \"Break \u0026amp; Enter\" catapults the album ahead with a propulsive flair. Each of the four singles -- \"Voodoo People,\" \"Poison,\" \"No Good (Start the Dance),\" and \"One Love\" -- are excellent, though album tracks like \"Speedway\" and \"Their Law\" (with help from Pop Will Eat Itself) don't slip up either. 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'contra' pulls off a series of impressive feats: it's bustling with fresh ideas, and yet it sounds immediately familiar; it's heavily layered but taut and kinetic; it chews ravenously through sound palettes and rhythms, and yet it's nimble and assured; it's still breezy, and yet it smolders with a newfound emotional heft. \"it's sadder than the first one, a bit more sentimental,\" says singer ezra koenig. the songs are catchy, fast, twinkling, clattering - the darker themes of loss, doubt and regret accumulate almost imperceptibly, but they land a powerful blow. ideas for this record had been bubbling since before the release of their debut. the band started recording in january 2009, only two weeks after finishing an 18-month world tour supporting their first record. they had initially planned to work in california, feeling that the new record's spiritual home was the west coast. the decision to work in new york, however, ultimately provided the freedom and perspective to properly realize their vision. that march, the band toured mexico for the first time. they recorded new material blocks away from frida kahlo's house in the coyoacn neighbourhood of mexico city. in monterrey they found a kindred spirit in dj \/ producer toy selectah, exchanging ideas and philosophies over days spent listening to records in his home studio. they returned to new york energized. the finished product explodes any reductive notions of what constitutes vampire weekend's sound and aesthetic. the varied influences here include third-wave ska, the hallelujah chicken run band, brazilian baile funk, congolese thumb pianos, repo man, sublime's 40 oz. to freedom, reggaeton, bachata, bollywood, philip roth, beethoven, nyc 1983, dancehall, and the beastie boys' second album, 'paul's boutique'. all of these influences are incorporated with subtlety and sophistication, woven together into a seamless fabric of references that, heard in full, resembles nothing so much as itself. vampire weekend's music and lyrics serve to both construct and deconstruct a world around them. like the word 'contra' itself, the songs are layered with meaning and invite interpretation. with this album, vampire weekend have staked out an alien territory - literate, crackling, alive - that's unmistakably their own.","brand":"XL Recordings","offers":[{"title":"Default Title","offer_id":39407494823989,"sku":"634904042912","price":22.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/2825\/4773\/files\/Vampire-Weekend-Contra.jpg?v=1785339212"},{"product_id":"radiohead-amnesiac","title":"Radiohead - Amnesiac","description":"\u003cp\u003e12\"\u003c\/p\u003e\n\u003cp\u003eThis second helping from the sessions that produced the preceding Kid A will probably strike close listeners as a bit more structured, though it'll be difficult to determine whether that's simply because the peregrinations of the last album have prepared them for the trips to the outer limits taken here. Those expecting a U2-like return to tuneful, anthemic guitar-rock will have their hopes dashed upon a rock of colourful electronic experimentation and moody, studio-enhanced madness. The piano-based Pyramid Song and the martian-gospel-choir ballad You and Whose Army? might placate verse-chorus-verse traditionalists slightly, but the sampler-in-a-trash-compactor Pulk \/ Pull Revolving Doors and the pointillistic ambience of Hunting Bearsattest to Radiohead's continued nonconformist tendencies. Amnesiac opens with the claustrophobic, synth-bedecked Packt Like Sardines in a Crushd Tin Box and closes with the dixieland funeral march Life in a Glass House.\u003c\/p\u003e","brand":"XL Recordings","offers":[{"title":"Default Title","offer_id":39407496855605,"sku":"XLLP783B","price":28.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/2825\/4773\/products\/Radiohead-Amnesiac.webp?v=1785339221"},{"product_id":"vampire-weekend-modern-vampires-of-the-city","title":"Vampire Weekend - Modern Vampires Of The City","description":"\u003cp\u003e3rd album by Vampire Weekend\u003c\/p\u003e\n\u003cp\u003eVampire Weekend - Modern Vampires Of The City\u003c\/p\u003e","brand":"XL Recordings","offers":[{"title":"Default Title","offer_id":39407496888373,"sku":"xllp556","price":23.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/2825\/4773\/products\/Vampire-Weekend-Modern-Vampires-Of-The-City.jpg?v=1785339223"},{"product_id":"radiohead-pablo-honey","title":"Radiohead - Pablo Honey","description":"\u003cp\u003eBefore the breakthrough that was 'The Bends' and the colossal 'OK Computer', there was the quietly magnificent 'Pablo Honey'. 'Creep' was the surprise hit single, but even that gave scant indication of how special this band would become. Benefiting from a raw production, the debut was undoubtedly less slick and accomplished than subsequent work, although Thom Yorke's vulnerable but impressive vocal styling was already in place on songs such as 'Stop Whispering.' many of the compositions were somewhat simplistic, but in terms of musical maturity Radiohead were clearly years ahead of their time. An indispensable album, it should not be parted from its two big brothers.\u003c\/p\u003e","brand":"XL Recordings","offers":[{"title":"Default Title","offer_id":39407497084981,"sku":"XLLP779","price":24.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/2825\/4773\/products\/Radiohead-Pablo-Honey.webp?v=1785339227"},{"product_id":"radiohead-ok-computer","title":"Radiohead - OK COMPUTER","description":"'OK Computer', Radiohead's third album, is the bombastic follow-up to 1995's sleeper hit 'The Bends', which left critics and listeners as impressed with the band's ability as they were curious about their potential. In spite of its technological-sounding title and apocalyptic sci-fi themes, 'OK Computer' is firmly grounded in the rock verities. Waves of guitars rage beneath the haunting melodies and near-hysterical fits of singer Thom Yorke. This complex, intense swarm of guitars is held aloft by a solid, inventive rhythm section and an impressive array of piano and keyboard textures. 'Paranoid Android' is a six-minute-plus epic with alternating time signatures, wild dynamic shifts, drama and adrenaline to spare. 'Let Down,' with its double-tracked vocals and rhythmic throb, may give a brief glimpse back at Radiohead's past, but at no point is 'OK Computer' anything but a hurtle forward.","brand":"XL Recordings","offers":[{"title":"Vinyl","offer_id":42314298753077,"sku":"634904078119","price":30.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/2825\/4773\/files\/Radiohead-OK-COMPUTER.webp?v=1785339229"},{"product_id":"radiohead-hail-to-the-thief","title":"Radiohead - Hail To The Thief","description":"Stunning sixth album from Oxford's finest sons. 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Exclusive to this release, \u003cem\u003eKid Amnesiae\u003c\/em\u003e is comprised of unearthed material culled from the Kid A \/ Amnesiac sessions. 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Since then, Overmono have been named ‘Best Live Act’ at the prestigious DJ Mag Best of British Awards, taken their custom audio-visual live show to the most credible festivals across the globe, including Glastonbury, Movement Festival, Dekmantel and to sold-out crowds in London, LA and NYC as part of their debut headline tour last year. And, they have produced innovative releases including their instalment of their ‘Fabric Presents’ DJ mix series and collaborations with the likes of Joy Orbison.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"x_MsoNormal\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"x_MsoNormal\"\u003eNow, Overmono return to present their most ambitious release to date. Across the twelve-track project, Overmono journey through a powerful distillation of their musical career so far; incorporating “So U Kno” alongside new music that propels them beyond the dancefloor. Good Lies remoulds and interweaves captivating vocal cuts into a series of multi-genre electronic sounds that flits effortlessly between euphoria and melancholy.\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"x_MsoNormal\"\u003e \u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"x_MsoNormal\"\u003eTalking about their debut album Good Lies, Overmono says: “Across the last two years, we have spent so much time on the road, making music whenever we could. Moving around all the time was always really inspiring and got us experimenting a lot and having fun with how we created chords or chopped and pitched vocals. This album is really a letter of love to the journey so far and marks where we want to take things. 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XL Recordings mark the 20th Anniversary of Dizzee Rascal’s seminal debut album \u003c\/span\u003e\u003ci\u003eBoy In Da Corner\u003c\/i\u003e\u003cspan\u003e with the release of a two-volume deluxe edition that features 14 rare and previously unreleased tracks, alongside the original album. \u003c\/span\u003e\u003c\/p\u003e","brand":"XL Recordings","offers":[{"title":"Default Title","offer_id":42679085989941,"sku":"XL1379LP","price":38.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/2825\/4773\/files\/Dizzee-Rascal-Boy-In-Da-Corner-20th-Anniversary-Edition.webp?v=1698749250"},{"product_id":"the-smile-wall-of-eyes","title":"The Smile - Wall Of Eyes","description":"\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e26\/01\/24\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eThe Smile’s new album\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eWall Of Eyes, will be released on 26th January on XL Recordings. The new album, was recorded between Oxford and Abbey Road Studios, and is produced and mixed Sam Petts-Davies. It features string arrangements by the London Contemporary Orchestra.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eWall Of Eyes\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eis the follow up their 2022 debut LP\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eA Light For Attracting Attention\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cu data-mce-fragment=\"1\"\u003eTracklisting\u003c\/u\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003col style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eWall Of Eyes\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eTeleharmonic \u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eRead The Room\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eUnder Our Pillows\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eFriend Of A Friend\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eI Quit\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eBending Hectic \u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eYou Know Me\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"XL Recordings","offers":[{"title":"LP","offer_id":42714655227957,"sku":"XL1394LP","price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/2825\/4773\/files\/The-Smile-Wall-Of-Eyes.jpg?v=1699958623"},{"product_id":"mia-kala","title":"Mia - Kala","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003ewho ever said 'difficult second album' didn't bank on mia's skills. sliced up cuts of world funk all pressed into perfect pop music. from club bangers to bollywood disco jams it's all here.perfect.\u003c\/span\u003e\u003c\/p\u003e","brand":"XL Recordings","offers":[{"title":"Default Title","offer_id":42949095686197,"sku":"xllp281","price":32.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/2825\/4773\/files\/Mia-Kala.webp?v=1707562141"},{"product_id":"fontaines-d-c-romance","title":"Fontaines D.C. - Romance","description":"\u003cp\u003e23\/08\/24\u003c\/p\u003e\n\u003cp style=\"font-weight: 300;\"\u003e\u003cstrong\u003eFontaines D.C\u003c\/strong\u003e. announce details of their highly-anticipated fourth album,\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003eROMANCE\u003c\/em\u003e\u003c\/strong\u003e. Released on\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e23\u003csup\u003erd\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eAugust\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003evia\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eXL Recordings\u003c\/strong\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eROMANCE\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis the band’s first album with producer\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eJames Ford\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eand is without doubt their most assured, inventive and sonically adventurous record yet. It’s set to build on the success of the Dublin-made, now London-based band’s acclaimed 2022 album\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003eSkinty Fia\u003c\/em\u003e\u003c\/strong\u003e, which reached number 1 in the UK and Irish album charts and saw the band receiving a host of accolades including “International Group of the Year” at the 2023 BRIT Awards.\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 300;\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 300;\"\u003eHeralding Fontaines D.C.’s latest creative (r)evolution is the explosive lead single “\u003cstrong\u003eStarburster\u003c\/strong\u003e”. Inspired by a panic attack lead singer\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eGrian Chatten\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003esuffered in London’s St Pancras station, the song is punctuated by sharp feral intakes of breath. Its propulsive beat and unrelenting lyrics establish self-destruction as fantasy before a brief moment of sobering clarity when the drums fall away and Chatten moves from spitting, almost-rap into an almost-psalm, his baritone rich and dreamy. It’s accompanied by a cinematic music video from director\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eAube Perrie\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e(Megan Thee Stallion, Harry Styles, The Hives) that captures the song’s cathartic intensity to brilliant effect.\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 300;\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 300;\"\u003e\u003cem\u003eROMANCE\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis\u003cspan\u003e \u003c\/span\u003eFontaines D.C.s most ambitious, expansive record yet, its 11 tracks constellating ideas that have been percolating among\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eGrian Chatten\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e(vocals),\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eCarlos O’Connell\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e(guitar),\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eConor Curley\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e(guitar),\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eConor Deegan\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e(bass), and\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eTom Coll\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e(drums) since they released\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSkinty Fia\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003ein 2022. These ideas crystalised while touring the U.S. and Mexico with Arctic Monkeys as the five band members shared music and found a throughline with artists that deftly build out their own sprawling creative worlds: the attitude and aesthetic sheen of artists like Shygirl and Sega Bodega, the bolshy sonic palettes of hip hop and heavy metal, Mos Def, A$AP Ferg, OutKast and Korn. They had time apart to build more singular visions for what future music could be: O’Connell went to Spain’s Castile-La Mancha and later became a new father, while Chatten spent time in LA, and Deegan in Paris. They laid deeper roots in London. Each member spent time pushing their boundaries – experimental riffs, chord progressions, and far-flung lyrical references without intentions for a record. After wrapping up the US arena tour in Autumn 2023, they spent a month writing together again, three weeks of pre-production in a North London studio, and a month in a chateau close to Paris, sleeping among studio equipment, completely immersed.\u003c\/p\u003e\n\u003cp style=\"font-weight: 300;\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 300;\"\u003eOf the album’s title, Conor Deegan says, “\u003cem\u003eWe’ve always had this sense of idealism and romance\u003c\/em\u003e.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eEach album gets further away from observing that through the lens of Ireland, as directly as\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e(Mercury Prize-nominated debut)\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003eDogrel.\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/span\u003e\u003cem\u003eThe second album\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(the GRAMMY-nominated\u003cspan\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/span\u003e\u003cstrong\u003e\u003cem\u003eA Hero’s Death\u003c\/em\u003e\u003c\/strong\u003e\u003cem\u003e) is about that detachment, and the third (\u003cstrong\u003eSkinty Fia\u003c\/strong\u003e) is about Irishness dislocated in the diaspora. Now we look to where and what else there is to be romantic about\u003c\/em\u003e.”\u003c\/p\u003e\n\u003cp style=\"font-weight: 300;\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 300;\"\u003eExpounding on the theme, Chatten recalls Katsuhiro Ôtomo’s anime\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eAkira\u003c\/em\u003e, where the embers of love develop despite a maelstrom of technological degradation and political corruption around its characters. “\u003cem\u003eI’m fascinated by that - falling in love at the end of the world\u003c\/em\u003e,” he says. “\u003cem\u003eThe album is about protecting that tiny flame. The bigger armageddon looms, the more precious it becomes\u003c\/em\u003e,” while O’Connell adds\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e“This record is about deciding what’s fantasy – the tangible world, or where you go in your mind. What represents reality more? That feels almost spiritual for us.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 300;\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 300;\"\u003eThe sonic evolution of the band, who bared their teeth in early records with antagonistic punk sensibilities, is an ascent into grungier breaks, dystopian electronica, hip-hop percussion, and dreamy Slowdive-esque textures that may surprise fans. The shoegaze touchpoints first pressed on\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSkinty Fia\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eunfold on\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eROMANCE\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003elike a purpling bruise. But any “retro aesthetic”, as Chatten describes it, is left behind. Reflecting on the impending release, Chatten says, “\u003cem\u003eWe say things on this record we’ve wanted to say for a long time. I never feel like it's over, but it’s nice to feel lighter.\u003c\/em\u003e” The fantasy is felt for better or worse, and Fontaines D.C. welcome either end of oblivion.\u003c\/p\u003e\n\u003cp style=\"font-weight: 300;\"\u003e \u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 300;\"\u003e\u003cstrong\u003eTracklisting\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 300;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003col style=\"font-weight: 300;\"\u003e\n\u003cli\u003eRomance\u003c\/li\u003e\n\u003cli\u003eStarburster\u003c\/li\u003e\n\u003cli\u003eHere's The Thing\u003c\/li\u003e\n\u003cli\u003eDesire\u003c\/li\u003e\n\u003cli\u003eIn The Modern World\u003c\/li\u003e\n\u003cli\u003eBug\u003c\/li\u003e\n\u003cli\u003eMotorcycle Boy\u003c\/li\u003e\n\u003cli\u003eSundowner\u003c\/li\u003e\n\u003cli\u003eHorseness Is The Whatness\u003c\/li\u003e\n\u003cli\u003eDeath Kink\u003c\/li\u003e\n\u003cli\u003eFavourite\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp style=\"font-weight: 300;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e","brand":"XL Recordings","offers":[{"title":"LP (Black Vinyl)","offer_id":43325712007221,"sku":"XL1436LP","price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/2825\/4773\/files\/Fontaines-D_C_-Romance.jpg?v=1785340002"},{"product_id":"badbadnotgood-mid-spiral","title":"BADBADNOTGOOD - Mid Spiral","description":"\u003cp\u003e25\/10\/24\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eAt the start of 2024 BADBADNOTGOOD were brimming with new creative energy. Having just come off a run of one-off international tour dates and a series of sessions for projects with artists Daniel Cesar, Charlotte Day Wilson, reggie, Baby Rose, and Turnstile, the Canadian-trio of Al Sow, Chester Hansen and Leland Whitty were eager to get back into the studio to simply create. The trio called on some of their closest friends and collaborators, BADBADNOTGOOD touring member Felix Fox-Pappas (keys) and a few key-players in the Toronto jazz scene including Kaelin Murphy (trumpet), Juan Carlos Medrano (percussion) and LA musician Tyler Lott (guitar), for an intensive and productive one-week of recording at Valentine Studios in Los Angeles in February 2024. The result of those sessions is the \u003ci\u003eMid Spiral \u003c\/i\u003eseries, originally released as 3 parts – \u003ci\u003eChaos, Order \u003c\/i\u003eand \u003ci\u003eGrowth – \u003c\/i\u003edigitally earlier this year and now collected altogether on a double LP\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eThe \u003ci\u003eMid Spiral\u003c\/i\u003e suites see BADBADNOTGOOD return to their roots of instrumental jazz while once again pushing the boundaries of how they cross pollinate genres, incorporating their love of hip-hop, neo-soul, psychedelic, funk and more. For the sessions, the trio incorporated additional musicians to add more voices of instrumentation, resulting in a deeply collaborative and expansive new sound. As the trio sifted through the weeks’ worth of material, it was clear that three distinct moods emerged, a deeper reflection of where the musicians are within their own personal lives, along with the state of the wider world: \u003ci\u003eChaos, Order \u003c\/i\u003eand \u003ci\u003eGrowth.\u003c\/i\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003eTracklisting:\u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003col type=\"1\" start=\"1\"\u003e\n\u003cli class=\"MsoListParagraph\"\u003e\u003cspan\u003eEyes On Me\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoListParagraph\"\u003e\u003cspan\u003eTake Me With You\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoListParagraph\"\u003e\u003cspan\u003eWeird \u0026amp; Wonderful\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoListParagraph\"\u003e\u003cspan\u003eMid Spiral \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoListParagraph\"\u003e\u003cspan\u003eLast Laugh \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoListParagraph\"\u003e\u003cspan\u003eYour Soul \u0026amp; Mine \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoListParagraph\"\u003e\u003cspan\u003ePlaygroup \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoListParagraph\"\u003e\u003cspan\u003eJuan's World \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoListParagraph\"\u003e\u003cspan\u003eTaco Taco \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoListParagraph\"\u003e\u003cspan\u003eSétima Regra \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoListParagraph\"\u003e\u003cspan\u003eSunday Afternoon's Dream\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoListParagraph\"\u003e\u003cspan\u003eRewind Your Mind \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoListParagraph\"\u003e\u003cspan\u003eFirst Love \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoListParagraph\"\u003e\u003cspan\u003eAudacia \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoListParagraph\"\u003e\u003cspan\u003eCelestial Hands \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoListParagraph\"\u003e\u003cspan\u003eWays of Seeing \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoListParagraph\"\u003e\u003cspan\u003eWhite Light \u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"XL Recordings","offers":[{"title":"Default Title","offer_id":43545023447093,"sku":"XL1450LP","price":24.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/2825\/4773\/files\/BADBADNOTGOOD-Mid-Spiral.jpg?v=1716996851"},{"product_id":"the-prodigy-always-outnumbered-never-outgunned-20th-anniversary-2lp-edition","title":"The Prodigy - Always Outnumbered Never Outgunned (20th anniversary 2LP Edition)","description":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003e23\/08\/24\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003ci\u003e\u003cspan\u003eAfter spending years out of print, The Prodigy have re-pressed their third album in time for its 20\u003c\/span\u003e\u003csup\u003e\u003cspan\u003eth\u003c\/span\u003e\u003c\/sup\u003e\u003c\/i\u003e\u003ci\u003e\u003cspan\u003e anniversary.\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003eLtd one per customer  \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003eTracklisting\u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eA1. Spitfire\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eA2. Girls\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eA3. Memphis Bells\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eB1. Get Up Get Off\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eB2. Hotride\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eB3. Wake Up Call\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eC1. Action Radar\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eC2. Medusa's Path\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eC3. Phoenix\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eD1. You'll Be UNDER MY WHEELS\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eD2. The Way It Is\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eD3. Shoot Down\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e","brand":"XL Recordings","offers":[{"title":"Default Title","offer_id":43755542085685,"sku":"XL183LP2","price":32.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/2825\/4773\/files\/The-Prodigy-Always-Outnumbered-Never-Outgunned-20th-anniversary-2LP-Edition.jpg?v=1721143946"},{"product_id":"the-smile-cutouts","title":"The Smile - Cutouts","description":"\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e 04\/10\/24\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN\"\u003eThe Smile today announce the details of a new album titled \u003ci\u003eCutouts,\u003c\/i\u003e set for release on October 4th via XL Recordings. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN\"\u003eThe trio - Thom Yorke, Jonny Greenwood and Tom Skinner - debuted several songs from \u003ci\u003eCutouts\u003c\/i\u003e during The Smile’s UK tour in March. \u003ci\u003eCutouts\u003c\/i\u003e features 10 new-tracks and is produced by Sam Petts-Davies. It’s the band’s third studio album following \u003ci\u003eWall of Eyes\u003c\/i\u003e, released in January, and the trio’s 2022 debut album \u003ci\u003eA Light For Attracting Attention. Cutouts\u003c\/i\u003e was recorded in Oxford and at Abbey Road Studios during the same period of time as \u003ci\u003eWall Of Eyes.\u003c\/i\u003e The album features string arrangements by the London Contemporary Orchestra and the album art was painted during the recording process by Stanley Donwood and Thom Yorke. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN\"\u003eThis is the second studio album release from The Smile in under a year. In January, \u003ci\u003eWall Of Eyes\u003c\/i\u003e charted at #3 on the UK album charts, receiving “Best Album of the Year so far” praise from Pitchfork, The Needle Drop, Consequence, Brooklyn Vegan, Treblezine and Spin.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN\"\u003eOutside The Smile, Thom Yorke released the original score for Daniele Luchetti’s film Confidenza and announced solo tour dates in New Zealand, Australia, Singapore and Japan, Jonny Greenwood debuted a new work, ‘X Years of Reverb’ at the 268 year old Octagon Chapel in Norwich, and is writing the score for Paul Thomas Anderson’s upcoming film, \u003ci\u003eThe Battle of Baktan Cross\u003c\/i\u003e. Tom Skinner released Voices of Bishara Live at “mu” and is touring the jazz summer festival circuit to perform his own solo music. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003eTracklisting\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003col start=\"1\" type=\"1\"\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eForeign Spies\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eInstant Psalm \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eZero Sum \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eColours Fly \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eEyes \u0026amp; Mouth \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eDon’t Get Me Started\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eTiptoe \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eThe Slip \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eUGcgWGFkcWE= \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eBodies Laughing\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"XL Recordings","offers":[{"title":"LP (White Vinyl)","offer_id":43890665816117,"sku":"191404144503","price":27.0,"currency_code":"GBP","in_stock":true},{"title":"LP","offer_id":43890665848885,"sku":"","price":26.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/2825\/4773\/files\/The-Smile-Cutouts.jpg?v=1724859140"},{"product_id":"nourished-by-time-erotic-probiotic-2","title":"Nourished By Time -  Erotic Probiotic 2","description":"\u003cp\u003e17\/01\/25\u003c\/p\u003e\n\u003cp\u003eOriginally released on London label Scenic Route, Erotic Probiotic 2 was critically acclaimed, picking up \u003ca data-auth=\"NotApplicable\" data-linkindex=\"1\" href=\"https:\/\/cargorecords.us2.list-manage.com\/track\/click?u=9ed1b5da39fac0e4af51f43c0\u0026amp;id=f9725f51b0\u0026amp;e=45af98cff8\" rel=\"noopener noreferrer\" title=\"https:\/\/pitchfork.com\/reviews\/albums\/nourished-by-time-erotic-probiotic-2\/\" target=\"_blank\"\u003ePitchfork’s 'Best New Music'\u003c\/a\u003e and was widely regarded as one of the ‘Best Albums of 2023’ with features on Gorilla vs Bear (#1), Pitchfork (#5), The Guardian, The Fader, Paste and more. This week Pitchfork named EP2 (#21) in their\u003ca data-auth=\"NotApplicable\" data-linkindex=\"2\" href=\"https:\/\/cargorecords.us2.list-manage.com\/track\/click?u=9ed1b5da39fac0e4af51f43c0\u0026amp;id=22f9c7e82f\u0026amp;e=45af98cff8\" rel=\"noopener noreferrer\" title=\"https:\/\/pitchfork.com\/features\/lists-and-guides\/the-100-best-albums-of-the-2020s-so-far\/\" target=\"_blank\"\u003e The 100 Best Albums of the 2020s So Far\u003c\/a\u003e and Daddy (#47) in their \u003ca data-auth=\"NotApplicable\" data-linkindex=\"3\" href=\"https:\/\/cargorecords.us2.list-manage.com\/track\/click?u=9ed1b5da39fac0e4af51f43c0\u0026amp;id=e9758b3516\u0026amp;e=45af98cff8\" rel=\"noopener noreferrer\" title=\"https:\/\/pitchfork.com\/features\/lists-and-guides\/the-100-best-songs-of-the-2020s-so-far\/\" target=\"_blank\"\u003eThe 100 Best Songs of the 2020s So Far\u003c\/a\u003e lists.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col start=\"1\" type=\"1\"\u003e\n\u003cli\u003eQuantum Suicide\u003c\/li\u003e\n\u003cli\u003eShed That Fear\u003c\/li\u003e\n\u003cli\u003eDaddy\u003c\/li\u003e\n\u003cli\u003eInterlude\u003c\/li\u003e\n\u003cli\u003eThe Fields\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003col start=\"1\" type=\"1\"\u003e\n\u003cli\u003eRain Water Promise\u003c\/li\u003e\n\u003cli\u003eSoap Party\u003c\/li\u003e\n\u003cli\u003eWorkers Interlude\u003c\/li\u003e\n\u003cli\u003eUnbreak My Love\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"XL Recordings","offers":[{"title":"Default Title","offer_id":53022689034623,"sku":"XL1483LP","price":21.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/2825\/4773\/files\/Nourished-By-Time-Erotic-Probiotic-2.jpg?v=1732030508"},{"product_id":"fontaines-d-c-its-amazing-to-be-young-before-you-i-just-forget","title":"Fontaines D.C. - It's Amazing To Be Young \/ Before You I Just Forget","description":"\u003cp\u003e\u003cspan style=\"font-size: 10.5pt; line-height: 21px; font-family: Helvetica, sans-serif;\"\u003e\u003cmeta charset=\"UTF-8\"\u003e 18\/04\/25\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 10.5pt; line-height: 21px; font-family: Helvetica, sans-serif;\"\u003e\u003cb style=\"caret-color: rgb(96, 96, 96); color: rgb(96, 96, 96); font-family: Helvetica, sans-serif; font-size: 15.333333px; font-style: normal; font-variant-caps: normal; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003e\u003ci\u003eTracklisting:\u003c\/i\u003e\u003c\/b\u003e\u003cbr style=\"caret-color: rgb(96, 96, 96); color: rgb(96, 96, 96); font-family: Helvetica, sans-serif; font-size: 15.333333px; font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003e\u003cbr style=\"caret-color: rgb(96, 96, 96); color: rgb(96, 96, 96); font-family: Helvetica, sans-serif; font-size: 15.333333px; font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003e\u003cspan style=\"caret-color: rgb(96, 96, 96); color: rgb(96, 96, 96); font-family: Helvetica, sans-serif; font-size: 15.333333px; font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration: none; display: inline !important; float: none;\"\u003e A Side:\u003c\/span\u003e\u003cbr style=\"caret-color: rgb(96, 96, 96); color: rgb(96, 96, 96); font-family: Helvetica, sans-serif; font-size: 15.333333px; font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003e\u003cbr style=\"caret-color: rgb(96, 96, 96); color: rgb(96, 96, 96); font-family: Helvetica, sans-serif; font-size: 15.333333px; font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003e\u003cspan style=\"caret-color: rgb(96, 96, 96); color: rgb(96, 96, 96); font-family: Helvetica, sans-serif; font-size: 15.333333px; font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration: none; display: inline !important; float: none;\"\u003e\"It's Amazing To Be Young\"\u003c\/span\u003e\u003cbr style=\"caret-color: rgb(96, 96, 96); color: rgb(96, 96, 96); font-family: Helvetica, sans-serif; font-size: 15.333333px; font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003e\u003cbr style=\"caret-color: rgb(96, 96, 96); color: rgb(96, 96, 96); font-family: Helvetica, sans-serif; font-size: 15.333333px; font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003e\u003cspan style=\"caret-color: rgb(96, 96, 96); color: rgb(96, 96, 96); font-family: Helvetica, sans-serif; font-size: 15.333333px; font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration: none; display: inline !important; float: none;\"\u003eB Side:\u003c\/span\u003e\u003cbr style=\"caret-color: rgb(96, 96, 96); color: rgb(96, 96, 96); font-family: Helvetica, sans-serif; font-size: 15.333333px; font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003e\u003cbr style=\"caret-color: rgb(96, 96, 96); color: rgb(96, 96, 96); font-family: Helvetica, sans-serif; font-size: 15.333333px; font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003e\u003cspan style=\"caret-color: rgb(96, 96, 96); color: rgb(96, 96, 96); font-family: Helvetica, sans-serif; font-size: 15.333333px; font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration: none; display: inline !important; float: none;\"\u003e“Before You I Just Forget\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul style=\"margin-bottom: 0cm; caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-family: Helvetica; font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none;\" type=\"disc\"\u003e\n\u003cli style=\"margin: 0cm; font-size: 12pt; font-family: Aptos, sans-serif; color: black; line-height: 24px; align-self: start;\" class=\"MsoNormal\"\u003e\n\u003cspan style=\"font-size: 10.5pt; line-height: 21px; font-family: Helvetica, sans-serif;\"\u003eLIMITED EDITION 7” ON NEON YELLOW VINYL\u003c\/span\u003e\u003cspan style=\"font-size: 10.5pt; line-height: 21px; font-family: Helvetica, sans-serif;\"\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"font-size: 12pt; font-family: Aptos, sans-serif; color: black; line-height: 24px; align-self: start; margin: 0cm;\"\u003e \u003c\/p\u003e\n\u003cp style=\"font-size: 12pt; font-family: Aptos, sans-serif; color: black; line-height: 24px; align-self: start; margin: 0cm;\"\u003e\u003cspan style=\"font-size: 10.5pt; line-height: 21px; font-family: Helvetica, sans-serif;\"\u003e\u003cmeta charset=\"UTF-8\"\u003e \u003cspan style=\"font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none; font-size: 11.5pt; line-height: 23px; font-family: Helvetica, sans-serif; color: rgb(96, 96, 96);\"\u003e2024 was a defining year for Dublin quintet Fontaines D.C., whose fourth album ROMANCE was lauded as one of the year’s very best, cementing their status as one of the most exciting bands in contemporary music. Topping \u003c\/span\u003e\u003cspan style=\"caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-family: Helvetica; font-size: medium; font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration: none; display: inline !important; float: none;\"\u003e\u003c\/span\u003e\u003cu style=\"caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-family: Helvetica; font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px;\"\u003e\u003cspan style=\"font-size: 11.5pt; line-height: 23px; font-family: Helvetica, sans-serif; color: rgb(109, 198, 221);\"\u003e\u003ca style=\"color: blue; text-decoration: underline;\" title=\"https:\/\/www.albumoftheyear.org\/album\/931219-fontaines-dc-romance\/critic-lists\/\" href=\"https:\/\/cargorecords.us2.list-manage.com\/track\/click?u=9ed1b5da39fac0e4af51f43c0\u0026amp;id=c08b06c44f\u0026amp;e=c7ad953d6f\"\u003e\u003cspan style=\"color: rgb(109, 198, 221);\"\u003emultiple ‘album of the year’ lists\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/u\u003e\u003cspan style=\"font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none; font-size: 11.5pt; line-height: 23px; font-family: Helvetica, sans-serif; color: rgb(96, 96, 96);\"\u003e  around the world, ROMANCE was quickly certified gold in the UK and saw the band nominated for two GRAMMYs and a BRIT Award among a host of accolades; a celebration of Fontaines D.C.’s ambitious world-building and bold musical evolution.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eToday, Fontaines D.C. - Grian Chatten (vocals), Carlos O’Connell (guitar), Conor Curley (guitar), Conor Deegan (bass), and Tom Coll (drums) - launch into 2025 with brand new single, “It’s Amazing To Be Young”. Produced by ROMANCE album producer James Ford, it’s Fontaines D.C. at their most anthemic and is set to soundtrack a huge year of live shows for the band. The single is accompanied by a video from acclaimed BAFTA-winning filmmaker Luna Carmoon (Hoard, Shagbands), who previously directed the videos for Fontaines D.C.’s “\u003c\/span\u003e\u003cu style=\"caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-family: Helvetica; font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px;\"\u003e\u003cspan style=\"font-size: 11.5pt; line-height: 23px; font-family: Helvetica, sans-serif; color: rgb(109, 198, 221);\"\u003e\u003ca style=\"color: blue; text-decoration: underline;\" title=\"https:\/\/www.youtube.com\/watch?v=mMhks08v0EU\" href=\"https:\/\/cargorecords.us2.list-manage.com\/track\/click?u=9ed1b5da39fac0e4af51f43c0\u0026amp;id=e9485d2001\u0026amp;e=c7ad953d6f\"\u003e\u003cspan style=\"color: rgb(109, 198, 221);\"\u003eHere’s The Thing\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/u\u003e\u003cspan style=\"font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none; font-size: 11.5pt; line-height: 23px; font-family: Helvetica, sans-serif; color: rgb(96, 96, 96);\"\u003e” and “\u003c\/span\u003e\u003cu style=\"caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-family: Helvetica; font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px;\"\u003e\u003cspan style=\"font-size: 11.5pt; line-height: 23px; font-family: Helvetica, sans-serif; color: rgb(109, 198, 221);\"\u003e\u003ca style=\"color: blue; text-decoration: underline;\" title=\"https:\/\/www.youtube.com\/watch?v=TWsF-gFGGlo\" href=\"https:\/\/cargorecords.us2.list-manage.com\/track\/click?u=9ed1b5da39fac0e4af51f43c0\u0026amp;id=9d76096540\u0026amp;e=c7ad953d6f\"\u003e\u003cspan style=\"color: rgb(109, 198, 221);\"\u003eIn The Modern World\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/u\u003e\u003cspan style=\"font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none; font-size: 11.5pt; line-height: 23px; font-family: Helvetica, sans-serif; color: rgb(96, 96, 96);\"\u003e”.  “It’s Amazing To Be Young” completes the cinematic trilogy, bringing together “In The Modern World”’s Martin (Ewan Mitchell) and “Here’s The Thing”’s Spider (Grace Collender) in an unlikely but beautifully surreal love story.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eThe single release precedes a huge year of live activity for Fontaines D.C., who will perform to 100,000 people across four sold out UK outdoor headline shows in London, Manchester, Newcastle and Cardiff this summer, including a 45,000-capacity event at London’s Finsbury Park on 5th July.\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"XL Recordings","offers":[{"title":"Default Title","offer_id":55126507323775,"sku":"XL1517S","price":14.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/2825\/4773\/files\/Fontaines-D_C_-Its-Amazing-To-Be-Young-Before-You-I-Just-Forget.jpg?v=1740151893"},{"product_id":"everything-is-recorded-temporary","title":"Everything is Recorded - Temporary","description":"\u003cp\u003e28\/02\/25\u003c\/p\u003e\n\u003cdiv class=\"Content_description-wrapper__XbO9z\"\u003e\n\u003cdiv class=\"Content_inner-wrapper__xBJ2L\"\u003e\n\u003cdiv class=\"Description_truncated-text__yUXZD\"\u003e\n\u003cdiv class=\"Description_descriptionBody__bEN2t\"\u003e\n\u003cdiv class=\"Description_descriptionText__Lgv7A\"\u003e\n\u003cp\u003eThe third studio album from Everything Is Recorded, the collaborative music project centred around producer Richard Russell.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eTemporary\u003c\/i\u003e features an incredible roll call of collaborators including Sampha, Bill Callahan, Noah Cyrus, Florence Welch, Maddy Prior, Berwyn, Alabaster Deplume, Jah Wobble, Yazz Ahmed, Laura Groves, Kamasi Washington, Rickey Washington, Roses Gabor, Jack Peňate, Samantha Morton, Clari Freeman-Taylor and Nourished By Time. Created over four years from 2020 to 2024, \u003ci\u003eTemporary\u003c\/i\u003e was recorded at Russell’s own west London Copper House studio, alongside sessions in Tottenham, Cumbria, Dorset, Los Angeles and Las Vegas, and is set to build on previous acclaimed releases including 2018’s eponymous, Mercury Prize-nominated debut album.\u003c\/p\u003e\n\u003cp\u003eOn \u003ci\u003eTemporary\u003c\/i\u003e, Russell reboots his musical DNA: while his music had previously been about rhythm, words and melody in that order, on Temporary he swaps rhythm and melody, the rhythm taking up less space and the melody coming to the fore. Musically some songs are inspired by the sonic thought experiment “what if folk music had ‘gone digital’ in the 80s, just as reggae had?”, while spiritually and lyrically the themes encompass grief and loss. The results – elevated by an intriguing and diverse set of collaborators who sound like the best and freshest versions of themselves – are the most luminous and relaxed compositions of Russell’s career. Every song sounds washed in sunshine and graced by tenderness. More fragile and quieter than previous Everything Is Recorded output, it might be one of the gentlest records ever made about death. In Russell’s own words “making the album was joyous, a way of hallowing life.”\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003c\/p\u003e\n\u003cp\u003e1. October\u003c\/p\u003e\n\u003cp\u003e2. My And Me (feat. Sampha, Laura Groves, Ricky Washington and Alabaster DePlume)\u003c\/p\u003e\n\u003cp\u003e3. Porcupine Tattoo (feat. Noah Cyrus and Bill Callahan)\u003c\/p\u003e\n\u003cp\u003e4. Never Felt Better (feat. Sampha and Florence Welch)\u003c\/p\u003e\n\u003cp\u003e5. Ether (feat. Maddy Prior)\u003c\/p\u003e\n\u003cp\u003e6. Losing You (feat. Sampha, Laura Groves, Jah Wobble and Yazz Ahmed)\u003c\/p\u003e\n\u003cp\u003e7. Firelight (feat. Florence Welch, Berwyn and Alabaster DePlume)\u003c\/p\u003e\n\u003cp\u003e8. The Summons\u003c\/p\u003e\n\u003cp\u003e9. No More Rehearsals (feat. Roses Gabor, Jah Wobble, Jack Peñate and Yazz Ahmed)\u003c\/p\u003e\n\u003cp\u003e10. You Were Smiling (feat. Samantha Morton)\u003c\/p\u003e\n\u003cp\u003e11. Norm (feat. Bill Callahan)\u003c\/p\u003e\n\u003cp\u003e12. Swamp Dream #3 (feat. Clari Freeman-Taylor)\u003c\/p\u003e\n\u003cp\u003e13. The Meadows (feat. Roses Gabor, Kamasi Washington and Ricky Washington)\u003c\/p\u003e\n\u003cp\u003e14. Goodbye (Hell Of A Ride) (feat. Nourished By Time)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"XL Recordings","offers":[{"title":"Default Title","offer_id":55148499403135,"sku":"XL1490LPE","price":23.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/2825\/4773\/files\/Everything-is-Recorded-Temporary.webp?v=1740830752"},{"product_id":"nourished-by-time-the-passionate-ones","title":"Nourished By Time - The Passionate Ones","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e22\/08\/25\u003c\/p\u003e\n\u003cp\u003eClear Vinyl\u003c\/p\u003e\n\u003cp style=\"margin: 1em 0px; padding: 0px; color: rgb(96, 96, 96); font-family: Helvetica; font-size: 15px; line-height: 22.5px; text-align: left; caret-color: rgb(96, 96, 96); font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003eOn August 22nd 2025, Baltimore singer-songwriter and producer Nourished By Time will release his highly anticipated new album The Passionate Ones via XL Recordings. Crafted between Baltimore, London, and NYC, The Passionate Ones is a sermon, a twelve-track catharsis, howled from the underbelly of late-stage capitalism, a blueprint for building your own altar in the ruins of the American Dream.\u003c\/p\u003e\n\u003cp style=\"margin: 1em 0px; padding: 0px; color: rgb(96, 96, 96); font-family: Helvetica; font-size: 15px; line-height: 22.5px; text-align: left; caret-color: rgb(96, 96, 96); font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003eInitially created in Los Angeles' in late 2019, Nourished By Time emerged as Marcus Brown’s escape from the monotony of his day jobs and a continuously crushed spirit by an increasingly corrupt world. Channeling his deeply personal and sharply observational visions into songwriting, Brown has created a singular sonic world shaped by his hometown of Baltimore’s rich and eclectic musical heritage where jazz, punk, indie, hip hop, electronic and R\u0026amp;B collide in raw harmony. On The Passionate Ones, Brown tackles love, labor, existentialism, dreams, disillusionment, and hope through the lens of metamodernism, documenting an American story of an artist using their vices to keep them afloat while they follow their passions and dreams.\u003c\/p\u003e","brand":"XL Recordings","offers":[{"title":"Default Title","offer_id":55425667137919,"sku":"XL1551LPE","price":23.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/2825\/4773\/files\/Nourished-By-Time-The-Passionate-Ones.jpg?v=1785340506"},{"product_id":"four-tet-into-dust-still-falling","title":"Four Tet - Into Dust (Still Falling)","description":"\u003cp\u003e05\/09\/25\u003c\/p\u003e\n\u003cp style=\"margin: 0px 0px 10px; padding: 0px; color: rgb(51, 51, 51); font-family: Helvetica; font-size: 15px; line-height: 22.5px; text-align: left; caret-color: rgb(51, 51, 51); font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003eXL Recordings release a new single by Four Tet titled “Into Dust (Still Falling)” which features a sample of Mazzy Star’s “Into Dust”.\u003cbr\u003e\u003c\/p\u003e\n\u003cp style=\"margin: 0px 0px 10px; padding: 0px; color: rgb(51, 51, 51); font-family: Helvetica; font-size: 15px; line-height: 22.5px; text-align: left; caret-color: rgb(51, 51, 51); font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003e\u003cbr\u003eOne of his most sought-after gems from the last few years, “Into Dust (Still Falling)” is now available on a limited edition 12”.\u003cbr\u003e\u003c\/p\u003e\n\u003cp style=\"margin: 1em 0px; padding: 0px; color: rgb(96, 96, 96); font-family: Helvetica; font-size: 15px; line-height: 22.5px; text-align: left; font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003e \u003c\/p\u003e\n\u003cp style=\"margin: 15px 0px 5px; padding: 0px; color: rgb(51, 51, 51); font-family: Helvetica; font-size: 14px; line-height: 21px; text-align: left; caret-color: rgb(51, 51, 51); font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003e\u003cstrong\u003eTracklisting:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv style=\"caret-color: rgb(51, 51, 51); color: rgb(51, 51, 51); font-family: Helvetica, Arial, sans-serif; font-size: 14px; font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none; margin-left: 20px;\"\u003e\n\u003cdiv style=\"margin-bottom: 4px; font-size: 14px; color: rgb(51, 51, 51); text-align: left;\"\u003eA: Into Dust (Still Falling) (Extended Mix)\u003c\/div\u003e\n\u003cdiv style=\"margin-bottom: 4px; font-size: 14px; color: rgb(51, 51, 51); text-align: left;\"\u003eB: Into Dust (Still Falling) (Version)\u003c\/div\u003e\n\u003c\/div\u003e","brand":"XL Recordings","offers":[{"title":"Default Title","offer_id":55778556412287,"sku":"XL1554T","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/2825\/4773\/files\/Four-Tet-Into-Dust-Still-Falling.jpg?v=1753889606"},{"product_id":"radiohead-hail-to-the-thief-live-recordings-2003-2009","title":"Radiohead - Hail To The Thief (Live Recordings 2003-2009)","description":"\u003cp\u003e31\/10\/25\u003c\/p\u003e\n\u003cp style=\"margin: 0px 0px 10px; padding: 0px; color: rgb(51, 51, 51); font-family: Helvetica; font-size: 14px; line-height: 21px; text-align: left; caret-color: rgb(51, 51, 51); font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003eRadiohead have today announced Hail to the Thief Live Recordings 2003-2009 – a new live album that allowed the band to re-evaluate their relationship with their 6th studio album, Hail To The Thief.\u003c\/p\u003e\n\u003cp style=\"margin: 0px 0px 10px; padding: 0px; color: rgb(51, 51, 51); font-family: Helvetica; font-size: 15px; line-height: 22.5px; text-align: left; caret-color: rgb(51, 51, 51); font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003e\u003cbr\u003eOut now digitally, and available to pre-order as a one-off pressing, released on 31st October, the album comprises performances of songs in London, Amsterdam, Buenos Aires, and Dublin between 2003 and 2009. The album was mixed by Ben Baptie and mastered by Matt Colton.\u003c\/p\u003e\n\u003cp style=\"margin: 0px 0px 10px; padding: 0px; color: rgb(51, 51, 51); font-family: Helvetica; font-size: 15px; line-height: 22.5px; text-align: left; caret-color: rgb(51, 51, 51); font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003e\u003cbr\u003eSpeaking about the new live album, Thom Yorke says:\u003cbr\u003e\u003cbr\u003e“In the process of thinking of how to build arrangements for the Shakespeare Hamlet\/Hail To The Thief theatre production, I asked to hear some archive live recordings of the songs. I was shocked by the kind of energy behind the way we played. I barely recognised us, and it helped me find a way forward. We decided to get these live recordings mixed and released (it would have been insane to keep them for ourselves). It has all been a very cathartic process. We very much hope you enjoy them.”\u003c\/p\u003e\n\u003cp style=\"margin: 0px 0px 10px; padding: 0px; color: rgb(51, 51, 51); font-family: Helvetica; font-size: 15px; line-height: 22.5px; text-align: left; caret-color: rgb(51, 51, 51); font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003e\u003cbr\u003eThom Yorke recently co-created the critically acclaimed Hamlet Hail to the Thief, a frenetic adaptation of Shakespeare’s Hamlet, set to a deconstructed score of reworked songs from 2003’s Hail to the Thief. Rolling Stone UK said of the new production, “The biggest testament to Yorke and his co-writers that these worlds collide so seamlessly, as if they were always meant to be together.”\u003c\/p\u003e\n\u003cp style=\"margin: 1em 0px; padding: 0px; color: rgb(96, 96, 96); font-family: Helvetica; font-size: 15px; line-height: 22.5px; text-align: left; font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003e \u003c\/p\u003e\n\u003cp style=\"margin: 15px 0px 5px; padding: 0px; color: rgb(51, 51, 51); font-family: Helvetica; font-size: 14px; line-height: 21px; text-align: left; caret-color: rgb(51, 51, 51); font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003e\u003cstrong\u003eTracklisting:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv style=\"caret-color: rgb(51, 51, 51); color: rgb(51, 51, 51); font-family: Helvetica, Arial, sans-serif; font-size: 14px; font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none; margin-left: 20px;\"\u003e\n\u003cdiv style=\"margin-bottom: 4px; font-size: 14px; color: rgb(51, 51, 51); text-align: left;\"\u003e1. 2+2=5 (Live)\u003c\/div\u003e\n\u003cdiv style=\"margin-bottom: 4px; font-size: 14px; color: rgb(51, 51, 51); text-align: left;\"\u003e2. Sit Down, Stand Up (Live)\u003c\/div\u003e\n\u003cdiv style=\"margin-bottom: 4px; font-size: 14px; color: rgb(51, 51, 51); text-align: left;\"\u003e3. Sail To The Moon (Live)\u003c\/div\u003e\n\u003cdiv style=\"margin-bottom: 4px; font-size: 14px; color: rgb(51, 51, 51); text-align: left;\"\u003e4. Go To Sleep (Live)\u003c\/div\u003e\n\u003cdiv style=\"margin-bottom: 4px; font-size: 14px; color: rgb(51, 51, 51); text-align: left;\"\u003e5. Where I End and You Begin (Live)\u003c\/div\u003e\n\u003cdiv style=\"margin-bottom: 4px; font-size: 14px; color: rgb(51, 51, 51); text-align: left;\"\u003e6. We Suck Young Blood (Live)\u003c\/div\u003e\n\u003cdiv style=\"margin-bottom: 4px; font-size: 14px; color: rgb(51, 51, 51); text-align: left;\"\u003e7. The Gloaming (Live)\u003c\/div\u003e\n\u003cdiv style=\"margin-bottom: 4px; font-size: 14px; color: rgb(51, 51, 51); text-align: left;\"\u003e8. There, There (Live)\u003c\/div\u003e\n\u003cdiv style=\"margin-bottom: 4px; font-size: 14px; color: rgb(51, 51, 51); text-align: left;\"\u003e9. I Will (Live)\u003c\/div\u003e\n\u003cdiv style=\"margin-bottom: 4px; font-size: 14px; color: rgb(51, 51, 51); text-align: left;\"\u003e10. Myxomatosis (Live)\u003c\/div\u003e\n\u003cdiv style=\"margin-bottom: 4px; font-size: 14px; color: rgb(51, 51, 51); text-align: left;\"\u003e11. Scatterbrain (Live)\u003c\/div\u003e\n\u003cdiv style=\"margin-bottom: 4px; font-size: 14px; color: rgb(51, 51, 51); text-align: left;\"\u003e12. A Wolf At The Door (Live)\u003c\/div\u003e\n\u003c\/div\u003e","brand":"XL Recordings","offers":[{"title":"LP (Opaque Red Vinyl)","offer_id":55860678656383,"sku":"XL1563LPE","price":28.0,"currency_code":"GBP","in_stock":true},{"title":"LP","offer_id":55860678689151,"sku":"XL1563LP","price":26.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/2825\/4773\/files\/Radiohead-Hail-To-The-Thief-Live-Recordings-2003-2009.jpg?v=1755169079"},{"product_id":"makaya-mccraven-off-the-record","title":"Makaya McCraven - Off the Record","description":"\u003cp\u003e10\/10\/25\u003c\/p\u003e\n\u003cp\u003e2LP\u003c\/p\u003e\n\u003cp style=\"margin: 0px 0px 10px; padding: 0px; color: rgb(51, 51, 51); font-family: Helvetica; font-size: 14px; line-height: 21px; text-align: left; caret-color: rgb(51, 51, 51); font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003eInternationally acclaimed drummer, producer, and sonic collagist Makaya McCraven returns to announce four distinct yet interconnected EPs - Techno Logic, The People’s Mixtape, Hidden Out!, and PopUp Shop - to be released on all music platforms October 31st. The four EPs are also compiled on a 2xLP and 2xCD physical release titled Off the Record, available for preorder now and in stores October 10th. Together they mark McCraven’s first recorded offerings since 2022’s In These Times (“McCraven’s most ambitious set of music” -GRAMMY) and a deep return to the signature “organic beat music” approach that Makaya first debuted on his 2015 album In The Moment and further developed across subsequent releases Highly Rare (2017), Where We Come From (2018), and Universal Beings (2018). Built from live recordings, the music is later reshaped by McCraven via extensive editing, overdubs, and post-production at his home studio in Chicago.\u003c\/p\u003e\n\u003cp style=\"margin: 0px 0px 10px; padding: 0px; color: rgb(51, 51, 51); font-family: Helvetica; font-size: 15px; line-height: 22.5px; text-align: left; caret-color: rgb(51, 51, 51); font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003eThe source material from each EP is drawn from moments of pure improvisation, recorded live in performance, shaped as much by the room and audience as by the musicians themselves.\u003cbr\u003eTechno Logic features Ben LaMar Gay and Theon Cross, and draws from performances in London (2017), Berlin (2024), and New York (2025), showcasing nearly eight years of developing rapport between the three musicians, starting with their very first session at Worldwide FM’s former North London studio.\u003c\/p\u003e\n\u003cp style=\"margin: 0px 0px 10px; padding: 0px; color: rgb(51, 51, 51); font-family: Helvetica; font-size: 15px; line-height: 22.5px; text-align: left; caret-color: rgb(51, 51, 51); font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003e\u003cbr\u003eThe People’s Mixtape has its foundation in a live recording from Brooklyn’s Public Records in January of 2025, where McCraven celebrated the 10 year anniversary of In The Moment with an intentional return to the improvisational language he developed over that album’s sessions. For the occasion, McCraven played with bassist Junius Paul and trumpeter Marquis Hill (two musicians who are majorly present on In The Moment), as well as vibraphonist Joel Ross (who has been a regular collaborator of McCraven’s since the 2017 sessions for Universal Beings), and synthesist Jeremiah Chiu (marking the first occasion for McCraven to play with the SML co-leader and International Anthem labelmate).\u003c\/p\u003e\n\u003cp style=\"margin: 0px 0px 10px; padding: 0px; color: rgb(51, 51, 51); font-family: Helvetica; font-size: 15px; line-height: 22.5px; text-align: left; caret-color: rgb(51, 51, 51); font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003eHidden Out! is built off recordings from McCraven’s June 2017 residency at The Hideout in Chicago, where he improvised weekly with a revolving cast including bassist Junius Paul, Tortoise member, International Anthem labelmate, composer and guitarist Jeff Parker, and SML co-leader, GRAMMY-award winning producer and alto saxophonist Josh Johnson.\u003c\/p\u003e\n\u003cp style=\"margin: 0px 0px 10px; padding: 0px; color: rgb(51, 51, 51); font-family: Helvetica; font-size: 15px; line-height: 22.5px; text-align: left; caret-color: rgb(51, 51, 51); font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003ePopUp Shop was created from recordings of McCraven’s Los Angeles debut at Del Monte Speakeasy in 2015, where McCraven took part in the King Hippo and Grown Kids Radio produced event RAWS:LA, and improvised with guitarist Jeff Parker, vibraphonist Justefan, and bassist Benjamin J. Shepherd.\u003c\/p\u003e\n\u003cp style=\"margin: 0px 0px 10px; padding: 0px; color: rgb(51, 51, 51); font-family: Helvetica; font-size: 15px; line-height: 22.5px; text-align: left; caret-color: rgb(51, 51, 51); font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003eThe OFF THE RECORD vinyl LP and CD compilation is not just a collection of these recordings, but a tactile document celebrating creative, communal, IRL moments of musical gathering.\u003c\/p\u003e\n\u003cp style=\"margin: 0px 0px 10px; padding: 0px; color: rgb(51, 51, 51); font-family: Helvetica; font-size: 15px; line-height: 22.5px; text-align: left; caret-color: rgb(51, 51, 51); font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003eSpeaking on the record, McCraven says, “In a time where we’re increasingly connected through phones, in a virtual world where you can’t really tell what’s real or what’s fake, there’s something special where we come together and share space, there is something special where we are sharing music, art. I want to create an energy that amplifies the magic in the underground moments where we come together and we experience something wild, different, off the cuff, human. What I’m trying to present is a dreamlike alteration of that energy, which only exists in the recorded realm. But to actually have been there, in real life, is the special thing.”\u003c\/p\u003e\n\u003cp style=\"margin: 1em 0px; padding: 0px; color: rgb(96, 96, 96); font-family: Helvetica; font-size: 15px; line-height: 22.5px; text-align: left; font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003e \u003c\/p\u003e\n\u003cp style=\"margin: 15px 0px 5px; padding: 0px; color: rgb(51, 51, 51); font-family: Helvetica; font-size: 14px; line-height: 21px; text-align: left; caret-color: rgb(51, 51, 51); font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003e\u003cstrong\u003eTracklisting:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv style=\"caret-color: rgb(51, 51, 51); color: rgb(51, 51, 51); font-family: Helvetica, Arial, sans-serif; font-size: 14px; font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none; margin-left: 20px;\"\u003e\n\u003cdiv style=\"margin-bottom: 4px; font-size: 14px; color: rgb(51, 51, 51); text-align: left;\"\u003ePopUp Shop EP\u003c\/div\u003e\n\u003cdiv style=\"margin-bottom: 4px; font-size: 14px; color: rgb(51, 51, 51); text-align: left;\"\u003e1. YoYoYo Intro\u003c\/div\u003e\n\u003cdiv style=\"margin-bottom: 4px; font-size: 14px; color: rgb(51, 51, 51); text-align: left;\"\u003e2. Venice\u003c\/div\u003e\n\u003cdiv style=\"margin-bottom: 4px; font-size: 14px; color: rgb(51, 51, 51); text-align: left;\"\u003e3. Imafan\u003c\/div\u003e\n\u003cdiv style=\"margin-bottom: 4px; font-size: 14px; color: rgb(51, 51, 51); text-align: left;\"\u003e4. Los Gatos\u003c\/div\u003e\n\u003cdiv style=\"margin-bottom: 4px; font-size: 14px; color: rgb(51, 51, 51); text-align: left;\"\u003e5. Sweet stuff\u003c\/div\u003e\n\u003cdiv style=\"margin-bottom: 4px; font-size: 14px; color: rgb(51, 51, 51); text-align: left;\"\u003eHidden Out! EP\u003c\/div\u003e\n\u003cdiv style=\"margin-bottom: 4px; font-size: 14px; color: rgb(51, 51, 51); text-align: left;\"\u003e1. Battleships\u003c\/div\u003e\n\u003cdiv style=\"margin-bottom: 4px; font-size: 14px; color: rgb(51, 51, 51); text-align: left;\"\u003e2. Away\u003c\/div\u003e\n\u003cdiv style=\"margin-bottom: 4px; font-size: 14px; color: rgb(51, 51, 51); text-align: left;\"\u003e3. Dark Parks\u003c\/div\u003e\n\u003cdiv style=\"margin-bottom: 4px; font-size: 14px; color: rgb(51, 51, 51); text-align: left;\"\u003e4. Awaze\u003c\/div\u003e\n\u003cdiv style=\"margin-bottom: 4px; font-size: 14px; color: rgb(51, 51, 51); text-align: left;\"\u003e5. News Feed\u003c\/div\u003e\n\u003cdiv style=\"margin-bottom: 4px; font-size: 14px; color: rgb(51, 51, 51); text-align: left;\"\u003e6. Braddas\u003c\/div\u003e\n\u003cdiv style=\"margin-bottom: 4px; font-size: 14px; color: rgb(51, 51, 51); text-align: left;\"\u003eTechno Logic EP\u003c\/div\u003e\n\u003cdiv style=\"margin-bottom: 4px; font-size: 14px; color: rgb(51, 51, 51); text-align: left;\"\u003e1. Gnu Blue\u003c\/div\u003e\n\u003cdiv style=\"margin-bottom: 4px; font-size: 14px; color: rgb(51, 51, 51); text-align: left;\"\u003e2. Technology\u003c\/div\u003e\n\u003cdiv style=\"margin-bottom: 4px; font-size: 14px; color: rgb(51, 51, 51); text-align: left;\"\u003e3. Boom Bapped\u003c\/div\u003e\n\u003cdiv style=\"margin-bottom: 4px; font-size: 14px; color: rgb(51, 51, 51); text-align: left;\"\u003e4. Prime\u003c\/div\u003e\n\u003cdiv style=\"margin-bottom: 4px; font-size: 14px; color: rgb(51, 51, 51); text-align: left;\"\u003e5. Strikes Again\u003c\/div\u003e\n\u003cdiv style=\"margin-bottom: 4px; font-size: 14px; color: rgb(51, 51, 51); text-align: left;\"\u003eThe People’s Mixtape EP\u003c\/div\u003e\n\u003cdiv style=\"margin-bottom: 4px; font-size: 14px; color: rgb(51, 51, 51); text-align: left;\"\u003e1. Choo Choo\u003c\/div\u003e\n\u003cdiv style=\"margin-bottom: 4px; font-size: 14px; color: rgb(51, 51, 51); text-align: left;\"\u003e2. The Beat UP\u003c\/div\u003e\n\u003cdiv style=\"margin-bottom: 4px; font-size: 14px; color: rgb(51, 51, 51); text-align: left;\"\u003e3. 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Spanning 62 minutes, it showcases some of her most delicate and astonishing work: hard and soft, emotional and brutal, sincere and playful. Presented on double black vinyl with an etched D-side.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"XL Recordings","offers":[{"title":"LP (Double black vinyl with etched D-side)","offer_id":56139924177279,"sku":"XL1576LP","price":26.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/2825\/4773\/files\/Arca.jpg?v=1759315480"},{"product_id":"smerz-believer","title":"Smerz - Believer","description":"\u003cdiv class=\"Content_description-wrapper__XbO9z\" data-is-open=\"true\"\u003e\n\u003cdiv class=\"Content_inner-wrapper__xBJ2L\"\u003e\n\u003cdiv class=\"Description_truncated-text__yUXZD\"\u003e\n\u003cdiv class=\"Description_descriptionBody__bEN2t\"\u003e\n\u003cdiv class=\"Description_descriptionText__Lgv7A\" data-testid=\"description-product\"\u003e\n\u003cp\u003eNorwegian duo Smerz release \u003ci\u003eBeliever\u003c\/i\u003e, their much anticipated debut album that pushes Smerz far beyond their previous EP releases, 2017’s \u003ci\u003eOkey \u003c\/i\u003eand 2018’s \u003ci\u003eHave Fun.\u003c\/i\u003e Since releasing the ‘Believer’ trailer back in October 2020 followed by a video for the tracks ‘I don’t talk about that much\/Hva hvis’, the duo of Catharina Stoltenberg and Henriette Motzfeldt have slowly revealed a new auditory world. 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